Footsteps is a wonderful exploration of the ties between biographers and their subjects, filled with passion and revelation.

    Missing for more than four decades has been a third perspective on the events that brought their marriage to its ill-fated end, the story of another—the other—woman: Hughes' mistress Assia Wevill. Like Plath before her, Assia shared her life with Hughes for seven years, until she took her own life and that of their daughter at the age of forty-two, in a manner that nearly replicated Plath's suicide six years earlier. Drawing on previously unavailable documents and private papers, including Assia's diaries and her intimate correspondence with Hughes, this book shows the vital influence Assia exerted on the poet and his work, and the uneasy life they shared under the long shadow of Plath. A Lover of Unreason is the first-ever full-length biography of Assia Wevill. It casts a keen light, and explores the emergence of a singular twentieth-century woman. Three-times divorcée, career woman, mistress, and single mother, Assia Wevill openly defied the conventions of a censorious pre-feminist Britain and mesmerized men and women alike with her quick-mind and exotic beauty.

    S. Lewis continues to inspire and fascinate millions. His legacy remains varied and vast. He was a towering intellectual figure, a popular fiction author who inspired a global movie franchise around the world of Narnia, and an atheist-turned-Christian thinker.In C.S. Lewis: A Life, Alister McGrath, prolific author and respected professor at King's College of London, paints a definitive portrait of the life of C. S. Lewis. After thoroughly examining recently published Lewis correspondence, Alister challenges some of the previously held beliefs about the exact timing of Lewis's shift from atheism to theism and then to Christianity. He paints a portrait of an eccentric thinker who became an inspiring, though reluctant, prophet for our times.You won't want to miss this fascinating portrait of a creative genius who inspired generations. (Tyndale House Publishers)

    Gaskell was a friend of Bronte's and, having been invited to write the official life, determined to both tell the truth and honor her friend. This edition collates all three previous editions, as well as the manuscript, offering fuller information about the process of writing and a more detailed explanation of the text than any previous edition.

    With the publication of "The Pursuit of Love" and "Love in a Cold Climate" (advised by Evelyn Waugh), she became a huge bestselling author and has remained a household name ever since. A few years before she died, she had started to collect material and letters to use for an autobiography. Her devastating illness prevented her from writing this memoir, but in 1974 Harold Acton, her close friend, completed her project on the basis of what she had collected in a work that is a witty tribute to her larger-than-life personality.

    Styron is perhaps the first writer to convey the full terror of depression's psychic landscape, as well as the illuminating path to recovery.

    In Everybody Was So Young--one of the best reviewed books of 1998--Amanda Vaill brilliantly portrays both the times in which the Murphys lived and the fascinating friends who flocked around them. Whether summering with Picasso on the French Riviera or watching bullfights with Hemingway in Pamplona, Gerald and Sara inspired kindred creative spirits like Dorothy Parker, Cole Porter, and F. Scott Fitzgerald (Nicole and Dick Diver in Tender is the Night were modeled after the Murphys). Their story is both glittering and tragic, and in this sweeping and richly anecdotal portrait of a marriage and an era, Amanda Vaill "has brought them to life as never before" (Chicago Tribune).

    Based on original material and previously unavailable documents, this acclaimed book is the definitive biography of the man considered by many to be the founding father of modern electrical technology. Among Tesla's creations were the channeling of alternating current, fluorescent and neon lighting, wireless telegraphy, and the giant turbines that harnessed the power of Niagara Falls.

    Salinger writes about life with her famously reclusive father, J.D. Salinger -- offering a rare look into the man and the myth, what it is like to be his daughter, and the effect of such a charismatic figure on the girls and women closest to him. With generosity and insight, Ms. Salinger has written a book that is eloquent, spellbinding, and wise, yet at the same time retains the intimacy of a novel. Her story chronicles an almost cultlike environment of extreme isolation and early neglect interwoven with times of laughter, joy, and dazzling beauty. Ms. Salinger compassionately explores the complex dynamics of family relationships. Her story is one that seeks to come to terms with the dark parts of her life that, quite literally, nearly killed her, and to pass on a life-affirming heritage to her own child. The story of being a Salinger is unique; the story of being a daughter is universal. This book appeals to anyone, J.D. Salinger fan or no, who has ever had to struggle to sort out who she really is from whom her parents dreamed she might be.

    The Letters of J.R.R Tolkien sheds much light on Tolkien's creative genius and grand design for the creation of a whole new world: Middle-earth. Featuring a radically expanded index, this volume provides a valuable research tool for all fans wishing to trace the evolution of THE HOBBIT and THE LORD OF THE RINGS.

    du Maurier was immediately established as the queen of the psychological thriller. But the more fame this and her other books encouraged, the more reclusive Daphne du Maurier became.Margaret Forster's award-winning biography could hardly be more worthy of its subject. Drawing on private letters and papers, and with the unflinching co-operation of Daphne du Maurier's family, Margaret Forster explores the secret drama of her life - the stifling relationship with her father, actor-manager Gerald du Maurier; her troubled marriage to war hero and royal aide, 'Boy' Browning; her wartime love affair; her passion for Cornwall and her deep friendships with the last of her father's actress loves, Gertrude Lawrence, and with an aristocratic American woman.Most significant of all, Margaret Forster ingeniously strips away the relaxed and charming facade to lay bare the true workings of a complex and emotional character whose passionate and often violent stories mirrored her own fantasy life more than anyone could ever have imagined.

    Or the "Phantom of Fine Hall," a figure many students had seen shuffling around the corridors of the math and physics building wearing purple sneakers and writing numerology treatises on the blackboards. The Phantom was John Nash, one of the most brilliant mathematicians of his generation, who had spiraled into schizophrenia in the 1950s. His most important work had been in game theory, which by the 1980s was underpinning a large part of economics. When the Nobel Prize committee began debating a prize for game theory, Nash's name inevitably came up—only to be dismissed, since the prize clearly could not go to a madman. But in 1994 Nash, in remission from schizophrenia, shared the Nobel Prize in economics for work done some 45 years previously.Economist and journalist Sylvia Nasar has written a biography of Nash that looks at all sides of his life. She gives an intelligent, understandable exposition of his mathematical ideas and a picture of schizophrenia that is evocative but decidedly unromantic. Her story of the machinations behind Nash's Nobel is fascinating and one of very few such accounts available in print (the CIA could learn a thing or two from the Nobel committees).

    Pamela Mountbatten entered a remarkable family when she was born at the very end of the Roaring Twenties.As the younger daughter of the glamorous heiress Edwina Ashley and Lord Louis Mountbatten, Pamela spent much of her early life with her sister, nannies, and servants—and a menagerie that included, at different times, a bear, two wallabies, a mongoose, and a lion. Her parents each had lovers who lived openly with the family. The house was always full of guests like Sir Winston Churchill, Noël Coward, Douglas Fairbanks, and the Duchess of Windsor (who brought a cold cooked chicken as a hostess gift).When World War II broke out, Lord Mountbatten was in command of HMS Kelly before being appointed chief of Combined Operations, and Pamela and her sister were sent to live on Fifth Avenue in New York City with Mrs. Cornelius Vanderbilt. In 1947, her parents were appointed to be the last viceroy and vicereine of India and oversee the transfer of power to an independent Indian government. Amid the turmoil of political change, Pamela worked with student leaders, developed warm friendships with Gandhi and Nehru, and witnessed both the joy of Independence Day and its terrible aftermath. Soon afterwards, she was a bridesmaid in Princess Elizabeth’s wedding to Prince Philip, and was a ladyin- waiting at the young princess’s side when she learned her father had died and she was queen.Vivid and engaging, well-paced and superbly detailed, this witty, intimate memoir is an enchanting lens through which to view the early part of the twentieth century.

    A man of extremes, Leonard Woolf was ferocious and tender, violent and self-restrained, opinionated and nonjudgmental, always an outsider of sorts within the exceptionally intimate, fractious, and sometimes vicious society of brilliant but troubled friends and lovers. He has been portrayed either as Virginia's saintly caretaker or as her oppressor, the substantial range and influence of his own achievements overshadowed by Virginia's fame and the tragedy of her suicide. But Leonard was a pivotal figure of his age, whose fierce intelligence touched the key literary and political events that shaped the early decades of the twentieth century and would resonate into the post-World War II era. Glendinning beautifully evokes Woolf 's coming-of-age in turn-of-the-century London. The scholarship boy from a prosperous Jewish family would cut his own path through the world of the British public school, contending with the lingering anti-Semitism of Imperial Age Britain. Immediately upon entering Trinity College, Cambridge, Woolf became one of an intimate group of vivid personalities who would form the core of the Bloomsbury circle: the flamboyant Lytton Strachey; Toby Stephen, "the Goth," through whom Leonard would meet Stephen's sister Virginia; and Clive Bell. Glendinning brings to life their long nights of intense discussion of literature and the vicissitudes of sex, and charts Leonard's course as he becomes the lifelong friend of John Maynard Keynes and E. M. Forster. She unearths the crucial influence of Woolf 's seven years as a headstrong administrator in colonial Ceylon, where he lost confidence in the imperial mission, deciding to abandon Ceylon in order to marry the psychologically troubled Virginia Stephen. Glendinning limns the true nature of Leonard's devotion to Virginia, revealing through vivid depiction of their unconventional marriage how Leonard supported Virginia through her breakdowns and in her writing. In co-founding with Virginia the Hogarth Press, he provided a secure publisher for Virginia's own boldly experimental works. As the éminence grise of the early Labour Party, working behind the scenes,Woolf became a leading critic of imperialism, and his passionate advocacy of collective security to prevent war underpinned the charter of the League of Nations. After Virginia's death, he continued to forge his own iconoclastic way, engaging in a long and happy relationship with a married woman. Victoria Glendinning's Leonard Woolf is a major achievement -- a shrewdly perceptive and lively portrait of a complex man of extremes and contradictions in whom passion fought with reason and whose far-reaching influence is long overdue for the full appreciation Glendinning offers in this important book.

    Life On Air, his autobiography, tells the story of how he has managed to professionalise his schoolboy interests in such a remarkably successful way. Attenborough's Life On Air began in 1950, having taken a degree in Natural Sciences in the University of Cambridge, done National Service in the Navy, got married, done a year as an editor with an educational publisher, had a son and then answered a BBC recruiting ad in the Times. Turned down for BBC Radio, he was offered a traineeship in BBC TV which was pioneering the medium in Britain and he has never looked back. The rest is TV history and you can read Sir David's personal view of it all in his engaging and highly entertaining book. This is no boring story of the rise and rise of a media mogul in the smoke-filled rooms of Ally Pally and Lime Grove. Having served his apprenticeship producing programmes like Animal, Vegetable, Mineral? and Song Hunter with the famous American folk singer and song collector Alan Lomax, he managed to escape from the confines of overlit studios into the natural world. Zoo Quest began in 1954 with an animal collecting trip to Sierra Leone and David Attenborough had found his metier. Since then he has managed to bring the wonders of the natural world into millions of living rooms around the world and to reach general audiences without patronising them, without any spurious antics, silly voices or dumbing down. His animal and plant subjects are the stars, Attenborough is the master of ceremonies who introduces the acts for our wonder and amazement. But his scope extends way beyond the birds and the bees. In the 1960s, it was suggested that he took up an administrative post--"after all, you won't want to be gallivanting around the world when you are 50". Fortunately, he did not abandon gallivanting for admin but went freelance, studied anthropology and helped extend our view of native peoples and sympathies for their life styles. He went on to become responsible for coming up with famous BBC TV series such as Kenneth Clark's incredibly successful Civilisation series, followed by Bronowski's The Ascent of Man. Inevitably, he did become one of the BBC suits but one that wore a camouflage jacket. What is remarkable is that Attenborough has managed to do it for so long without really changing his own style too much. He has not had to because the technology has changed and so he has constantly been able to give new views and insights into the details of life on Earth. Writing pretty much as he speaks, it is easy to hear his voice, dry sense of humour and generosity coming through all the time. Do not expect to read personal details, navel-gazing or malicious gossip--that is not his style. The only personal note comes at the end with the death of his wife in 1997. Over 100 photos associated with the huge range of programmes he has been intimately involved with decorate Life On Air, a fascinating personal story of our times. He says that he knows of "no pleasure deeper than that which comes from contemplating the natural world and trying to understand it"; he certainly manages to convey that in Life On Air. --Douglas Palmer