Among the books surrounding him, he began to dream...of a nameless boy, sitting on a dilapidated dock in the warm sun of a summer day, playing a game: He was trying to bring the soles of his bare feet as close as he could to the surface of the water, without touching it.That boy became Peter Leroy, and from Kraft's dream grew one of the most delightful, unusual projects in contemporary literature. Funny, touching, witty, mythic, and profound, Kraft's novels, featuring Peter, his friends and family, and the seaside town of Babbington create an alternate reality-a world in which we see ourselves, darkened and wavering, as reflected by deep water.Little Follies gathers nine Peter Leroy novellas into one volume: the perfect introduction to an irresistible cycle of books by an author sometimes compared to Cheever, Proust, Twain, Borges, Russel Baker, and Garrison Keillor, but who is uniquely Eric Kraft.

    Navigating the mysterious path from childhood to adulthood, Sarah encounters a naked, winged man, rivalrous ghosts, and gods disguised as beggars.

    But Darien is in trouble – on the run from her emotions, and from a past that resurrects itself in acts of self-mutilation she neither understands nor cares to explore. After years of good behavior, Darien is hurting herself again. And this time it’s so brutal that her husband, Robert, cannot help but recognize the woman he adores is unraveling before his eyes.Darien has a history with therapists. She knows exactly what they want – and need – to hear. She has made a game of psychotherapy, spinning outrageous fictions, exposing her doctors’ vanities, knowing when to reveal just a little of the truth. When Robert brings her to Dr. Lindholm, she is ready. But in Dr. Lindholm Darien may have met her match: a caring psychiatrist with the patience and skill to see beneath her façade. At once intrigued and resistant, Darien engages Dr. Lindholm in a battle of wits, sure only her pride is at stake. When she stumbles instead upon a buried truth about herself the consequences are devastating, threatening her marriage, her identity, and what she understands about life and love.The Good Patient is about interiors and exteriors, knowledge and perception, the treachery and triumph of memory. Written in razor-sharp, sparkling prose, it is a story that takes dead aim at a question we all fear: how well do we really know the people we love?

    What if he hadn't been adopted by Jews, what if his brother, Jonathan, had been adopted by a different couple? He and Jonathan fantasize about being the secret sons of Sandy Koufax, of coming to earth in a spaceship. They make blood pacts and switch names. But while they imagine other identities, they search for ways to feel that they belong to each other, to their parents, to their home. As adolescents, even in the familiar and happy comfort of the Manhattan apartment where they live, their dreams of girls and rock stars are colored by these concerns. Now Ben Suskind is thirty years old, living in San Francisco with his girlfriend, Jenny, and her daughter. He still reflects on the questions of his youth; Jenny often has to pull his head out of the clouds. So when he receives a letter from a woman claiming to be his birth mother, he is unprepared, panicked, but curious. He tells his adoptive parents about the letter, and they fly him home to New York and reveal a secret about his past, one that turns Ben's whole world upside down. Without telling anyone, Ben embarks on a journey, risking his relationship with everyone - his girlfriend, his brother, his parents. He combs through the records of his family's past, trying to find the facts about who he and Jonathan really are, and in the process learns the price of the lies people tell in the name of truth and good intentions.

    Her mother committed suicide, her husband slept with her best friend, and she can't stand her three selfish daughters. But she does love her son, Sonny, who nevertheless plunges her into deep despair when he takes two women and a poodle hostage in his ex-wife's trailer.

    Their theft tragically unleashes a series of events, among them murder and suicide.

    Kate's odyssey takes her from a privileged girlhood, through her meaningless marriage to a lawless tycoon, and an empty erotic affair with a true-blue gentleman. But when her life of pampered pleasure gives way to one of unspeakable tragedy, all certainties are shattered, and Kate is plunged into a blind gamble on an unknown future in the middle of nowhere. The job she finds, the lovers she takes, and her final confrontation with her husband's power and her own past self interweave comedy, irony, drama, suspense, and wondrously affirmative human revelation. With its vivid setting, its cross-section of colorful characters, and, at its center, its passionate heroine caught in a nightmare of grief and deception, Women of the Inner Sea is at once startlingly intimate and universally appealing. It adds a new dimension and fresh luster to one of the major literary reputations of our time.One of the finest storytellers in the business . . . at the top of his form . . . an extraordinary, eloquently written tale.--The Boston Globe

    Returning to the rural landscape of her youth, Melanie befriends the flamboyant Mildred Steck, a woman who leads an insurrectionist movement and creates an underground railroad for mothers and children whom the courts and child custody laws have failed to protect from domestic violence. "Crows Over a Wheatfield" is a triumphant fusion of the personal and political -- a controversial, suspenseful story written with rare beauty and insight.

    Henry Porter's summer begins when his daughter Nicole-whom he hasn't seen in five years-shows up on his doorstep. Days later his girlfriend, Elizabeth, announces that she is pregnant. That Henry is speechless at these two events throws into sharp relief his emotional landscape, and this novel charts that landscape's exact contours. Anyone who has ever wondered what a man is saying when he isn't talking will find at least a large part of the answer here. Robert Bausch deciphers with perfect economy and unstinting honesty the code embodied in this man's (and a great many men's) words and actions, and discovers there the world of family legacies, love, and abuse. A Hole in the Earth brilliantly draws the webs that attract us to and repel us from our families, as well as the enduring strength that they can provide.

    Sarah has married and settled contentedly into small-town life. Maggie has spent fifteen years drifting around the world with a backpack. Now Maggie has come home to a dank, dull British winter, supposedly for just a few months. The Penn children are delighted to have their exciting aunt stay with them, but fate has an unexpected adventure in store. It rocks the whole family, bringing up dark shadows from their common past, and confronts Maggie with the hardest decision of her life.

    Henley weaves her clear and powerful prose with an unforgettable story of a human heart unbinding itself in the most unjust of worlds.

    His characters, for whom the closest-though hopelessly inadequate-description might be "eccentrics," share the stage with swamp elves and midgets living in the backyard. His fiction is unlike anybody else's and is as dark, hilarious, and affecting as any ever written. It's also writing that lays bare the agony of adolescence and plows, as the Cleveland Plain Dealer once put it, "the fields of puzzling wonder that precede the responsibilities and disappointments of adulthood."What bred and fed Nordan's imagination, his originality, his indefatigable sense of humor? The answers aren't obvious. But now that Lewis Nordan produces, directs, and stars in his own story, we just might find out.Nordan's mother was widowed when he was a baby, and she went back to her home town to remarry and raise her only son "Buddy." Itta Bena, Mississippi, was a prototypical fifties Delta town, so drowsy that even before puberty, Nordan had made his escape plans. What happened next was pretty typical-a stint in the Navy, college in Mississippi, very early marriage, young fatherhood, alcoholism, infidelities, broken hearts. But in Nordan's hands, the typical turns into the transcendent and, at the heart of things, there is always the irrepressible laughter.Horrible things and horribly funny things happen in Boy with Loaded Gun, but it's that heart that leads us through Lewis Nordan's dark tunnel and back into the light.

    These wry and sassy tales illustrate the vulnerable heartbeat beneath the brash style of the eighties. Behind their professional self-assurance, Elinor Lipman's characters question and fear, search and yearn for that most elusive of commodities--love.

    According to his obituary, Wesley Sultan led a quiet, respectable, and unremarkable life. Our narrator, however, is about to discover that nothing could be further from the truth.Using Sultan’s obituary as a road map to the unknown terrain of the man himself, our narrator discovers dead-ends, wrong turns, and unexpected destinations in every line. As he travels from the bleak Michigan winter to the steamy streets of Miami to the idyllic French countryside, in search of those who knew Wesley best, he gradually reconstructs the life of an exceptionally handsome, ambitious, and deceptive man to whom women were everything. And as the margins of the obituary fill with handwritten corrections, as details emerge and facts are revised, our mysterious narrator–whose interest in his quarry is far from random–has no choice but to confront the truth of his own life as well.

    But a tragedy in her past has made her an outcast. Only by facing down her ghosts--and her hometown--will she learn to accept the liberating challenges of belonging, identity, and love.