Originally published in 1935, Somebody in Boots was Algren's first novel, based on his experiences living in Texas during the Great Depression. A wonderful companion to Steinbeck's The Grapes of Wrath, this new edition of Somebody in Boots features an introduction by Colin Asher, who is writing a forthcoming biography of Algren.

    There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

    The moment Frank Limosin sees gorgeous eighteen-year-old Suki Flood sitting on the rear deck of the red Trans Am in the hot empty desert, he feels trouble in the air. The Trans Am has a flat tire. They're over ten miles from the nearest highway. And Suki, dressed in short shorts and a tiny halter top, doesn't know how to change a tire. Against Suki's will, Frank gives her a lesson in tire changing, then he thinks that's it, he'll never see her again. How wrong can one man be? Because Suki turns out to be fifty times more trouble than Frank ever dreamed possible. He saved her once. Now he has to save her again and again and again . . .

    including the President of the United States?

       1931— The body found in the gutter in France led the police inspector to the dead man’s beautiful daughter—and to her hot-tempered American husband.   1941— A hardboiled private eye hired to keep a movie studio’s leading lady happy uncovers the truth behind the brutal slaying of a Hollywood starlet.   1951— A desperate man pursuing his last chance at redemption finds himself with blood on his hands and the police on his trail...   Three complete novels that, taken together, tell a single epic story, about an author whose life is shattered when violence and tragedy consume the people closest to him. It is an ingenious and emotionally powerful debut performance from literary detective and former bookseller Ariel S. Winter, one that establishes this talented newcomer as a storyteller of the highest caliber.

    Like so many people in the shadows of Seattle, he’s trying to get by with what he has. In his case, that includes a lively spirit, a sadly diminished magical talent, quick wits, and good knowledge of the twists and turns of Seattle’s dingy streets and back alleys. He puts all that to the service of whatever clients he can dig up, solving whatever cases they’re willing to pay him to take on. With any luck, he’ll scrape up enough nuyen to buy a few rounds of his favorite drink—whiskey, neat.His latest case seems simple enough—find a girl who’s gone missing. But throw in a couple of feuding megacorporations, a few organized crime families, and a full selection of the odd denizens of Seattle’s streets, and you’ve got a case that’s anything but easy. It’s up to Kincaid to see how many people he can keep alive—including (and especially) himself.Neat is a brand-new Shadowrun novella plunging readers into the cold, sharp environs of the Sixth World. Elves, trolls, orks, and dwarves mix with humans in the shadowy streets of a near-future world altered by magic, trying to survive on the crumbs dropped by the megacorporations that dominate the world. Whether you’re new to Shadowrun fiction or a longtime fan, Neat is your ticket back to the Sixth World in all its dark, desperate glory.

     On the surface, Thompson looks like any other blue collar New Jersey town. But beneath the working class exterior lies a bizarro world of fetishistic crime, sleazy motels, and squid. In these three bizarro-noir novellas, the reader is thrown into a world of murderers, drugs made from squid parts, deformed war veterans, and a mischievous apocalyptic donkey... THE HABERDASHER Red Henry Hooper just got out on parole. He meets his friends, fellow small-time criminals Dix Hayden and Grant Minissi, in a cheap motel to drink a couple beers and perhaps plan another job. Things go sour when Grant takes some bad drugs. Meanwhile, in the next room, strange things are happening that will make Henry's day even worse: a woman is missing her feet and a notorious local gangster Robert Hapertas (aka The Haberdasher) is on his way. And he's not pleased... THE LONGHEADS Tommy Pingpong knew it was a mistake sending his partner Jake into the meeting with their boss. Now they were on the run from Peachy, a diaper-wearing gangster who would like nothing better than to kill the both of them. On top of that, the deformed war veterans called the longheads are buying up all the guns in town, planning something big that'll have severe implications for the town of Thompson. THE APOCALYPSE DONKEY When Simon Palmer took the black envelope from the tall man in the parking lot, he didn't know that this case of mistaken identity would make his day take such a weird turn for the worst. When the man finally realizes that he gave the envelope to the wrong guy, Simon is thrown into a dangerous cat-and-mouse game that finally leads to a sleazy carnival of squid violence...

    Dustin loves to drink. Dustin loves his women. Dustin loves loyalty. He might even love his adopted nephew Jeremy. And, he sometimes gets a little too enthusiastic in his job doing collections for local bookies--so, sometimes, he loves to hurt people. Told in the first person, Uncle Dust is a fascinating noir look inside the mind of a hard, yet very complicated criminal.Rob Pierce has been nominated for a Derringer Award for short crime fiction, and has had his stories published in Flash Fiction Offensive, Pulp Modern, Plots With Guns, Revolt Daily, Near To The Knuckle, and Shotgun Honey. The editor of Swill Magazine, he lives in Oakland, California, with his wife and two children. He is equally comfortable taking romantic walks on the beach or dumping the body elsewhere. "I was imprisoned for bank robbery, where I read plenty of novels with a bank robber as the protagonist. Only a few writers entertained me with killer dialogue. I even contacted Elmore Leonard when I was paroled, told him crime writer to crime writer that he understood criminal dialogue real swell. Here's the thing: Had I read "Uncle Dust" while I was incarcerated I would've got out and contacted Rob Pierce before Elmore. The story and dialogue in "Uncle Dust" captured so much of that world and circumstance in all its squalid glory. Made me wish I'd done time with tough guy Dustin. I thoroughly enjoyed our criminal hero's mind as he observed the world, and himself, through a cynical thief's lens. And I think you will too."– Joe Loya, author of the critically-acclaimed memoir, The Man Who Outgrew His Prison Cell: Confessions of A Bank Robber.

    When he was a teenager, his family rented a camper for a few weeks during a summer vacation and traveled to Cape Cod. During that brief stay on a quiet stretch of sandy beach, Alan -- whose adolescent life was characterized by "bewilderment and self-loathing" -- stumbled across a young girl trying to get a kite out of a tree. But instead of helping the girl, he sexually assaulted her. When the girl started screaming, he panicked and silenced her with an act of violence. He ran back to his family's camper, and they eventually returned home as if nothing had happened. Now Alan is assailed by guilt: Did he kill the girl or not? He has to know More than a half century after Shubin's crime fiction classic Anyone's My Name (1953), this novel takes a decidedly restrained look at pulp mystery. The brutal sexual crime -- which is the linchpin for the whole story -- is quickly glossed over in a few paragraphs and hardly ever mentioned again. As a result, the story line loses much of its knuckles-to-jawbone intensity, and instead of developing into an adrenaline-fueled whodunit, Witness to Myself becomes more of a psychological study in guilt, paranoia, and, ultimately, redemption -- a rare bullet-free Hard Case Crime release that is as melancholic as it is disturbing. Paul Goat Allen

    A novel of suspense.STARK TERROR BECOMES A TOTAL REALITY.There is a special numbing quality to fear that strikes in the safety of your own home. Here is where you should feel most secure. Here's where you wash the dishes, polish the car; where friends can drop in; where nobody intrudes except the in-laws. Murder has no place here. Terror doesn't belong.And when monstrous fear and murder bludgeon their way in, you don't believe it. You're numb. Until the bleak, deadly truth forces you to frantic terror for those you love. Then you believe it--then you RIDE THE NIGHTMARE.

    The New Yorker offers a signature mix of reporting and commentary on politics, international affairs, and the arts, along with fiction, poetry, humor, and cartoons. Founded in 1925, The New Yorker has received more National Magazine Awards than any other magazine. Notable work in recent years includes coverage of the war on terror by George Packer, Jane Mayer, Lawrence Wright, Steve Coll, and Seymour M. Hersh; reports from the front lines of the Middle East by Jon Lee Anderson, Dexter Filkins, and Wendell Steavenson; Malcolm Gladwell on "the tipping point"; Anthony Lane on movies; James Wood on books; Elizabeth Kolbert on the environment; Atul Gawande on health care; fiction by Jonathan Franzen, Edwidge Danticat, Zadie Smith, and Haruki Murakami; humor by David Sedaris and Andy Borowitz; and cartoons by Roz Chast.

    Casino owner Joe Martin faces down a Syndicate-backed gambler in a marathon craps game, with millions of dollarsand possibly even his lifeat stake.

    What seems like a good deed however has a cruel payback andin a single moment, Kamran loses everything dear to him. This is whenMirza, in gratitude, takes Kamran under his wing and the young man getsdrawn into the mafia boss’s dangerous world of cops and rival gangsters,eventually taking over from him.Kamran also inherits Mirza’s philosophy that all of life’s problems can besolved through Ghalib¹s poetry.Soon, the innocent taxi driver has cops, criminals and even cabinetministers at his beck and call.And he has a new name—Ghalib Danger.

    Hired to find out who is stirring up the Sioux and sabotaging the Kansas Pacific line as it builds westward, Faraday sends tough young agent Daniel Britten to the railhead, where he finds himself embroiled with surveyors, track layers, buffalo hunters, and a pair of beautiful young women. But there’s a killer stalking the railhead as well, and not only the fate of the railroad but also Britten’s very life depends on him uncovering the truth.An epic Western adventure full of historical sweep and gun-blazing action.

    Like posing as a hit man and wearing a wire to incriminate a local wife who’s looking to get rid of her husband. But when he sees the wife, when he looks into her deep blue eyes...He falls—and falls hard. Soon he’s working with her, against his employer, plotting a devious plan that could get her free from her husband and put millions in her bank account. But can they do it without landing in jail? And once he's kindled his taste for killing...will he be able to stop at one?Cover art by Glen Orbik.