But as he turns sixteen, Aaron grows more curious about all the things his family forsakes for the Lord. He begins to realize he doesn’t want Jesus to come back just yet—not before he has his first kiss, sees his first movie, or stars in the school play.Whether he’s sneaking out, making out, or playing hymns with a hangover, Aaron learns a few lessons that can’t be found in the Bible. He discovers that the girl of your dreams can just as easily be the boy of your dreams, and the tricky part about believing is that no one can do it for you.In this funny and heartfelt coming-of-age memoir, debut author Aaron Hartzler recalls his teenage journey from devoted to doubtful, and the search to find his own truth without losing the fundamentalist family who loves him.

    A boy who doesn't quite understand his lot--until he realizes he's a god. . . As an only son, Kiran has obligations--to excel in his studies, to honor the deities, to find a nice Indian girl, and, above all, to make his mother and father proud--standard stuff for a boy of his background. If only Kiran had anything in common with the other Indian kids besides the color of his skin. They reject him at every turn, and his cretinous public schoolmates are no better. Cincinnati in the early 1990s isn't exactly a hotbed of cultural diversity, and Kiran's not-so-well-kept secrets don't endear him to any group. Playing with dolls, choosing ballet over basketball, taking the annual talent show way too seriously. . .the very things that make Kiran who he is also make him the star of his own personal freak show. . .Surrounded by examples of upstanding Indian Americans--in his own home, in his temple, at the weekly parties given by his parents' friends--Kiran nevertheless finds it impossible to get the knack of "normalcy." And then one fateful day, a revelation: perhaps his desires aren't too earthly, but too divine. Perhaps the solution to the mystery of his existence has been before him since birth. For Kiran Sharma, a long, strange trip is about to begin--a journey so sublime, so ridiculous, so painfully beautiful, that it can only lead to the truth. . ."The best fiction reminds us that humanity is much, much larger than our personal world, our own little reality. Blue Boy shows us a world too funny and sad and sweet to be based on anything but the truth." --Chuck PalahniukNew York Times Bestselling Author

    Awaiting safe passage to New York on the SS Manhattan, two couples meet: Pete and Julia Winters, expatriate Americans fleeing their sedate life in Paris; and Edward and Iris Freleng, sophisticated, independently wealthy, bohemian, and beset by the social and sexual anxieties of their class. As Portugal's neutrality, and the world's future, hang in the balance, the hidden threads in the lives of these four characters—Julia's status as a Jew, Pete and Edward's improbable affair, Iris's increasingly desperate efforts to save her tenuous marriage—begin to come loose. This journey will change their lives irrevocably, as Europe sinks into war.Gorgeously written, sexually and politically charged, David Leavitt's long-awaited new novel is an extraordinary work.

    And when Ellie s and AJ's paths happen to cross, Ellie is shocked to recognize the hot celebrity as Austin Robbins, her old high school classmate from Idaho who rose to fame in her absence. Happy to reconnect, the two escape the clamoring crowds to explore the city Ellie has grown to love. But just as their feelings begin to heat up, so do the mobs of fans, making Ellie doubt she could handle the pressures of celebrity life. And when the two witness a horrific bombing on the streets of London, Ellie's camera makes her an unwitting intruder in the eyes of real mobsters who will stop at nothing to cover their backs.

    Christmas is supposed to be a time of peace on earth and goodwill toward all. But not for Lewis Black.He says humbug to the Christmas tradtitions and trappings that make the holiday memorable. In I'm Dreaming of a Black Christmas, his hilarious and sharply observed book about the holiday, Lewis lets loose on all things Yule. It's a very personal look at what's wrong with Christmas, seen through the eyes of "the most engagingly pissed-off comedian ever."*From his own Christmas rituals—which have absolutely nothing to do with presents or the Christmas tree or Rudolph—to his own eccentric experiences with the holiday (from a USO Christmas tour to playing Santa Claus in full regalia), I'm Dreaming of a Black Christmas is classic Lewis Black: funny, razor-sharp, insightful, and honest.You'll never think of Christmas in the same way.

    Farrell"A knockout." —Saturday Review of Literature"Never Come Morning depicts the intensity of feeling, the tawdry but potent dreams, the crude but forceful poetry, and the frustrated longing for human dignity residing in the lives of the Poles of Chicago's Northwest Side, and this revelation informs us all that there lies an ocean of life at our doorstep—an unharnessed, unchanneled and unknown ocean..." —Richard Wright"Utter sincerity and psychological truth." —Philip Rahv in The Nation"Mr. Algren is out to shock, but he does so without seeming to sensationalize. I, for one, found myself believing." —Clinton Fadiman in The New Yorker"The girls sitting around the juke-box in Mama Tomek's, the boys playing under the El, the look of Chicago streets in the rain... It is the poetry of familiar things that is missing in the other Chicago novels... Algren is a poet the Chicago slums." —Malcolm Cowley"A book, a true book, is the writer's confessional. For, whether he would have it so or not, he is betrayed, directly or indirectly, by his characters, into presenting, publicly, his innermost feelings." —Nelson Algren

    It is as fresh and outrageous today as when it was first published in 1974.Born of a Jewish father and black mother, Oreo grows up in Philadelphia with her grandparents while her mother tours with a theatrical group. Soon after puberty Oreo heads for New York to search for her father, but in the big city she discovers that there are dozens of Sam Schwartzes. Oreo's mission turns into a wickedly humorous picaresque quest, reminiscent of the ancient Greek myth of Theseus. This is an ambitious and playful narrative that challenges not only the accepted notions of race, ethnicity, and identity, but also those of the novelistic form itself.

     Hard-hitting newspaper journalist turned stay-at-home mum and part-time failing food columnist, Marnie is wondering when her life went so wrong. While her husband Matt’s career takes off, she’s left with the impossible task of pairing socks and locating Lego. His late nights at the office are turning into late nights who knows where else and they haven’t had a proper conversation in weeks, sex in months, or a full night’s sleep in years. On the brink of losing everything when a fantasy about movie star Maddox Wolfe leads to a missed deadline and a disastrous case of food poisoning, Marnie becomes Mrs Make Believe: anonymous blogger, secret spiller, and voice of imperfect mums everywhere. However, Marnie Martin could never have imagined that her movie star daydream would walk off the screen and into her reality, turning her already muddled world totally on its head. Will Marnie find happiness in the arms of the (literal) man of her dreams? Or will she find that true love is just make believe?

    But the keys didn’t come without new responsibilities. Unwanted suitor visits, a robbery, and Susan living only a few blocks apart from her ex-boyfriend, McGraw, has made the dorms feel like a haven. The girls are in for a dose of reality when they learn that there’s more to being an adult than paying your own rent.Eisner Award nominee John Allison (Bad Machinery, Scary Go Round) and illustrators Max Sarin and Liz Fleming welcome you back to Sophomore year in Giant Days Volume 6, collecting issues #21-24 of the critically acclaimed series.

    While chronicling her evolution as a writer, Ginsberg takes a behind-the-scenes look at restaurant life—revealing that yes, when pushed, a server will spit in food, and, no, that's not really decaf you're getting—and how most people in this business are in a constant state of waiting to do something else.Colorful, insightful, and often irreverent, Ginsberg's stories truly capture the spirit of the universal things she's learned about human nature, interpersonal relationships, the frightening things that go on in the kitchen, romantic hopes dashed and rebuilt, and all of the frustrating and funny moments in this life. Waiting is for everyone who has had to wait for their life to begin—only to realize, suddenly, that they're living it.

    She writes about passion, about her fraught relationship with money, about adoring Barney’s while shopping at thrift stores, about breakups and the fertile ground between relationships, about roommates and rent, and about being superstitious (“why not, it imbues this harsh world of ours with a bit of magic.”)  At once heartwarming and darkly comic, How to Grow Up proves that the road less traveled may be a difficult one, but if you embrace life’s uncertainty and dust yourself off after every screw up, slowly but surely you just might make it to adulthood.