According to ancient sources, she achieved her success by plotting against her brother, the emperor Caligula, murdering her husband, the emperor Claudius, and controlling her son, the emperor Nero, by sleeping with him. Modern scholars tend to accept this verdict. But in his dynamic biography—the first on Agrippina in English—Anthony Barrett paints a startling new picture of this influential woman.Drawing on the latest archaeological, numismatic, and historical evidence, Barrett argues that Agrippina has been misjudged. Although she was ambitious, says Barrett, she made her way through ability and determination rather than by sexual allure, and her political contributions to her time seem to have been positive. After Agrippina's marriage to Claudius there was a marked decline in the number of judicial executions and there was close cooperation between the Senate and the emperor; the settlement of Cologne, founded under her aegis, was a model of social harmony; and the first five years of Nero's reign, while she was still alive, were the most enlightened of his rule. According to Barrett, Agrippina's one real failing was her relationship with her son, the monster of her own making who had her murdered in horrific and violent circumstances. Agrippina's impact was so lasting, however, that for some 150 years after her death no woman in the imperial family dared assume an assertive political role.

    600. Centered around a traditional political and military narrative, it presents in-depth coverage of Roman social, economic, and cross-cultural developments, providing a reader of a greater understanding of the people, places, and events that shaped the great Roman empire. KEY TOPICS: This comprehensive book covers such topics as the foundations of early Rome and Italy; the Phoenicians, Etruscans and Greeks in pre-Roman Italy, early Rome to 500 B.C.; early Roman society, religion, and values; the rise of the Roman Republic; the Roman Conquest of Italy; the late Republic; the rise of Caesar; the early Roman empire; the impact of Augustus on Roman life; Tiberius and Caligula; Claudius, Nero, and the Julio-Claudians; the Flavians; crisis and change in the third and fourth centuries A.D.; Constantine and Christianity; and the Church and its legacy. MARKET: For anyone interested in a comprehensive book on the history of the Roman people, from prehistory through 600 A.D.

    Boatwright, Daniel Gargola, and Richard J.A. Talbert explore this question as they guide readers through a comprehensive sweep of Roman history, ranging from the prehistoric settlements to the age of Constantine. Vividly written and accessible, The Romans traces Rome's remarkable evolution from village, to monarchy, to republic, and eventually to one-man rule by an emperor whose power at its peak stretched from Scotland to Iraq and the Nile Valley. Firmly grounded in ancient literary and material sources, the book describes and analyzes major political and military landmarks, from the Punic Wars, to Caesar's conquest of Gaul and his crossing of the Rubicon, to the victory of Octavian over Mark Antony, and to Constantine's adoption of Christianity. It also introduces such captivating individuals as Hannibal, Mithridates, Pompey, Cicero, Cleopatra, Augustus, Livia, Nero, Marcus Aurelius, and Shapur. The authors cover issues that still confront modern states worldwide, including warfare, empire building, consensus forging, and political fragmentation. They also integrate glimpses of many aspects of everyday Roman life and perspective--such as the role of women, literature, entertainment, town-planning, portraiture, and religion--demonstrating how Rome's growth as a state is inseparable from its social and cultural development. Ideal for courses in Roman history and Roman civilization, The Romans is enhanced by almost 100 illustrations, more than 30 maps (most produced by the Ancient World Mapping Center), and 22 textual extracts that provide fascinating cultural observations made by ancient Romans themselves.

    When he became involved in a conspiracy and was imprisoned in Pavia, it was to the Greek philosophers that he turned. THE CONSOLATION was written in the period leading up to his brutal execution. It is a dialogue of alternating prose and verse between the ailing prisoner and his 'nurse' Philosophy. Her instruction on the nature of fortune and happiness, good and evil, fate and free will, restore his health and bring him to enlightenment. THE CONSOLATION was extremely popular throughout medieval Europe and his ideas were influential on the thought of Chaucer and Dante.

    His exact dates are unknown, but he has often been considered a younger contemporary of Homer. This volume of the new Loeb Classical Library edition offers a general introduction, a fluid translation facing an improved Greek text of Hesiod's two extant poems, and a generous selection of testimonia from a wide variety of ancient sources regarding Hesiod's life, works, and reception.In "Theogony" Hesiod charts the history of the divine world, narrating the origin of the universe and the rise of the gods, from first beginnings to the triumph of Zeus, and reporting on the progeny of Zeus and of goddesses in union with mortal men. In "Works and Days" Hesiod shifts his attention to the world of men, delivering moral precepts and practical advice regarding agriculture, navigation, and many other matters; along the way he gives us the myths of Pandora and of the Golden, Silver, and other Races of Men.

    His dream was at times characterized as a benevolent interest in the brotherhood of man, sometimes as a brute interest in the exercise of power. Green, a Cambridge-trained classicist who is also a novelist, portrays Alexander as both a complex personality and a single-minded general, a man capable of such diverse expediencies as patricide or the massacre of civilians. Green describes his Alexander as "not only the most brilliant (and ambitious) field commander in history, but also supremely indifferent to all those administrative excellences and idealistic yearnings foisted upon him by later generations, especially those who found the conqueror, tout court, a little hard upon their liberal sensibilities."This biography begins not with one of the universally known incidents of Alexander's life, but with an account of his father, Philip of Macedonia, whose many-territoried empire was the first on the continent of Europe to have an effectively centralized government and military. What Philip and Macedonia had to offer, Alexander made his own, but Philip and Macedonia also made Alexander form an important context for understanding Alexander himself. Yet his origins and training do not fully explain the man. After he was named hegemon of the Hellenic League, many philosophers came to congratulate Alexander, but one was conspicuous by his absence: Diogenes the Cynic, an ascetic who lived in a clay tub. Piqued and curious, Alexander himself visited the philosopher, who, when asked if there was anything Alexander could do for him, made the famous reply, "Don't stand between me and the sun." Alexander's courtiers jeered, but Alexander silenced them: "If I were not Alexander, I would be Diogenes." This remark was as unexpected in Alexander as it would be in a modern leader.For the general reader, the book, redolent with gritty details and fully aware of Alexander's darker side, offers a gripping tale of Alexander's career. Full backnotes, fourteen maps, and chronological and genealogical tables serve readers with more specialized interests.

    He had simply disappeared, missing for four months. The author, a British counter-intelligence officer, was given the task of solving this mystery. His brilliant piece of detective work not only proved that Hitler had killed himself in Berlin, but also produced one of the most fascinating history books ever written. His book tells the extraordinary story of those last days in the Berlin Bunker. The New Statesman has called this book "incomparable…by far the best written on any aspect of the second German war-a book sound in scholarship, brilliant in its presentation." Chapters include: Hitler & his court. Hitler in defeat. The court in defeat. Crisis & decision. Siege of the Bunker. Et Tu Brute. Death of Hitler. Epilogue. Notes on sources. Index.

    O’Donnell is a “vigorous” (Kirkus Reviews) and “richly layered” (Publishers Weekly) history of Rome’s fall. Renowned historian and author of Augustine, O’Donnell revisits this ancient tale in a fresh way, bringing home its sometimes painful relevance to today’s political issues.

    It begins with Julius Caesar's invasion in the first century BC and goes on to tell of the kings and bishops, monks and nuns who helped to develop government and convert the people to Christianity during these crucial formative years. Relating the deeds of great men and women but also describing landscape, customs and ordinary lives, this is a rich, vivid portrait of an emerging church and nation by the 'Father of English History'.Leo Sherley-Price's translation from the Latin brings us an accurate and readable version of Bede's History. This edition includes Bede's Letter to Egbert, denouncing false monasteries; and The Death of Bede, an admirable eye-witness account by Cuthbert, monk and later Abbot of Jarrow, both translated by D. H. Farmer.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    As well as recording public and historical events, Pepys paints a vivid picture of his personal life, from his socializing and amorous entanglements, to his theatre-going and his work at the Navy Board. Unequaled for its frankness, high spirits and sharp observations, the diary is both a literary masterpiece and a marvelous portrait of seventeenth-century life.Previously published as The Shorter Pepys, this edition is edited and abridged by Robert Latham, Fellow and Pepys Librarian at Magdalene College, Cambridge.

    His work was received with widespread acclaim by the scholarly community and the reading public. In 1902 Mommsen was awarded the Nobel Prize for Literature and acclaimed as 'the greatest living master of the art of historical writing'. Mommsen rejected traditional Enlightenment accounts, which glorified ancient Rome; instead, guided by a new and rigorous criticism of sources, Mommsen began the demythologisation of Roman history. In a vivacious and engaging style, Mommsen drew bold parallels between the nineteenth century and classical Rome. Information about this Folio Society edition (taken from the Editorial Note):Theodor Mommsen’s Römische Geschichte was first published in three volumes between 1854 and 1856, and was subsequently revised several times. The text of the present volume is derived from William Purdie Dickson’s translation, first published in four volumes by Richard Bentley in London in 1868, of the fourth German edition.The text printed in the ensuing pages preserves slightly less than half of the 1868 edition’s three-quarters of a million words. In abridging a work of such magnitude, strict guiding principles tend to be honoured as much in their breach as in their observance. With that caveat in mind, therefore, the intention in this edition has been to provide, within a single volume, a continuous narrative of the history of Rome, from the origins of the city down to the Civil War that resulted in the sole rule of Julius Caesar (c.753—46BC). At the same time, it is hoped that the selection represents the essential character of Mommsen’s historical vision, and can be read with both pleasure and profit by a non-specialist audience.In pursuit of these goals, the relative amount of space devoted to each of the main periods of Roman history has been preserved, and Mommsen’s own book divisions and titles retained. Similarly, the original chapter titles and breaks—and indeed even the paragraphing—has been followed as closely as possible. Wirth some obvious exceptions, marginal precedence has been given to social and constitutional developments, and to political events and conflicts in Rome and Italy, over foreign policy and the detailed narration of overseas wars. Consequently, the significant amount of background information that Mommsen provided concerning the foreign nations with which Rome came into violent contact—Etruscans, Celts, Carthaginians and the peoples of the Hellenistic eastern Mediterranean among them—has been almost entirely excised. And the summaries on literature and the arts that were tacked on to the end of each book have also had to be omitted. Within these broad parameters, however, every effort has been made to ensure that the full spectrum of Mommsen's themes, methodology, and style is portrayed.So that the text retains its readability, all cuts have been made silently, without the distraction of frequent ellipses. Where it has proved impossible to provide a continuous narrative in Mommsen’s own words, then editorial linking passages, printed in smaller type than the rest of the text, have been supplied. These confine themselves to the bare essentials and take a deliberately conservative line in order to sit more comfortably with the main narrative. the new maps and extensive chronology are also intended to compensate for information otherwise excised. A handful of editorial footnotes and other brief interpolations have been added where essential for sense. All such additions to the original text, as well as any other localised rewordings necessitated by the cuts, are contained within square brackets. Most of Mommsen’s analogies to subsequent historical events, which are one of the many delights of his work, require no explanation for an educated readership.Any attempt to update Mommsen’s scholarship would be presumptuous, if not completely foolhardy, and so all points of fact and interpretation have been allowed to stand without comment. thus, for example, Mommsen’s belief that Caesar was probably born in 102BC—rather than 100 BC, as is now generally accepted—has not been amended. Nor has it been deemed necessary to bring into line with current accepted norms either the spelling of proper nouns or Disckon’s faithful equivalents of Mommsen’s deliberately idiosyncratic and anachronistic rendition of Latin terms. Of these, the most noticeable is undoubtedly the word ‘burgess’ instead of ‘citizen’. While proving that few things date faster than modernity, they also provide an important reminder that Mommsen wrote his history with the pressing political and national issues facing both pre-unification Germany and the rest of the mid-nineteenth0century Europe directly in mind.

    Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts."The Homeric poems are among the oldest stories we have, drawing on deep roots in the Eurasian steppes beyond the Black Sea, but emerging at a time around 2000 B.C. when the people who would become the Greeks came south and both clashed and fused with the more sophisticated inhabitants of the Eastern Mediterranean.The poems, which ask the eternal questions about the individual and the community, honor and service, love and war, tell us how we became who we are.

    Shirer was virtually unknown in 1940 when he decided there might be a book in the diary he had kept in Europe during the 1930s—specifically those sections dealing with the collapse of the European democracies and the rise of Nazi Germany.Berlin Diary first appeared in 1941, and the timing was perfect. The energy, the passion, the electricity in it were palpable. The book was an instant success, and it became the frame of reference against which thoughtful Americans judged the rush of events in Europe. It exactly matched journalist to event: the right reporter at the right place at the right time. It stood, and still stands, as so few books have ever done—a pure act of journalistic witness.

    Susan Wise Bauer provides both sweeping scope and vivid attention to the individual lives that give flesh to abstract assertions about human history. Dozens of maps provide a clear geography of great events, while timelines give the reader an ongoing sense of the passage of years and cultural interconnection. This narrative history employs the methods of “history from beneath”—literature, epic traditions, private letters and accounts—to connect kings and leaders with the lives of those they ruled. The result is an engrossing tapestry of human behavior from which we may draw conclusions about the direction of world events and the causes behind them.

    Proving that good music and shocking tabloid-style stories make excellent bedfellows, it presents tales of revenge, murder, curious accidents, and strange fates that span more than two thousand years. Highlights include:*A cursed song that kills those who hear it*A composer who lovingly cradles the head of Beethoven's corpse when his remains are exhumed half a century after his death* A fifteenth-century German poet who sings of the real-life Dracula*A dream of the devil that inspires a virtuoso violin pieceUnlike many music books that begin their histories with the seventeenth or eighteenth-centuries, Beethoven's Skull takes the reader back to the world of ancient Greece and Rome, progressing through the Middle Ages and all the way into the twentieth century. It also looks at myths and legends, superstitions, and musical mysteries, detailing the ways that musicians and their peers have been rather horrible to one another over the centuries.