But, throughout his career, Robert Maxwell also nurtured another, more driving, and—until now—altogether hidden ambition, and that was to spy for Israel's Mossad. In the end, as Gordon Thomas, an author who has long been trolling the murky waters of international intelligence, shows in this gripping narrative, the conflict between the tycoon's public interests and spy's secret pursuits led to his mystifying death, officially by drowning, in November 1991, offshore of the Canary Islands. According to Thomas's well-placed sources in Israel, Washington, and London, Maxwell first came into Mossad's orbit in the 1970s, when the crack Israeli spy organization stole from the United States its most sophisticated piece of intelligence-gathering software, Enhanced Promis. Of it Mossad made an electronic Trojan horse, secretly amassing strictly classified information from inside the very organizations worldwide to which they were selling it. Mossad's representative for these extremely sensitive transactions costing tens of millions of dollars in China, Russia, India, and twenty other countries was Robert Maxwell. Only Maxwell was also helping himself to some of Mossad's profits—as well as 750 million from his employees' pension fund—in desperate attempts to maintain his empire and to meet the demands of increasingly intolerant creditors. Aboard his yacht that November night in 1991 Maxwell no doubt still clung to the hope of a bailout by Mossad. But Mossad's spy masters could not afford to smile on blackmail. This book reveals all the shocking reasons why. Eight pages of black-and-white photographs add to this astonishing tale of international intrigue, espionage, the Mossad, and murder.

    A pungent and lyrical portrait of mid-'60s black protest."-- Kirkus Reviews With a new introduction by Woodie King Jr.This 1965 novel is a remarkable narrative of childhood and youth, structured on the themes of Dante's Inferno: violence, incontinence, fraud, treachery. With a poet's skill Baraka creates the atmosphere of hell, and with dramatic power he reconstructs the brutality of the black slums of Newark, a small Southern town, and New York City. The episodes contained within the novel represent both states of mind and states of the soul--lyrical, fragmentary, and allusive.

    Nabokov tells us in "The Waltz Invention" that our salvation today rests on a perfect understanding of the human heart. "The Waltz Invention," written when only a handful of scientists were concerned with atomic possibilities, could have been read as a puzzling, incredible fantasy in those days, but of course today a man like Waltz is at the center of our nightmares. We had better have a realistic understanding especially of a tyrant's heart in our fissionable age, MR. Nabokov says. Salvator Waltz is in possession of an infernal machine. He can operate it at will; and the machine is hidden away from all eye in the symbolical country of which Waltz is a citizen. With the same intricate levels of brilliancy as Vladimir Nabokov's other world acclaimed tales, "The Waltz Invention" write in a play form in 1938, is a classic tragedy and a comedy.

    Accompanied by clever black & white line drawings by Marian Parry.

    Gonzo" as he defends the "cucarachas" -- the Chicanos of East Los Angeles.Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's "Dr. Gonzo" a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge.In this exhilarating sequel to The Autobiography of a Brown Buffalo, Acosta takes us behind the front lines of the militant Chicano movement of the late sixties and early seventies, a movement he served both in the courtroom and on the barricades. Here are the brazen games of "chicken" Acosta played against the Anglo legal establishment; battles fought with bombs as well as writs; and a reluctant hero who faces danger not only from the police but from the vatos locos he champions. What emerges is at once an important political document of a genuine popular uprising and a revealing, hilarious, and moving personal saga.

    Yet many may be surprised to learn that the true story behind the making of the film is as captivating as the film itself. In The Making of Slap Shot, veteran sports writer Jonathon Jackson lets fans not only relive just how the film was made, but brings to light surprising facts (i.e., Al Pacino was the first choice for the role of Reggie Dunlop; almost every scene-even the absurd and unbelievable ones-depicts a real life event). With access to those involved in the making of the film, he brings to life some of the magic behind the creation of memorable scenes and characters, especially the Charleston Chiefs, one of the most popular fictional sports teams in history. Based on interviews with over 50 cast members, production staff, and anyone of note involved in the film's creation Destined to be a collectible and keepsake (along with the jerseys, bobbleheads, and other paraphernalia associated with the film), The Making of Slapshot is a must for fans eager to learn even more about their favorite film.

    First published in the United States in 1987 and highly praised for its inventiveness, Pushkin House is a contemporary literary masterpiece. Though the novel's focus is a love affair between Lyova and Faina, the novel's true subject is an investigation of the corruption of Soviet intellectual life and history. Working within many of the confines imposed upon him during the Soviet regime, Bitov ingeniously draws upon Russian literary models, especially that of Nabokov, in order to parody and satirize the stifling society about him, as well as Russian literary tradition.

    ElliottA pedestrian accident by Robert CooverTropism XV by Nathalie SarrauteIn the corridors of the underground : the escalator by Alain Robbe-GrilletWelcome to Utah by Michel ButorThe man in pyjamas by Eugenio MontaleThe self-contained compartment by Michael GoldsteinGame by Donald BarthelmeA mean teacher by Mitchell SisskindGames VI by Reinhard LettauFather, father, what have you done? by Russell EdsonTaboo by Enrique Anderson Imbert

    276 pages, 1972, SBN 684-12530-7; New York, America and Canada

    Brando Unzipped is the definitive gossip guide to the late, great actor's life New York Daily News. Lurid, raunchy, perceptive, and certainly worth reading, it's one of the best show-biz biographies of the year. London's Sunday Times. Brando Unzipped received an Honorable Mention from Foreword Magazine in its Book of the Year competition, and it won a Silver Ippy award for Best Biography from the Independent Publisher's Association."

    Revenge does not account for it: Something infinitely more sinister has happened. Only Primavera and mad Ignatz Zwakh know what power is really behind the microbiotic army dedicated to overthrowing the human gamete. But Primavera's dying. Can they reach Dr. Toxicopholous before the CIA or the pornocrat Kito or their combined assassins and nanomachines reach them?

    This architectural wonder is not merely a place dedicated to astronomical observation but also a space that bears witness to the dreams of those who entered it. Cortazar's haunting photos of this enigmatic place flow into other images – streets, oceans, night skies - which then flow into his verbal dance with a dream logic all its own. Like fish unaware of why they are migrating, readers will be pulled into this fantastic current.

    In this classic noir novel, a private eye from St. Louis, who likes his steak rare, his liquor hard, and his women fallen, arrives at the small town of Paulton to protect his wealthy client's daughter from a suspicious religious cult. Throughout the span of the case, he confronts Paulton's mob boss, avenges his partner's death, and falls for a classic femme fatale named Princess.

    With barbed insouciance, Charles Duff writes not only of hanging but of electrocution, decapitations, and gassings; of innocent men executed and of executions botched; of the bloodlust of mobs and the shabby excuses of the great. This coruscating and, in contemporary America, very relevant polemic makes clear that whatever else capital punishment may be said to be--justice, vengeance, a deterrent--it is certainly killing.

    It had its differences; its ice goblins, its curious furry lorrin, its thickening water, and its unearthly tides, but for a young man like Alika-Drove thinking of a vacation by the sea these oddities were the norm.But this vacation was different. Rax was coming into the ascendant and Rax, that cold second sun, was the equivalent of evil, of Satan and of Hell. And as its time drew near everything began to get warped and sinister...until for Alika-Drove it would be either the harsh brutal end of his innocence or the end of his world forever.