The death of the author's mother sparks a series of reflections on the secret roles mothers play in the lives of troubled adolescents.

    Part magic realism, part science fiction, part theater of the absurd, and part over-the-top, unrepentant spoof, this novel packs more into its few short pages than do most epic trilogies. Graziano has fabricated the rare kind of tale that the reader can honestly say ends much too quickly. Perfectly woven, self-enclosed, multifaceted . . . Kosinski’s Being There sprinkled with a strong dose of Frankenstein . . . the kind of simplicity that speaks volumes.”—Michael Mirolla, author of The Formal Logic of Emotion“An amalgam of fairy tale, satire, science fiction, medical thriller, and soap opera. . . . It is difficult to fathom that a novel so brief can be so epic in scope. Inventive and deftly crafted, The Love Song of Monkey is a tale no reader will soon forget.”—Eric Linder, Yellow Umbrella Books, Chatham, MassachusettsIn a surreal exile on the floor of the Atlantic, a young man faces his own death and his wife’s infidelity. The Love Song of Monkey is a meditation on the simple, inexplicable, and lasting power of love, cast in the metaphor of a journey to the depths of the ocean floor. Precise and beautifully crafted, this modern fable is rich with humor and deep thought.Michael S. A. Graziano, professor of neuroscience at Princeton University, is the author of the novella Hiding Places (New England Review), The Seclusion Zone (2007 fi nalist in the William Faulkner–William Wisdom Creative Writing Competition), and The Intelligent Movement Machine (2008, Oxford University Press).

    Beginning with "Riot Act," a monologue about the Los Angeles uprising in April 1992, Ai explored racial and sexual politics through the voices of diverse characters.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.With vivid cameos of the formative influences in Williams's life--his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin--Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams's plays and the tortured process of bringing them to stage and screen.The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life.Lahr captures not just Williams's tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.Winner of the 2015 Sheridan Morley Prize for Theatre Biography American Academy of Arts and Letters' Harold D. Vursell Memorial AwardChicago Tribune Best Books of 2014USA Today 10 Books We Loved ReadingWashington Post 10 Best Books of 2014

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    Then sixth grade happened. Suddenly finding herself a favorite target of bullies, Rachel endures an endless year of escalating abuse. Adults turn a blind eye, or worse, blame her. At the end of that year, she vows to forget what happened at George Washington Elementary and move on with her life. Unfortunately, this is easier said than done, as she finds herself caught in a life long trap, continuously seeking validation from abusive men who remind her of her long gone bullies. The Playground illustrates the lasting trauma caused by childhood bullying, demonstrating how it continues to adversely affect the life of its victims many years after the bullies have vanished. Note: This book contains some sexually explicit scenes. It is intended for mature audiences only.

    And that's only part of the story. Dr. Harry Wolper, an aging Noble Prize-winning biologist, is attempting to create life-specifically, to re-create his adored late wife by implanting her clone in a loving but reluctant 19-year-old nymphomaniac, and do it before his conventional son can have him committed to an asylum. Creator is a love story, a comedy, a zany account of science running amok, and a moving and tragic account of our biological and imaginative limitations and the struggle we wage against them. Creator was turned into a feature film starring Peter O'Toole and Mariel Hemingway.

    Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett, Ionesco, Genet, Pinter, and others—shattered dramatic conventions and paid scant attention to psychological realism, while highlighting their characters’ inability to understand one another. In 1961, Martin Esslin gave a name to the phenomenon in his groundbreaking study of these playwrights who dramatized the absurdity at the core of the human condition.Over four decades after its initial publication, Esslin’s landmark book has lost none of its freshness. The questions these dramatists raise about the struggle for meaning in a purposeless world are still as incisive and necessary today as they were when Beckett’s tramps first waited beneath a dying tree on a lonely country road for a mysterious benefactor who would never show. Authoritative, engaging, and eminently readable, The Theatre of the Absurd is nothing short of a classic: vital reading for anyone with an interest in the theatre.

    Her family, her community, and eventually, the entire nation struggle to find meaning in her silence. School officials suspect abuse. Church members are divided—either she has a message from God or is possessed by a demon. Social workers interrupt an exorcism to wrest Hannah away from her momma, who has a tenuous grip on sanity. Hidden in protective foster care for twelve years, she loses all contact with her mother and remains mute by choice. When Hannah leaves foster care at age eighteen to search for Momma, a national debate rages over her silence. A religious movement awaits her prophecy and celebrates her return. An anarchist group, Voices for the Voiceless, cites Hannah as its inspiration. The nation comes unhinged, and the conflict spills into the streets when presidential candidates chime in with their opinions on Hannah—patriotic visionary or dangerous radical. A remnant still believes she is evil and seeks to dispatch her from this world. Hannah stands at the intersection of anarchists and fundamentalists, between power politics and an FBI investigation. All she wants is to find her momma, a little peace and quiet, and maybe some pancakes. One word would put an end to the chaos… if only Hannah can find her voice.

    Now financially comfortable and artistically embittered, Richard is at his home upstate recuperating from heart surgery and nursing resentment toward his publisher and his reading public who have found new, more exciting writers and left his star to wane. In his attic, Richard comes across a stack of notebooks, the journals he began keeping when he arrived in New York in the late '70s. He is alternately fascinated and repelled by the young man he meets in these pages: hilariously naive and egotistically misguided, the younger Richard compulsively absorbs everything around him from art and creativity to sex and drugs. As he reads more about himself, written by himself, Richard discovers that the pivotal moments of self-invention -- and self-realization -- occur far outside the conventional chronology of a lifetime."Perforated Heart" explores two wholly different characters -- a young, ambitious artist and his older self, jaded by both success and failure -- and creates an unforgettable portrait of the two men who inhabit the one individual. By turns meditative, deftly observant, and scathingly analytical, Eric Bogosian re-creates the landscape and atmosphere of 1970s New York City with fresh, vivid imagery and reveals a powerful commentary on the dynamic between creativity and commerce in the artistic world. Perforated Heart is his most rewarding and penetrating novel yet, with prose that reflects an equally astonishing range of experience and emotion.

    in this off-kilter, coming-of-age romantic comedy.Abbie, a twenty-something free spirit who is dreading her looming parent-mandated enrollment in graduate school, makes a semi-annual pilgrimage to visit her perfectly well meaning and perfectly boring grandfather, Henry. But Abbie is roused out of her quarter-life crisis when she meets her grandfather's persnickety, oddball friend, Johnson. With his cane and elderly clothing, he is the very picture of a bitter old man. The problem is, Johnson is 23 years old, and apparently completely delusional. Also a problem: Abbie is falling in love with him. The first novel from screenwriter Andrew Kevin Walker, OLD MAN JOHNSON is for the old (and young) at heart.Cover design by Kristen Radtke.Cover painting by Mark Allison.

    Taking examples from the plays of Aeschylus, Sophocles and Euripides, The Poetics introduces into literary criticism such central concepts as mimesis (‘imitation’), hamartia (‘error’), and katharsis (‘purification’). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, centring on characters of heroic stature, idealized yet true to life. One of the most powerful, perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since.Malcolm Heath’s lucid English translation makes the Poetics fully accessible to the modern reader. It is accompanied by an extended introduction, which discusses the key concepts in detail and includes suggestions for further reading.

    Margot, who plays the chimp’s lawyer, knows the production is dreadful and bemoans the failure of her acting career. She’s settled into the drudgery of playing a humiliating part—until the day she receives a mysterious letter from an anonymous admirer . . . and later, in the middle of a performance, has a shocking encounter with Adam, the twelve-year-old who plays the title role.Francine Prose’s effervescent comedy is told from the viewpoints of wildly unreliable, seemingly disparate characters whose lives become deeply connected as the madcap narrative unfolds. There is Adam, whose looming adolescence informs his interpretation of his role; Edward, a young audience member who is candidly unimpressed with the play; Ray, the author of the novel on which the musical is based, who witnesses one of the most awkward first dates in literature; and even the eponymous Mister Monkey, the Monkey God himself.With her trademark wit and verve, Prose delves into humanity’s most profound mysteries: art, ambition, childhood, aging, and love. Startling and captivating, Mister Monkey is a breathtaking novel from a writer at the height of her craft.

    Raif is a stalled academic, as uncertain of the past as he is the future, whose girlfriend is about to move in. They meet by chance, nothing important is said, yet Iris turns away and starts to run. She is running from what this encounter has woken in her. In the City of Love's Sleep is a contemporary fable about what it means to fall in love in middle age. It charts the steps two people take towards one another and what it means to have taken those steps before.