Her gaze swoops vertiginously too; from a countryside of cells beneath a hospital microscope, to killer whales rounding a headland, to the constellations of satellites that belie our sense of the remote. Written with her hallmark precision and delicacy, and marked by moments in her own life, Sightlines offers a rare invitation to pause and to pay heed to our surroundings.

    Over the course of the twentieth century this piece of music, perhaps more than any other, worked its way into the collective consciousness to seemingly define a mythical concept of the English countryside: babbling brooks, skylarks, hayricks. But the birth and legacy of the composition are much more complex than this simplified pastoral vision suggests. The landscape we celebrate as unsullied and ripe with mystique is a living, working, and occasionally rancorous environment - not an unaffected idyll - that forged a nation's musical personality, and its dissenting traditions.On a chronological journey that takes him from postwar poets and artists to the late twentieth century and the free party scene which emerged from acid house and travelling communities, Richard King explores how Britain's history and identity has been shaped by the mysterious relationship between music and nature. From the far west of Wales to the Thames Estuary and the Suffolk shoreline, taking in Brian Eno, Kate Bush, Boards of Canada, Dylan Thomas, Gavin Bryars, Greenham Common and The Kinder Scout Mass Trespass, The Lark Ascending listens to the land and the music that emerged from it, to chart a new and surprising course through a familiar landscape.

    You'll learn how to overcome the unique issues that confront nighttime photographers and capture images of which you'll be proud. Co-author Jennifer Wu, an elite Canon "Explorer of Light" professional photographer, has become renowned for her ability to capture nighttime phenomena, from quarter-phase moon rises to shooting stars to the ephemeral Milky Way. this new guide reveals her methods and concentrates on photographing four principal subjects: stars as points of light, star trails, the moon, and twilight. these subjects share common photo techniques and considerations, but each also requires a distinct approach. Once captured, your digital images must be fi nished on the computer; coauthor and author of the bestselling Photography: Outdoors, James Martin, delves into the settings and procedures that elevate an image from mundane to striking. This clear and practical guide will help photographers of all levels portray the stunning spectacle of the night sky, preserving those special memories and moments from a life outdoors.

    Its eruption in 1783 is one of history's great, untold natural disasters. Spewing out sun-blocking ash and then a poisonous fog for eight long months, the effects of the eruption lingered across the world for years. It caused the deaths of people as far away as the Nile and created catastrophic conditions throughout Europe.Island on Fire is the story not only of a single eruption but the people whose lives it changed, the dawn of modern volcanology, as well as the history—and potential—of other super-volcanoes like Laki around the world. And perhaps most pertinently, in the wake of the eruption of another Icelandic volcano, Eyjafjallajökull, which closed European air space in 2010, acclaimed science writers Witze and Kanipe look at what might transpire should Laki erupt again in our lifetime.

    Instructing runners in Finland, Mexico, Venezuela, Denmark, Japan, the USA and New Zealand, Lydiard has continued to refine his methods, and this manual contains information on exercise physiology, diet, injury prevention and cure, discussion of Lydiard's methods and revised training schedules.

    The theory is sound, but something goes wrong, and a highly contagious combination of virus and prion is unleashed, a middle-stage organism too dangerous to test. With emergency services overwhelmed, a small community hospital tries to combat the unthinkable--an illness that causes aggression, spreads through violence, and won’t allow the dead to rest.

    

    Surprisingly, a great many players surveyed did not even know you need to hit down to get the ball up in the air. Hit Down @#!*% ! concisely explains the concept - and the technique - of hitting down at the golf ball for proper trajectory, increased backspin, much improved distance, proper divot taking, and best of all: consistent shotmaking.If you are inadvertently - or intentionally - hitting up at the ball, Hit Down @#!*% ! is for you. (Also available as DVD series, and MP3 download, all on Amazon.)If you are a seasoned amateur who has inexplicably “plateaud” - just cannot seem to get to the next level despite lessons and/or acquiring a library of books and videos - Hit Down @#!*% ! is for you.Symptoms of hitting up include (but are not limited to): - topping the ball- skulling the ball- pushing the ball- slicing the ball- poor distance- difficulty getting off back foot- poor backspin- no divot- fat divots- chunking the ball- thin/fat chip shots- roofing the ball with your driver- inability to hit long irons and/or fairway woods- good shots followed immediately by poor shotsHitting down at the golf ball is not a new concept, but it is a hitherto poorly explained (or completely avoided) concept. All pros agree on the need to hit down, so there is no debate there. Even Tiger Woods, in his 306 page “How I Play Golf”, states the need to hit down at the ball – but does not explain how. Hit Down @#!*% ! does. Learn to hit down, watch the ball go up, and your scores go down. BONUS: At the end of this book you will find a link to purchase the Hit Down @#!*% ! 4 DVD series and receive a full credit for the purchase of this Kindle ebook.

    

    To many it is unremarkable; to others it is a doomed place where 18th-century thieves hid out, where the town tip once sat, and where suicides leapt to their deaths. Its brooding form presided over the early years of Ted Hughes, who called Scout Rock 'my spiritual midwife . . . both the curtain and backdrop to existence'.Into this beautiful, dark and complex landscape steps Benjamin Myers, asking: are unremarkable places made remarkable by the minds that map them? Seeking a new life and finding solace in nature's power of renewal, Myers excavates stories both human and elemental. The result is a lyrical and unflinching investigation into nature, literature, history, memory and the meaning of place in modern Britain.UNDER THE ROCK is about badgers, balsam, history, nettles, mythology, moorlands, mosses, poetry, bats, wild swimming, slugs, recession, floods, logging, peacocks, community, apples, asbestos, quarries, geology, industrial music, owls, stone walls, farming, anxiety, relocation, the North, woodpiles, folklore, landslides, ruins, terriers, woodlands, ravens, dales, valleys, walking, animal skulls, trespassing, crows, factories, maps, rain - lots of rain - and a great big rock.'A bone-tingling book' -- Richard Benson, author of The Valley and The Farm“Extraordinary, elemental … never less than compelling: this is a wild, dark grimoire of a book” – The Times Literary Supplement 'The writing is perfectly poised and seductive, luminous, an earthy immersion into the granular dark of place. The prose has an intense, porous quality, inhabiting the reader right from the stunning start with the voices of rock, earth, wood and water. This is a truly elemental read from which I emerged subtly changed. The writing has a shamanic quality; Benjamin Myers is a writer of exceptional talent and originality ... it has all the makings of a classic' -- Miriam Darlington, author of Otter Country and Owl Sense“Compelling … admirable and engrossing. Myers writes of the rain with a poet’s eye worthy of Hughes” – Erica Wagner, New Statesman'One of the many joys of Under the Rock - this absorbing, compelling, moving book - is its language; it trickles like a rivulet, thunders like a cataract, and sticks to you like mud. It is full of crannies and dips and peaks wherein wonders hide; explore it for a lifetime and you will not exhaust its mysteries. Unafraid of blood-drenched history and the darkest of despair, this is nonetheless a defiantly life-praising book; it accompanied me to bed and bar, train and plane, and each situation was enriched and brightened by its presence... . It is utterly vital' -- Niall Griffiths, author of Grits, Sheepshagger and Stump'Richly layered, densely and elegantly structured, discursive, elegiac and beautiful. Under the Rock is a stunning exploration of place, mind and myth' -- Jenn Ashworth, author of Fell and The Friday Gospels“Prodigious, awe-incurring … few are as impressive as the formidable Benjamin Myers, who has developed a voice as pure and authentic as it is stark, honest and resolutely northern … creates an overall sense of dreamy, quiet beauty, born of love for the lie of the land.” – The Big Issue “Compelling … an atmospheric exploration of the landscape and its history” – Irish Times“A visionary work of immense power and subtlety which establishes Myers as one of Britain’s most consistently interesting and gifted writers” – Morning Star 'Place-writing at its most supple: both deeply considered, and deeply felt' -- Melissa Harrison, author of Rain: Four Walks in English Weather“Best known for his bleak and brilliant crime fiction Myers turns his focus to nature writing with absorbing results in this lyrical exploration of Scout Rock in Yorkshire’s Calder Valley” – i-news, Best Books to Take on Holiday 2018“Exceptionally engaging … beguiling … this is a startling, unclassifiable book” – Stuart Kelly, The Scotsman“Thoughtful, engaging and beautifully crafted … the writing is lyrical yet muscular and elemental, transporting the reader to this plaece of rugged beauty and dark secrets” – The Yorkshire Post “[A] beautifully poetic, passionate and elegiac book … Myers’ writing left me with a heart-wrenching desire to be there” – Harry Gallon, Minor Literatures'What distinguishes Under the Rock is Myers' unshakeable commitment. He writes at all times with rock-solid conviction, fashioning a book which is less a work of simple description than a new contribution to the mythology of Elmet' -- Will Ashon, author of Strange Labyrinth, Clear Water and The Heritage'I have become a Benjamin Myers junkie in the last 12 months . . . Myers' place-writing is as good as anything being scrawled in Britain today' - Horatio Clare, author of Down to the Sea in Ships and Orison for a Curlew“Terrific… It’s a book which doesn’t just discuss or describe landscape, but immerses you within it… if this doesn’t put Ben Myers on everyone’s radar then I don’t know what will” – Daniel Carpenter, Bookmunch“An author to adopt as your own, a book to turn others on to ... boy does it rock” – Cally Callomon, Caught by the River“A daring new work … make[s] the unremarkable truly remarkable. It’s a work that is focused on landscape and place and is another step on this special writer cementing himself as more than just a cult favourite” – Narc Magazine“An extraordinary blend of power, poetry and grit … Benjamin Myers has made his rock sing” – Richard Littledale, The Preacher’s Blog“Myers’ prose is outstanding” – Marcel Krueger, Hong Kong Review of Books“Under the Rock is the most beautifully written non-fiction book… There is an extremely powerful sense of place. I was fully immersed in the landscape, the water, the woods, the rock. Lyrical, powerful, engaging, moving and fascinating. Highly recommended” – The Book Corner, Halifax

    Helens in southwestern Washington State. Still, no one was prepared when a cataclysmic eruption blew the top off of the mountain, laying waste to hundreds of square miles of land and killing fifty-seven people. Steve Olson interweaves vivid personal stories with the history, science, and economic forces that influenced the fates and futures of those around the volcano. Eruption delivers a spellbinding narrative of an event that changed the course of volcanic science, and an epic tale of our fraught relationship with the natural world.

    As he travels along coastal paths, visits beaches and explores coves, Barkham reflects on the long campaign to protect our shoreline from tidal erosion and human damage and weaves together fascinating tales about every aspect of the coast - from ancient conquests and smuggler's routes, to exotic migratory birds and bucket-and-spade holidays - to tell a more profound story about our island nation and the way we are shaped by our shores.

    

    In addition to his day job in the Oxfordshire countryside treating cows, dogs, pigs and cats, he's also worked with an astonishing range of species around the world, including crocodiles, rhinos and pandas. In this charming collection he introduces us to some of his favourite patients, ranging from beloved family pets through to magnificent creatures of the wild. Whether microchipping armadillos, anaesthetising giraffes or advising the makers of the Jurassic World series on exactly how to operate on a velociraptor, Jonathan's love for his work and the entire animal kingdom is infectious. From the preposterous (castrating a sugar glider) to the poignant (encountering victims of rhino poaching), the stories in The Travelling Vet will delight and enthral every animal lover.

    Usually I decide to save the money so I do not have to earn more. En extremis, I repeat the old Yankee marching chant like a mantra: Make do! Wear it out! When it is gone, do without! Bum, Bum! Bum bi Dum! Bum bi di Dum, Bum bi Dum!