William Boyd's novel Any Human Heart is his disjointed autobiography, a massive tome chronicling "my personal rollercoaster"--or rather, "not so much a rollercoaster", but a yo-yo, "a jerking spinning toy in the hands of a maladroit child." From his early childhood in Montevideo, son of an English corned beef executive and his Uraguayan secretary, through his years at a Norfolk public school and Oxford, Mountstuart traces his haphazard development as a writer. Early and easy success is succeeded by a long half-century of mediocrity, disappointments and setbacks, both personal and professional, leading him to multiple failed marriages, internment, alcoholism, and abject poverty.Mountstuart's sorry tale is also the story of a British way of life in inexorable decline, as his journey takes in the Bloomsbury set, the General Strike, the Spanish Civil War, 1930s Americans in Paris, wartime espionage, New York avant garde art, even the Baader-Meinhof gang--all with a stellar supporting cast. The most sustained and best moment comes mid-book, as Mountstuart gets caught up in one of Britain's murkier wartime secrets, in the company of the here truly despicable Duke and Duchess of Windsor. Elsewhere Boyd occasionally misplaces his tongue too obviously in his cheek--the Wall Street Crash is trailed with truly crashing inelegance--but overall Any Human Heart is a witty, inventive and ultimately moving novel. Boyd succeeds in conjuring not only a compelling 20th century but also, in the hapless Logan Mountstuart, an anti-hero who achieves something approaching passive greatness. --Alan Stewart, Amazon.co.uk

    The menagerie of characters include Coral Musker, a beautiful chorus girl; Carleton Myatt, a rich Jewish businessman; Richard John, a mysterious and kind doctor returning to his native Belgrade; the spiteful journalist Mabel Warren; and Josef Grunlich, a cunning, murderous burglar.What happens to these strangers as they put on and take off their masks of identity and passion, all the while confessing, prevaricating, and reaching out to one another in the "veracious air" of the onrushing train, makes for one of Graham Greene's most exciting and suspenseful stories. Originally published in 1933, Orient Express was Greene's first major success. This Graham Greene Centennial Edition features a new introductory essay by Christopher Hitchens.

    Noah disembarks from his ark but he and his Voyage are not forgotten: they are revisited in on other centuries and other climes - by a Victorian spinster mourning her father, by an American astronaut on an obsessive personal mission. We journey to the Titanic, to the Amazon, to the raft of the Medusa, and to an ecclesiastical court in medieval France where a bizarre case is about to begin...This is no ordinary history, but something stranger, a challenge and a delight for the reader's imagination. Ambitious yet accessible, witty and playfully serious, this is the work of a brilliant novelist.

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    Flory, a white timber merchant, befriends Dr Veraswami, a black enthusiast for the Empire, whose downfall can only be prevented by membership at an all-white club.

    Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.

    With a father he despised, and a mother he both adored and resented, he led a double life—the brilliant and well-behaved student at school, the princely despot at home, always terrified of losing his mother's love. His first encounters with literature, the awakenings of sexual desire, and a growing awareness of apartheid left him with baffling questions; and only in his love of the high veld ("farms are places of freedom, of life") could he find a sense of belonging. Bold and telling, this masterly evocation of a young boy's life is the book Coetzee's many admirers have been waiting for, but never could have expected.

    The novel is notable for its detailed portrait of the people, culture, and varied religions of India. The book presents a vivid picture of India, its teeming populations, religions, and superstitions, and the life of the bazaars and the road.Two men - a boy who grows into early manhood and an old ascetic priest, the lama - are at the center of the novel. A quest faces them both. Born in India, Kim is nevertheless white, a sahib. While he wants to play the Great Game of Imperialism, he is also spiritually bound to the lama. His aim, as he moves chameleon-like through the two cultures, is to reconcile these opposing strands, while the lama searches for redemption from the Wheel of Life. A celebration of their friendship in a beautiful but often hostile environment, 'Kim' captures the opulence of India's exotic landscape, overlaid by the uneasy presence of the British Raj.

    She is a romantic idealistic in revolt against the puritan snobbery of her parents, trying to live to the full with every nerve, emotion, and instinct laid bare to experience. For her, this is a time of solitary reading daydreams, dancing -- and the first disturbing encounters with sex. The first of Doris Lessing's timeless Children of Violence novels, Martha Quest is an endearing masterpiece.

    To survive, he must find a deep strength greater than all the events that surround him.Shanghai, 1941 — a city aflame from the fateful torch of Pearl Harbor. In streets full of chaos and corpses, a young British boy searches in vain for his parents. Imprisoned in a Japanese concentration camp, he is witness to the fierce white flash of Nagasaki, as the bomb bellows the end of the war...and the dawn of a blighted world.Ballard's enduring novel of war and deprivation, internment camps and death marches, and starvation and survival is an honest coming-of-age tale set in a world thrown utterly out of joint.

    He brings this vibrant city's long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the 20th century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

    Edited by his son Patrick, who accompanied his father on the safari, True at First Light offers rare insights into the legendary American writer in the year of the hundredth anniversary of his birth.A blend of autobiography and fiction, the book opens on the day his close friend Pop, a celebrated hunter, leaves Ernest in charge of the safari camp and news arrives of a potential attack from a hostile tribe. Drama continues to build as his wife, Mary, pursues the great black-maned lion that has become her obsession. Spicing his depictions of human longings with sharp humor, Hemingway captures the excitement of big-game hunting and the unparalleled beauty of the scenery -- the green plains covered with gray mist, zebra and gazelle traversing the horizon, cool dark nights broken by the sounds of the hyena's cry. As the group at camp help Mary track her prize, she and Ernest suffer the "incalculable casualties of marriage," and their attempts to love each other well are marred by cruelty, competition and infidelity. Ernest has become involved with Debba, an African girl whom he supposedly plans to take as a second bride. Increasingly enchanted by the local African community, he struggles between the attraction of these two women and the wildly different cultures they represent. In True at First Light, Hemingway also chronicles his exploits -- sometimes hilarious and sometimes poignant -- among the African men with whom he has become very close, reminisces about encounters with other writers and his days in Paris and Spain and satirizes, among other things, the role of organized religion in Africa. He also muses on the act of writing itself and the author's role in determining the truth. What is fact and what is fiction? This is a question that was posed by Hemingway's readers throughout his career and is one of his principal subjects here. Equally adept at evoking the singular textures of the landscape, the thrill of the hunt and the complexities of married life, Hemingway weaves a tale that is rich in laughter, beauty and profound insight. True at First Light is an extraordinary publishing event -- a breathtaking final work from one of America's most beloved and important writers.

    She soon escapes her fate for the loving arms of a wealthy young man, but misadventure and fate conspire to keep her from domestic bliss. Instead, Fanny discovers that sex need not be just for love; that it can be had for pleasure. She then sets out to explore those pleasures in as wide a variety as she can. With old men and young, and women as well; in positions of power, and situations where she has none; either watching or participating, Fanny's journey through the realms of sexual pleasure is a literary tour-de-force.

    John Galsworthy, a Nobel Prize-winning author, chronicles the ebbing social power of the commercial upper-middle-class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s.

    Kurtz. What he sees on his journey, and his eventual encounter with Kurtz, horrify and perplex him, and call into question the very bases of civilization and human nature. Endlessly reinterpreted by critics and adapted for film, radio, and television, the story shows Conrad at his most intense and sophisticated. The other three tales in this volume depict corruption and obsession, and question racial assumptions. Set in the exotic surroundings of Africa, Malaysia, and the east, they variously appraise the glamour, folly, and rapacity of imperial adventure. This revised edition uses the English first edition texts and has a new chronology and bibliography.