"Lost Geography" takes the complexity of migration as its central subject: Why do landscape, work, and family lock some people in place and release others? In settings both rural and urban, these stalwart, tragically dispersed yet resilient people respond not only to new environments and experiences but to the eruption of sudden loss and change.As the settings and characters shift in this wise, resonant book, readers are invited to see how habits of survival translate from one generation to another. How are we like our forebears? How does circumstance make us alter what our heritage has told us is important? With unfailing subtlety and elegance, "Lost Geography" teaches us, in a luminous sequence of intense personal dramas, that what keeps us alive isn't so much our ability to understand the details of our past as having the luck and courage to survive the assaults of both the present and history.

    She leaves behind an extraordinary and acclaimed body of work - but she also leaves a legacy of secrets and emotional damage that will take months to unravel.

    

    Chickamauga is also a virtuoso exploration of the power of concision in lyric poetry--a testament to the flexible music of the long line Wright has made his own. As a reviewer in Library Journal noted: "Wright is one of those rare and gifted poets who can turn thought into music. Following his self-prescribed regimen of purgatio, illuminato, and contemplatio, Wright spins one lovely lyric after another on such elemental subjects as sky, trees, birds, months, and seasons. But the real subject is the thinking process itself and the mysterious alchemy of language: 'The world is a language we never quite understand.'"

    An extraordinary snapshot of boyhood, That Eye, the Sky is also a powerful exploration of the nature of hope and faith. Ort doesn't have a bad life. He mucks around with his best pal, Fat Cherry; he wonders what his sister Tegwyn's so mad about and why his grandma's disappeared inside herself; he looks up at the sky and thinks it's like a big blue eye looking right back at him. But when Dad isn't back from work when he's supposed to be and a strange car pulls into the drive, Ort's life is thrown into turmoil. Suddenly, Mum doesn't seem as strong as she used to, Fat starts saying bad things, and the stranger knocking on the door seems to know an awful lot about the Flacks.

    (Nancy Pearl)

     Jack Downing has become one of the most influential business tycoons in America. Jack Downing also believes that God has chosen him to annihilate the entire existence of human beings. Convinced that God has chosen him to be “The One”, the successful Jack Downing will set out to kill off all of mankind. As he begins to carry out the plan of extinction, and with only one year left to do so, Jack begins to write on how he became God’s chosen one. On the outside the publicly respected Jack Downing in charming and charismatic, but unbeknownst to the world around him, the secret Jack is descending into violent madness. Written in a narrative form, THE LUNATIC MEMOIRS, is a novel that journeys deep into the detached reasoning of a sociopathic mind. Jack Downing illuminates how the mind’s line between that which is sane and insane can be truly very thin. www.ThatcherCNalley.com

    He silently shares the family home with his sister Daze, who is nearly blinded by bitterness, obsessed with her mother's reputation as a loose, lustful woman. Since his angry teenage years as a scholarship student at a posh, segregated school, Ned's life has been marred by a violence that erupts loudly and quickly disappears, leaving him filled with secrets and regret. When one last hope for deliverance emerges, however, both brother and sister are forced to come to terms with their heritage.

    She's alienated from school and family. Her father is in the county jail. She cannot connect with her chain-smoking stepmom. Her brother, Blaine, is trapped in his own autistic world. And her infant sister's death has sent her into a spiral of grief and rebellion. Bright, witty, and irreverent, Lexi tries to navigate the rocky transition from adolescent to young woman. Just like prose, a novel in verse tells a story. But verse is unique because readers access the text through short "chapters," or poems. The varying lengths of the chapters are ideal for a struggling reader, giving them breaks to collect their thoughts, to imagine the characters in their mind's eye, and to set the scene--like a frame in a movie. The structure of poetry makes the books appear less intimidating, with plenty of airy white space. Moreover, the depth and substance conveyed in verse is every bit as deep and real as in a Gravel Road prose novel.

    With her world spinning wildly out of her control, Lucy decides to make a new start and moves upstate to live with her sister and nephew.But then things take an even more dramatic turn: A fatal encounter with public transportation lands Lucy not in the hereafter but in the nearly hereafter. She’s back in school, learning the parameters of spooking and how to become a successful spirit in order to complete a ghostly assignment. If Lucy succeeds, she’s guaranteed a spot in the next level of the afterlife—but until then, she’s stuck as a ghost in the last place she would ever want to be.Trying to avoid being trapped on earth for all eternity, Lucy crosses the line between life and death and back again when she returns home. Navigating the perilous channels of the paranormal, she’s determined to find out why her life crumbled and why, despite her ghastly death, no one seems to have noticed she’s gone. But urgency on the spectral plane—in the departed person of her feisty grandmother, who is risking both their eternal lives—requires attention, and Lucy realizes that you get only one chance to be spectacular in death.

    Mount Misery is a prestigious facility set in the rolling green hills of New England, its country club atmosphere maintained by generous corporate contributions. Dr. Roy Basch (hero of The House of God) is lucky enough to train there *only to discover doctors caught up in the circus of competing psychiatric theories, and patients who are often there for one main reason: they've got good insurance.From the Laws of Mount Misery:Your colleagues will hurt you more than your patients.On rounds at Mount Misery, it's not always easy for Basch to tell the patients from the doctors: Errol Cabot, the drug cowboy whose practice provides him with guinea pigs for his imaginative prescription cocktails . . . Blair Heiler, the world expert on borderlines (a diagnosis that applies to just about everybody) . . . A. K. Lowell, née Aliyah K. Lowenschteiner, whose Freudian analytic technique is so razor sharp it prohibits her from actually speaking to patients . . . And Schlomo Dove, the loony, outlandish shrink accused of having sex with a beautiful, well-to-do female patient.From the Laws of Mount Misery:Psychiatrists specialize in their defects. For Basch the practice of psychiatry soon becomes a nightmare in which psychiatrists compete with one another to find the best ways to reduce human beings to blubbering drug-addled pods, or incite them to an extreme where excessive rage is the only rational response, or tie them up in Freudian knots. And all the while, the doctors seem less interested in their patients' mental health than in a host of other things *managed care insurance money, drug company research grants and kickbacks, and their own professional advancement.From the Laws of Mount Misery:In psychiatry, first comes treatment, then comes diagnosis.What The House of God did for doctoring the body, Mount Misery does for doctoring the mind. A practicing psychiatrist, Samuel Shem brings vivid authenticity and extraordinary storytelling gifts to this long-awaited sequel, to create a novel that is laugh-out-loud hilarious, terrifying, and provocative. Filled with biting irony and a wonderful sense of the absurd, Mount Misery tells you everything you'll never learn in therapy. And it's a hell of a lot funnier.From the Hardcover edition.

    There he raised them in complete isolation without television, computer, radio -- not even a newspaper. Now, at twenty-three, Dorothea leaves in search of her missing brother -- and ventures into the outside world for the first time. Her search becomes an odyssey of discovery when Dorothea meets Stephen Spaulding, a cab driver dealing with his own mysterious history. With him as her guide, Dorothea uncovers the truth of her family's past and the terrifying day that changed her father forever. Together, they have a chance to discover that although a heart can be broken by the tragic events of a day, a day can also bring a new chance at love and a deeper understanding of life's infinite possibilities.

    Though the surroundings are familiar, Winston's return suddenly forces the five Mabies to reexamine one another. Will they learn to talk of clean slates and new beginnings?As the Mabies wrestle with pregnancy, broken hearts, obsession, redemption, mortality, and forgiveness, Antonya Nelson weaves a rich and true tapestry of family.

    . . TAUTLY WRITTEN . . . Wilentz knows the world she writes about very well, and her descriptions have a solid specificity that lends authority to her fiction.”–The New York Times Book Review“At a closed Israeli checkpoint, Marina, a Palestinian mother, clutches her ailing boy, desperate for access to Jerusalem and its doctors. When a young Israeli soldier waits too long before deciding to disobey orders, a martyr is born. Thus begins a graceful, painful, illuminating novel of the Middle East. . . . [Wilentz’s] prose tugs at the reader. . . . The characters are magnetic. . . . [This] is a very human tale of regrets, revenge, and the elusive nature of absolution.”–Entertainment Weekly“SO PRECISE, SO STARTLING, SO UNFORGETTABLE. . . . These characters are all pawns of history and politics, but Wilentz makes them live.”–Los Angeles Times“MAGNIFICENT . . . Wilentz writes with a prose style reminiscent of The New Yorker’s highest ambitions: crystalline, pure, faultlessly communicative. . . . Like the best documentaries, Martyrs’ Crossing allows us unprecedented access to a little-understood and often misrepresented part of the world.”–Chicago Tribune“A BRILLIANTLY RESEARCHED MEDIDATION ON THE CRISIS IN THE MIDDLE EAST . . . Martyr’s Crossing matches Damascus Gate in the quality of research and the mass of intriguing characters–and yet it remains a lean thriller.”–The New York Observer

    Marisa Silver's singular voice makes us care deeply about their everyday desperations and hard-won hopes.