Rosemary begins her story in the middle. She has her reasons. “Until Fern’s expulsion...,” Rosemary says, “she was my twin, my funhouse mirror, my whirlwind other half and I loved her.” As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence.In We Are All Completely Beside Ourselves, Karen Joy Fowler weaves her most accomplished work to date—a tale of loving but fallible people whose well-intentioned actions lead to heartbreaking consequences.

    But, as she comes to learn, liberation and happiness are not necessarily the same thing. A literary sensation when first published in 1973, Fear of Flying established Erica Jong as one of her generation’s foremost voices on sex and feminism. Nearly four decades later, the novel has lost none of its insight, verve, or jaw-dropping wit.

    The Rockwell women are nothing if not . . . Well, it’s complicated. When the sisters—Esme, Liv, and Ru—were young, their eccentric mother, Augusta, silenced all talk of their absent father with the wild story that he was an international spy, always away on top-secret missions. But the consequences of such an unconventional upbringing are neither small nor subtle: Esme is navigating a failing marriage while trying to keep her precocious fifteen-year-old daughter from live-tweeting every detail. Liv finds herself in between relationships and rehabs, and Ru has run away from enough people and problems to earn her frequent flier miles. So when a hurricane hits the family home on the Jersey Shore, the Rockwells reunite to assess the damage—only to discover that the storm has unearthed a long-buried box. In a candid moment, Augusta reveals a startling secret that will blow the sisters’ concept of family to smithereens—and send them on an adventure to reconnect with a lost past . . . and one another.Praise for All of Us and Everything“Engaging . . . [a] lively comic novel about stormy women and the spy (and other sexy types) who loved them.”—People (“The Best New Books”) “Similar to Nick Hornby’s A Long Way Down, [All of Us and Everything] rewards readers with an engrossing plot rich in witty and frank dark humor. . . . Readers will linger on the story’s web of connections. . . . Thoughtful and provoking.”—Booklist “[Bridget] Asher’s newest title spotlights her unique voice plus an affinity for quirky, wounded characters that are both realistic and likable. . . . The subtle theme [is] how changing our stories can change us. An entertaining yet astute look at family, self, story, and connections.”—Kirkus Reviews “Charming, original, and impeccably written, All of Us and Everything is a spirited romp through the lives of an unusual family of women—three adult sisters, their mother, one teenage daughter, and their longtime housekeeper—and the men who love them, amuse them, pursue them, and lose them. When I wasn’t laughing out loud or eagerly turning pages to see what happened next, I was marveling at Bridget Asher’s ability to tell a highly entertaining, fully engaging, and deeply insightful story.”—Cathi Hanauer, New York Times bestselling author of Gone “While many writers strive to create a single memorable character, Bridget Asher, seemingly with the flick of her wrist, brings forth four amazing, unique, altogether brilliant characters in All of Us and Everything. The Rockwell siblings, Esme, Liv, and Ru, as well as their fascinating mother, Augusta, won me over completely, and their story twists and turns in such fascinating, hilarious, and heartfelt ways that it left me in awe of Asher’s abilities.”—Kevin Wilson, New York Times bestselling author of The Family Fang “Bridget Asher’s fascinating, eccentric characters are such good company that I finished All of Us and Everything in one sitting. This is a compelling, funny, moving story about an irresistible family.”—Leah Stewart, author of The New Neighbor

    On a beach in New Hampshire at the turn of the last century, a young woman is drawn into a rocky, disastrous passage to adulthood. Olympia Biddeford is the only child of a prominent Boston couple--a precocious and well-educated daughter, alive with ideas and flush with the first stirrings of maturity. Her summer at the family's vacation home in Fortune's Rocks is transformed by the arrival of a doctor, a friend of her father's, whose new book about mill-town laborers has caused a sensation. Olympia is captivated by his thinking, his stature, and his drive to do right--even as she is overwhelmed for the first time by irresistible sexual desire. She and the doctor--a married man, a father, and nearly three times her age--come together in an unthinkable, torturous, hopelessly passionate affair. Throwing aside propriety and self-preservation, Olympia plunges forward with cataclysmic results that are the price of straying in an unforgiving era. Olympia is cast out of the world she knows, and Fortune's Rocks is the story of her determination to reinvent her broken life--and claim the one thing she finds she cannot live without. A meditation on the erotic life of women, an exploration of class prejudices, and most of all a portrayal of the thoughts and actions of an unforgettable young woman, Fortune's Rocks is a masterpiece of narrative drama, beautifully written by one of the most accomplished novelists of our time.

    Now that Victor is on his deathbed, Alex feels she can finally unearth the secrets of who he is and what he did over the course of his life and career. She travels to New Orleans to be with her family, but mostly to interrogate her tightlipped mother, Barbra. As Barbra fends of Alex’s unrelenting questions, she reflects on her tumultuous life with Victor. Meanwhile Gary, Alex’s brother, is incommunicado, trying to get his movie career off the ground in Los Angeles. And Gary’s wife, Twyla, is having a nervous breakdown, buying up all the lipstick in drug stores around New Orleans and bursting into crying fits. Dysfunction is at its peak. As each family member grapples with Victor’s history, they must figure out a way to move forward—with one another, for themselves, and for the sake of their children. All This Could Be Yours is a timely, piercing exploration of what it means to be caught in the web of a toxic man who abused his power; it shows how those webs can tangle a family for generations and what it takes to—maybe, hopefully—break free.

    Life and death. And though some say that when you’re near death your entire life flashes before your eyes, Rosie can’t remember anything at all—not even how she ended up in a coma. At least not at first.Then something strange starts to happen. Rosie finds herself revisiting scattered moments from her past: a beach vacation, a play rehearsal, the day her brother was born. But why these memories? And what do they mean?As each piece of the puzzle comes into focus, Rosie struggles to face the picture of her life that forms. But with every look backward comes a glimpse of what might be: A relationship with her sister. The opportunity to pursue her passion. A second chance at love. And Rosie just might discover that she has much to live for.With bighearted emotion and comic sensibility, The Inbetween Days is a life-affirming novel about the little choices that determine our fate and our ever-enduring hope for the future.

    In the wake of a wildly disastrous affair with her married archeology professor, Willie Upton arrives on the doorstep of her ancestral home in Templeton, New York, where her hippie-turned-born-again-Baptist mom, Vi, still lives. Willie expects to be able to hide in the place that has been home to her family for generations, but the monster's death changes the fabric of the quiet, picture-perfect town her ancestors founded. Even further, Willie learns that the story her mother had always told her about her father has all been a lie: he wasn't the random man from a free-love commune that Vi had led her to imagine, but someone else entirely. Someone from this very town. As Willie puts her archaeological skills to work digging for the truth about her lineage, she discovers that the secrets of her family run deep. Through letters, editorials, and journal entries, the dead rise up to tell their sides of the story as dark mysteries come to light, past and present blur, old stories are finally put to rest, and the shocking truth about more than one monster is revealed.

    than Philip Marlowe. As San Francisco’s infamous luck poacher, Nick doesn’t know whether his ability to swipe other people’s fortunes with a simple handshake is a blessing or a curse. Ever since his youth, Nick has swallowed more than a few bitter truths when it comes to wheeling and dealing in destinies. Because whether the highest bidders of Nick’s serendipitous booty are celebrities, yuppies, or douche bag vegans, the unsavory fact remains: luck is the most powerful, addictive, and dangerous drug of them all. And no amount of cappuccinos, Lucky Charms, or apple fritters can sweeten the notion that Nick might be exactly what his father once claimed—as ambitious as a fart. That is, until Tuesday Knight, the curvy brunette who also happens to be the mayor’s daughter, approaches Nick with an irresistible offer: $100,000 to retrieve her father’s stolen luck. Could this high-stakes deal let Nick do right? Or will kowtowing to another greedmonger’s demands simply fund Nick’s addiction to corporate coffee bars while his morality drains down the toilet? Before he downs his next mocha, Nick finds himself at the mercy of a Chinese mafia kingpin and with no choice but to scour the city for the purest kind of luck, a hunt more titillating than softcore porn. All he has to do to stay ahead of the game is remember that you can’t take something from someone without eventually paying like hell for it...

    As formative events go, nothing else comes close. With these words Edgar Mint, half-Apache and mostly orphaned, makes his unshakable claim on our attention. In the course of Brady Udall’s high-spirited, inexhaustibly inventive novel, Edgar survives not just this bizarre accident, but a hellish boarding school for Native American orphans, a well-meaning but wildly dysfunctional Mormon foster-family, and the loss of most of the illusions that are supposed to make life bearable. What persists is Edgar’s innate goodness, his belief in the redeeming power of language, and his determination to find and forgive the man who almost killed him. The Miracle Life of Edgar Mint is a miracle of storytelling, bursting with heartache and hilarity and inhabited by characters as outsized as the landscape of the American West.

    She returns to New York still beautiful but oddly unrecognizable, a virtual stranger in the world she once effortlessly occupied.With the surreal authority of a David Lynch, Jennifer Egan threads Charlotte’s narrative with those of other casualties of our infatuation with the image. There’s a deceptively plain teenaged girl embarking on a dangerous secret life, an alcoholic private eye, and an enigmatic stranger who changes names and accents as he prepares an apocalyptic blow against American society. As these narratives inexorably converge, Look at Me becomes a coolly mesmerizing intellectual thriller of identity and imposture.

    Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room.The Hundred-Year House unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer.

    His missionary ancestors who came to the islands were financially and culturally progressive—one even married a Hawaiian princess, making Matt a royal descendant and one of the state's largest landowners. But now his luck has changed. His two daughters are out of control—10-year-old Scottie has a smart-ass attitude and a desperate need for attention and 17-year-old Alex, a former model, is a recovering drug addict. His thrill-seeking and high-maintenance wife, Joanie, lies in a coma after a boat racing accident, and will soon be taken off life support. The King family can hardly picture life without their charismatic mother, but as they come to terms with this tragedy, their sadness is mixed with a sense of freedom that shames them—and spurs them into surprising actions.

    The neighborhood is a bubble within a bubble, and the residents are immediately intrigued by the eccentric newcomer and his family. Along with his improbable name, untraceable accent, and unmistakable whiff of danger, Nero Golden has brought along his three adult sons: agoraphobic, alcoholic Petya, a brilliant recluse with a tortured mind; Apu, the flamboyant artist, sexually and spiritually omnivorous, famous on twenty blocks; and D, at twenty-two the baby of the family, harboring an explosive secret even from himself. There is no mother, no wife; at least not until Vasilisa, a sleek Russian expat, snags the septuagenarian Nero, becoming the queen to his king—a queen in want of an heir.Our guide to the Goldens’ world is their neighbor René, an ambitious young filmmaker. Researching a movie about the Goldens, he ingratiates himself into their household. Seduced by their mystique, he is inevitably implicated in their quarrels, their infidelities, and, indeed, their crimes. Meanwhile, like a bad joke, a certain comic-book villain embarks upon a crass presidential run that turns New York upside-down.Set against the strange and exuberant backdrop of current American culture and politics, The Golden House also marks Salman Rushdie’s triumphant and exciting return to realism. The result is a modern epic of love and terrorism, loss and reinvention—a powerful, timely story told with the daring and panache that make Salman Rushdie a force of light in our dark new age.

    Fifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff’s personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family’s quirky newspaper. As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper’s rich history is revealed, including the surprising truth about its founder’s intentions. Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents.

    Brian Jackson, a working-class kid on full scholarship, has started his first term at university. He has a dark secret—a long-held, burning ambition to appear on the wildly popular British TV quiz show University Challenge—and now, finally, it seems the dream is about to become reality. He's made the school team, and they've completed the qualifying rounds and are limbering up for their first televised match. (And, what's more, he's fallen head over heels for one of his teammates, the beautiful, brainy, and intimidatingly posh Alice Harbinson.) Life seems perfect and triumph inevitable—but as his world opens up, Brian learns that a little knowledge can be a dangerous thing.