In a strikingly original interpretation that brings the Jazz Age to life in a wholly new way, Ann Douglas arugues that when, after World War I, the United States began to assume the economic and political leadership of the West, New York became the heart of a daring and accomplished historical transformation.

    Looking for a hopeful response to the plague of Holocaust denial sweeping across the Arab and Muslim worlds, Robert Satloff sets off on a quest to find the Arab hero whose story will change the way Arabs view Jews, themselves, and their own history. The story of the Holocaust's long reach into the Arab world is difficult to uncover, covered up by desert sands and desert politics. We follow Satloff over four years, through eleven countries, from the barren wasteland of the Sahara, where thousands of Jews were imprisoned in labor camps; through the archways of the Mosque in Paris, which may once have hidden 1700 Jews; to the living rooms of octogenarians in London, Paris and Tunis. The story is very cinematic; the characters are rich and handsome, brave and cowardly; there are heroes and villains. The most surprising story of all is why, more than sixty years after the end of the war, so few people-- Arab and Jew--want this story told.

    In Hugo! he tells the story of Chávez’s impoverished childhood, his military career and the decade of clandestine political activity that ended in a failed attempt to seize power in 1992. He describes the election campaign against a former Miss Universe that finally won Chávez the Presidency and the dramatic reversals of fortune that have marked it: the struggle to reform the Venezuelan economy, the coup attempt of 2002 in which he was kidnapped and faced summary execution, and the oil industry strike that followed. The full stories of many of these episodes have never been told before – in English or Spanish. Hugo! is scrupulously researched and sourced, and as compelling to read as a good novel. The ruling elites and popular media in Venezuela and the United States oversimplify by casting Chávez as the heir to Fidel Castro, and more often than not, they have their facts wrong. The truth is more complex, and more interesting. The leader of one of the most powerful economies in Latin America is determined to try to use his country's wealth to help the poor majority. The Chávez that emerges from Jones’ account is neither a plaster saint nor a revolutionary tyrant. He is a master politician — democratically elected to the presidency three times — an inspired improviser, a Bolivarian nationalist and an unashamed socialist. His policies have brought him into conflict with the IMF and the World Bank, the major oil companies and the Bush White House. By the time he arrived at the United Nations in September 2006 he had become a figure on the world stage. When he declared that ‘the devil came here yesterday … the President of the United States’, it was clear that, right or wrong, one man was taking on the might of most powerful nation on earth, in conscious imitation of the Liberator, Simon Bolivar.

    He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. This is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).

    However, I love a man and many say this makes me an evil person.' On 24 March 1962, when Emile Griffith stepped into the ring in Madison Square Garden to defend his world title against Benny Paret, he was filled with rage. During their weigh-in, the Cuban challenger had denounced Griffith as a 'faggot' and minced towards him. In the macho world of boxing, where fighters know they are engaged in the hurt game, there could be no greater insult. At that time, it was illegal for people of the same gender to have sex, or even for a bar to knowingly serve a drink to a gay person. It was an insinuation that could have had dangerous consequences for Griffith - especially as it was true. In the fight that followed, Griffith pounded Paret into unconsciousness, and the Cuban would die soon after, leaving Griffith haunted by what he had done. Despite this, he went on to fight more world championship rounds than any other fighter in history in a career that lasted for almost 20 years. In Donald McRae's first sports book in more than a decade, he weaves a compelling tale of triumph over prejudice - Griffith was black, so doubly damned by contemporary society, but refused to cower away as society wished. A Man's World, longlisted for the William Hill Sports Book of the Year, is sure to become a classic piece of sports writing.

    If what he has seen could be conveyed to all Americans, this ugly war in Iraq would quickly come to an end. A superb journalist.”—Howard ZinnWe walk slowly under the scorching sun along dusty rows of humble headstones. She continues reading them aloud to me, “Old man wearing jacket with dishdasha, near industrial center. He has a key in his hand.” Many of the bodies were buried before they could be identified. Tears welling up in my eyes she quietly reads, “Man wearing red track suit.” She points to another row, “Three women killed in car leaving city by American missile.”As the occupation of Iraq unravels, the demand for independent reporting is growing. Since 2003, unembedded journalist Dahr Jamail has filed indispensable reports from Iraq that have made him this generation’s chronicler of the unfolding disaster there. In these collected dispatches, Jamail presents never-before-published details of the siege of Fallujah and examines the origins of the Iraqi insurgency.Dahr Jamail makes frequent visits to Iraq and has published his accounts in newspapers and magazines worldwide. He has regularly appeared on Democracy Now!, as well as the BBC, Pacifica Radio, and numerous other networks.

    Including interviews with military top brass, from commanding officers to General Petreaus himself, this book reveals the disturbing chasm between official rhetoric and the situation on the ground.Informed by more than 300 hours of firsthand frontline footage with the U.S. Marines, documentary filmmaker Anderson (HBO's "The Battle for Marjah") provides a gripping account of the Afghanistan war in Helmand province.

    . . an accepted major work.” This groundbreaking work views in depth both American literature and character from the time of the American Revolution to the present. From it, there emerges Fiedler’s once scandalous―now increasingly accepted―judgment that our literature is incapable of dealing with adult sexuality and is pathologically obsessed with death.

    In "The Arab Awakening" he explores the opportunities and challenges across North Africa and the Middle East, as they look to create new, more open societies. He asks: Can Muslim countries bring together Islam, pluralism and democracy without betraying their identity? Will the Arab world be able to reclaim its memory to reinvent education, women's rights, social justice, economic growth and the fight against corruption? Can this emancipation be envisioned with Islam, experienced not as a straitjacket, but as an ethical and cultural wealth? Arguing that the debate cannot be reduced to a confrontation between two approaches - the modern and secular versus the traditional and Islamic - Ramadan demonstrates that not only are both of these routes in crisis, but that the Arab world has an historic opportunity: to stop blaming the West, to jettison its victim status and to create a truly new dynamic. Tariq Ramadan offers up a challenge to the Middle East: What enduring legacy will you produce, from the historic moment of the Arab Spring?

    Spanning 500 years of Hispanic history, from the first New World colonies to the 19th century westward expansion in America, this narrative features family portraits of real-life immigrants along with sketches of the political events and social conditions that compelled them to leave their homeland.

    Known as ‘the shadow commander’, he enacted the wishes of the country’s Supreme Leader across the Middle East, establishing the Islamic Republic as a major force in the region. But all this was a long way from where he began – on the margins of a nation whose ruler was seen as a friend of the West. Through Soleimani, Arash Azizi examines how Iran came to be where it is today. Providing a rare insight into a country whose actions are often discussed but seldom understood, he reveals the global ambitions underlying Iran’s proxy wars, geopolitics and nuclear programme.

    Sometimes, she does so in person—as during President Obama’s speech at the National Defense University, or during a reception for drone manufacturers and members of Congress, or in Cairo, where she was assaulted by police. Here, she’s researching the sinister nature of the relationship between the U.S. and Saudi Arabia.In seven succinct chapters followed by a meditation on prospects for change, Benjamin—cited by the L.A. Times as “one of the high-profile members of the peace movement”—shines a light on one of the most perplexing elements of American foreign policy. What is the origin of this strange alliance between two countries that seemingly have very little in common? Why does it persist, and what are its consequences? Why, over a period of decades and across various presidential administrations, has the United States consistently supported a regime shown time and again to be one of the most powerful forces working against American interests? Saudi Arabia is perhaps the single most important source of funds for terrorists worldwide, promoting an extreme interpretation of Islam along with anti-Western sentiment, while brutally repressing non-violent dissidents at home.With extremism spreading across the globe, a reduced U.S. need for Saudi oil, and a thawing of U.S. relations with Iran, the time is right for a re-evaluation of our close ties with the Saudi regime.

    Provocative and compelling, Albert Murray debunks the "so-called findings and all-too-inclusive extrapolations of social science survey technicians," contending that "human nature is no less complex and fascinating for being encased in dark skin." His claim that blacks have produced "the most complicated culture, and therefore the most complicated sensibility in the western world" is elucidated in a book which, according to Walker Percy, "fits no ideology, resists all abstractions, offends orthodox liberals and conservatives, attacks social scientists and Governor Wallace in the same breath, sees all the faults of the country, and holds out hope in the end."

    The persistence of white supremacy and the ubiquity of Black death feeds a national culture of terror and a perpetual undercurrent of mourning.If the gothic narrative is metabolized fear, if the goth aesthetic is romanticized melancholy, what does that look and sound like in Black America?

    In this timely and important book, Abdel Bari Atwan draws on his unrivaled knowledge of the global jihadi movement and Middle Eastern geopolitics to reveal the origins and modus operandi of Islamic State. Based on extensive field research and exclusive interviews with IS insiders, Islamic State outlines the group's leadership structure, as well as its strategies, tactics, and diverse methods of recruitment. Atwan traces the Salafi-jihadi lineage of IS, its ideological differences with al Qaeda and the deadly rivalry that has emerged between their leaders. He also shows how the group's rapid growth has been facilitated by its masterful command of social media platforms, the "dark web," Hollywood blockbuster-style videos, and even jihadi computer games, producing a powerful paradox where the ambitions of the Middle Ages have reemerged in cyberspace. As Islamic State continues to dominate the world's media headlines with horrific acts of ruthless violence, Atwan considers the movement's chances of survival and expansion and offers indispensable insights on potential government responses to contain the IS threat.