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    We find her awake in the middle of the night, contemplating love and heartbreak in all their exhilarating and anguished specifics. With astonishing openness, in language both passionate and enchanting, she offers us an intimate map of a troubled and far-flung heart: “Can you believe I thought that?” she asks, “That we would always go/roaming brave and dangerous/on wild unlit roads?”At once witty and tender, with Dorothy Parker–like turns of the knife and memorable partings from lovers in New York, London, Rome and beyond, these poems capture a restless movement through loves and locales, and charm us at every turn with their forthrightness.From the Hardcover edition.

    In the singular landscape of Matthew Rohrer's first book of poems, the weather, the food, even the household appliances come to life. "A few pages into this book," says the Minneapolis City Pages, "and you'll start glancing sideways at the terrain, which . . . looks suddenly vital." These quirky poems entertain and delicately point to truth. Rohrer illuminates a land of skewed realities where the impossible seems familiar, the sacher torte is afraid to be eaten, and it's always dusk in the forest.

    Starting there, this extended poem—part art criticism, part history—considers the phenomenon of glass, revealing the strength and fragility of our age in the minimalist style that has won Cole Swensen such acclaim.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    Man versus monster; conflict versus conversation; age versus youth; humanity versus its environment; utopia versus what we're living through now. This is a combative and moving book and an answer to anyone who's ever accused poetry of receding into irrelevance.

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    Feisty and funny as always, she turns a sharp eye on the world around her, bidding an ex-hausted farewell to the twentieth century and singing an "electronic breakdown blues" for the twenty-first. She memorializes movingly those who, like los desaparecidos and the victims of 9/11, disappear suddenly and without a trace. She writes an elegy for her mother, a woman who struggled with a deadening round of housework, washing on Monday, ironing on Tuesday, and so on, "until stroke broke / her open." She remembers the scraps of lace, the touch of velvet, that were part of her maternal inheritance and first aroused her sensual curiosity. Here are paeans to the pleasures of the natural world (rosy ripe tomatoes, a mating dance of hawks) as the poet confronts her own mortality in the cycle of seasons and the eternity of the cosmos: "I am hurrying, I am running hard / toward I don't know what, / but I mean to arrive before dark." Other poems-about her grandmother's passage from Russia to the New World, or the interrupting of a Passover seder to watch a comet pass-expand on Piercy's appreciation of Jewish life that won her so much acclaim in The Art of Blessing the Day. Colors Passing Through Us is a moving celebration of the endurance of love and of the phenomenon of life itself-a book to treasure.

    This is a collection of selected poetry in span of 30 years by Goenawan Mohamad, one of the founders of TEMPO a prominenet Indonesian newsmagazine and a renowed figure in the country literary scene.

    The box set contains 4 FULL-LENGTH novels in Drea Stein's Queensbay small town contemporary romance series.  Travel to Queensbay, a quaint New England town where love is in the air.  Meet the couples of Queensbay as they live, laugh and find their happy ever afters. DINNER FOR TWO - BOOK 1 Sean Callahan was big shot chef with his own restaurant and a tv deal - until one mistake had him back scrubbing pots. Now he has a second shot at doing what he loves and he's not about to let anything get between him and his dreams - including the beautiful but fiery Darby Reese. Darby Reese secretly quit her big city job to take over a struggling cafe. Now she has just one chance to make it work. When these two passionate chefs meet sparks fly - but is their chemistry kitchen magic or a recipe for disaster? ROUGH HARBOR - BOOK 2 Will Caitlyn Montgomery and Noah Randall be able to give first love a second chance? Noah Randall was Caitlyn Montgomery’s first love. But he left Queensbay ten years ago and broke her heart. And then when her beloved grandfather died amid scandal, Caitlyn left too, vowing never to return. After a bitter break up and career set back in London, Caitlyn has returned to Queensbay to work for Maxwell Randall, an old family friend. So far, bit by bit, Caitlyn’s been rebuilding all she lost after her ex fiancé humiliated her …and tried to ruin her professional reputation. But her past comes back to haunt her when Maxwell unexpectedly turns up dead. Not only does Caitlyn find her career in jeopardy but her heart is too, when Noah, Maxwell’s son, returns to Queensbay. Once, Caitlyn was sure Noah was the one for her…but the tragedy of her grandfather’s suicide and Noah’s decision to leave town left her bereft…and determined never to trust him again. Over the past decade, she’s managed to do her best to forget about Noah Randall. But now she can’t help wondering, what if? What if Noah really was the one? THE IVY HOUSE - BOOK 3 Phoebe Ryan is Hollywood royalty, the grand-daughter of the infamous screen siren Savannah Ryan. All of her life, Phoebe’s been a California golden girl. But when Savannah dies and leaves her penniless, Phoebe finds her life going down faster than a sinking ship. Before she knows it, she’s been dumped, fired and evicted. All of sudden the glamour of Hollywood is starting to wear a little thin. So when Phoebe discovers Savannah has left her a run-down house on the New England coast, she eagerly hops on a plane. The rundown cottage isn't what she expected. And neither is Chase Sanders, the one man whose past is linked inextricably to her own. Can a big town girl find love with a small town guy? Or is Chase only interested in her because of her famous last name? Phoebe knows that all that glitters isn't gold, but will Chase be able to convince her that his love for her is the real thing? CHASING A CHANCE - BOOK 4 For Lynn Masters, life is pretty swell. She has a job she loves, a new apartment and good friends. So she hasn’t had a date in awhile, but despite what her hormones are telling her, she’s ok with that. Then Jackson Sanders comes to town.

    The wit and wisdom of the West, as documented by Dalton Wilcox, poet laureate of the West.

    Including such subjects as "I Heart Unending Paranoia," "Because You Know You're Avoiding Going Somewhere But Don't Even Know Where Yet," and "I'm Not Going To Change My Clothes Today," Pink's collection is bizarre, funny, and original.

    Gibson. The pages explore hurt, healing, love, forgiveness, self-discovery and the journey towards becoming a woman. Written in four chapters each piece encourages healing and the journeying of self.

    is a reflection on the what ifs, the almosts, and every blown dandelion wish. This work confesses the words never said; the naivet� of a first love, the echoing absence of what could have been, and the awareness of self-significance. Written from a LGBTQ perspective, this collection is pertinent for any member to confide in. It also explores the self-discovery in sexuality and the bravery of coming out, even in fear. Divided into three separate parts, each chapter displaying how the heart acts during different emotional moments in life. This book is best read in a bookstore, cafe, or in the comfort of your home.

    E. Cummings's biographer, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.