Set on the fictional African island of Azania, the novel chronicles the efforts of Emperor Seth, assisted by the Englishman Basil Seal, to modernize his kingdom. Profound hilarity ensues from the issuance of homemade currency, the staging of a "Birth Control Gala, " the rightful ruler's demise at his own rather long and tiring coronation ceremonies, and a good deal more mischief.

    On the brink of twenty, Charles High-way preps desultorily for Oxford, cheerfully loathes his father, and meticulously plots the seduction of a girl named Rachel -- a girl who sorely tests the mettle of his cynicism when he finds himself falling in love with her.

    Left penniless, the young widow is forced to live with her late husband's family in a joyless old house. There's Mr Wither, a tyrannical old miser, Mrs Wither, who thinks Viola is just a common shop girl, and two unlovely sisters-in-law, one of whom is in love with the chauffeur.

    Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking - until at last John falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, Jean has stolen his identity and disappeared. So the Englishman steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.Gripping and complex, The Scapegoat is a masterful exploration of doubling and identity, and of the dark side of the self.

    Their niece, Lois Farquar, attempts to live her own life and gain her own freedoms from the very class that her elders are vainly defending. The Last September depicts the tensions between love and the longing for freedom, between tradition and the terrifying prospect of independence, both political and spiritual.

    Rosamund Stacey is young and inexperienced at a time when sexual liberation is well on its way. She conceals her ignorance beneath a show of independence, and becomes pregnant as a result of a one night stand.

    Mamma, the archetype of all women who rule through weakness and suffering, dominates her Victorian household, idolizing her sons, rejecting the independent love of her only daughter. Mary, in response, both adores and hates her mother.

    Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war.The Camomile Lawn moves from Cornwall to London and back again, over the years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

    Here Mary has spent thirty-five years, devoting herself to her sister, now dead, and to her father, Canon Jocelyn. Although she is pitied by her neighbours for this muted existence, Mary is content. But when she meets Robert Herbert, Mary's ease is destroyed and years of suppressed emotion surface through her desire for him. First published in 1924 this novel is an impressive exploration of Mary's relationship with her father, of her need for Robert and the way in which, through each, she comes to a clearer understanding of love.

    Nancy Mitford's most famous novel, The Pursuit of Love satirizes British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely modelled on Mitford's own.The Radletts of Alconleigh occupy the heights of genteel eccentricity, from terrifying Lord Alconleigh (who, like Mitford's father, used to hunt his children with bloodhounds when foxes were not available), to his gentle wife, Sadie, their wayward daughter Linda, and the other six lively Radlett children. Mitford's wickedly funny prose follows these characters through misguided marriages and dramatic love affairs, as the shadow of World War II begins to close in on their rapidly vanishing world.

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.

    David Lodge, portraying two American and British professors who replace one another at their respective institutions, gives greed, pettiness, and pretense full rein.

    When Tom Brangwen marries a Polish widow,Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. All are seeking individual fulfilment, but it is Ursula, Anna's spirited daughter, who, in search for self-knowledge, rejects the conventional role of womanhood.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    She rules her household and her family -- husband Ambrose and children Muriel, Enid, Violet, Diana and Desmond -- with a rod of iron. Desmond's marriage to the beautiful, lively Cynthia and, several years later, the onset of the First World War are the two events which finally, and irrevocably, break Lady Charlotte's matriarchal hold. Cynthia enters the Jazz Age and on the surface her life passes in a whirl of fox-hunting, drinking and love-making. But the ghosts of Garonlea are only biding their time: they know the source of their power, a secret handed on from one generation to the next.