She might not make it to morning.Quinn and her father moved to tiny, boring Kettle Springs to find a fresh start. But ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can.Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.

    But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.

    Tortured by the ghost of a fallen Marine, he is faced with the truth, it may be too late for the ones he loves. Hell is cold, and Death stands at the end of his road, the Korean Road.

    Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

    

    Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely, and desperate to change his life, so when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year, Gruhuken, but the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice: stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return--when the sea will freeze, making escape impossible. Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...

    Rock Paper Scissors is an exciting domestic thriller from the queen of the killer twist, about a couple who thinks they know each other well, but realize on a ten year anniversary trip things might not be all that they seem... Rock Paper Scissors goes on sale September 7.

    A new beginning, a new house, a new town: Featherbank.But Featherbank has a dark past. Twenty years ago, a serial killer abducted and murdered five residents. Until Frank Carter was finally caught, he was nicknamed "The Whisper Man," for he would lure his victims out by whispering at their windows at night.Just as Tom and Jake settle into their new home, a young boy vanishes. His disappearance bears an unnerving resemblance to Frank Carter's crimes, reigniting old rumors that he preyed with an accomplice. Now, detectives Amanda Beck and Pete Willis must find the boy before it is too late, even if that means Pete has to revisit his great foe in prison: The Whisper Man. And then Jake begins acting strangely. He hears a whispering at his window.

    You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    Since the car accident that wiped his memories, Cooper has been...a little foggy. Cooper doesn’t know how to do much, but one thing he instinctively seems to know about is strength training, and with his help, Gainesville High’s football team has just won the Mid-States final. With Cooper the hero of the hour, the whole town is getting ready to celebrate in style.When three strangers crash the party and decide to pick on the harmless-looking guy carrying a cooler full of sodas, they trigger something inside Cooper. Afterwards, the folks in Gainesville can never look at him in quite the same way. Is he really just a regular guy who suffered a brain injury in a car crash, or is he someone else? Or something else?As Cooper tries to come to terms with baffling new memories, he’s about to be plunged into a terrifying world of secret experiments and covert assassins that will test his new-found abilities to the limit.

    On the eve of their wedding, however, Samuel disappears, and Regi wonders if once again he has run away from both a life with her and a membership in the Church. Quite the opposite; Samuel has been kidnapped by the Raven Clan, a powerful Alaskan tribe, and is en route to stand trial in front of their justice council for a puzzling crime that happened years ago. When Regi and Samuel’s close friends suspect a kidnapping, Regi—with the help of her sister, Claudia, and friend Wakanda—resolves to follow Samuel to Alaska but soon learns secrets about her fiancé she hadn’t bargained for. While Samuel struggles with his faith and with understanding why he has been accused, Regi risks life and love to set him free.

    She’s convinced her daughter is alive but cannot track her into the wilderness alone. Help arrives in the form of James Bailey, an agent of the crown sent to Boston to investigate the murder of Prudence’s husband and to covertly cause a disturbance that would give the king just cause to install royal governors. After his partner is murdered, James needs help too. He strikes a deal with Prudence, and together they traverse the forbidding New England landscape looking for clues. What they confront in the wilderness—and what they discover about each other—could forever change their allegiances and alter their destinies.

    She was found hiding in her apartment’s bathtub, barely clinging to life.With only fragments of shattered memory, she’s been trying her best to move past the nightmares ever since. Now in Boston, she lives a somewhat reclusive life, working from home as a medical transcriptionist and bingeing on mindless television shows.She can’t shake the fear that her attacker is out there, waiting to finish what he started, and Elizabeth, a nurse she met after the murders, is the only person she can trust.When someone from her past reemerges, Chelsea starts receiving disturbing messages and worries that her every move is being watched. As the messages mount and her memories begin to return, she’s led to a very terrifying and lonely place. But she needn’t be afraid. She won’t be alone there for long.

    It was one of many rules imposed by her cold, distant father. Now, in a final act of desperation, her father has exorcised his demons. But when Laurie returns to claim the estate with her husband and ten-year-old daughter, it’s as if the past refuses to die. She feels it lurking in the broken moldings, sees it staring from an empty picture frame, hears it laughing in the moldy greenhouse deep in the woods…At first, Laurie thinks she’s imagining things. But when she meets her daughter’s new playmate, Abigail, she can’t help but notice her uncanny resemblance to another little girl who used to live next door. Who died next door. With each passing day, Laurie’s uneasiness grows stronger, her thoughts more disturbing. Like her father, is she slowly losing her mind? Or is something truly unspeakable happening to those sweet little girls?