He was an ardent member of the Hitler Youth. This is the story of their pareallel journey through World War II. Helen Waterford and Alfons Heck were born just a few miles from each other in the German Rhineland. But their lives took radically different courses: Helen's to the Auschwitz extermination camp; Alfons to a high rank in the Hitler Youth. While Helen was hiding in Amsterdam, Alfons was a fanatic believer in Hitler's "master race." While she was crammed in a cattle car bound for the death camp Aushchwitz, he was a teenage commander of frontline youth troops, ready to fight and die for the glory of Hitler and the Fatherland. This book tells both of their stories, side-by-side, in an overwhelming account of the nightmare that was WWII. The riveting stories of these two remarkable people must stand as a powerful lesson to us all.

    Fifty years later, Roma, an artist living in Germany, attended a screening of Steven Spielberg’s Schindler’s List, and instantly knew that “the girl in the red coat”—the only splash of color in the film—was her. Thus began a harrowing journey into the past, as Roma Ligocka sought to reclaim her life and put together the pieces of a shattered childhood. The result is this remarkable memoir, a fifty-year chronicle of survival and its aftermath. With brutal honesty, Ligocka recollects a childhood at the heart of evil: the flashing black boots, the sudden executions, her mother weeping, her father vanished…then her own harrowing escape and the strange twists of fate that allowed her to live on into the haunted years after the war. Powerful, lyrical, and unique among Holocaust memoirs, The Girl in the Red Coat eloquently explores the power of evil to twist our lives long after we have survived it. It is a story for anyone who has ever known the darkness of an unbearable past—and searched for the courage to move forward into the light.

    This book is an authorized translation of the original book that was written in Croatian in 1966. What follows was written by the original publisher. There is no stronger or more reliable material than the one that is born from one’s own experience. Eyewitnesses and direct participants provide us with not only the facts, but also that sublimely human spirit common to all happenings in which people participate. It doesn’t matter that this account is about the fear that the people of Jasenovac experienced, or about the deeds of their torturers. For every one hundred thousand people in the Jasenovac camp during its horrifying four-year existence, there was only one—literally one—who survived. Those were the odds in the balance of life and death: one hundred thousand dead and one alive. And there is a witness, right in front of us, who found the strength to reminisce, to go back to the place of his torture, to break the psychological barriers, and to lead us step by step through his nightmare, through waves of terror that exceed every notion of horror. From the beginning of his time at Jasenovac to the end, Egon Berger was witness—and victim—to a rampage without limit. Of those who survived, he is the only one who told the story. Berger does not bring us a literary masterpiece—he brings us only the experience, a story about forty-four months of his life in a camp, told simply. A story is enough—a story that calls images to mind and makes us tremble with the thought, “Are such things possible?” For myself and every person who had been to Jasenovac and lived, it is a miracle that we survived. Yes, it is possible, it is real, and it is true. A terror arose in front of us from the oblivion. It should not be forgotten. Share this record with future generations who will hopefully not know such terror. Ivo Frol, 1966

    One of these was Dietrich Bonhoeffer--a pastor and author, known as much for such spiritual classics as "The Cost of Discipleship "and "Life Together," as for his 1945 execution in a concentration camp for his part in the plot to assassinate Adolf Hitler.In the first major biography of Bonhoeffer in forty years, "New York Times" best-selling author Eric Metaxas takes both strands of Bonhoeffer's life―the theologian and the spy―to tell a searing story of incredible moral courage in the face of monstrous evil. In a deeply moving narrative, Metaxas uses previously unavailable documents―including personal letters, detailed journal entries, and firsthand personal accounts―to reveal dimensions of Bonhoeffer's life and theology never before seen.In "Bonhoeffer: Pastor, Martyr, Prophet, Spy"―"A Righteous Gentile vs the Third Reich," Metaxas presents the fullest accounting of Bonhoeffer's heart-wrenching 1939 decision to leave the safe haven of America for Hitler's Germany, and using extended excerpts from love letters and coded messages written to and from Bonhoeffer's Cell 92, Metaxas tells for the first time the full story of Bonhoeffer's passionate and tragic romance.Readers will discover fresh insights and revelations about his life-changing months at the Abyssinian Baptist Church in Harlem and about his radical position on why Christians are obliged to stand up for the Jews. Metaxas also sheds new light on Bonhoeffer's reaction to Kristallnacht, his involvement in the famous Valkyrie plot and in "Operation 7," the effort to smuggle Jews into neutral Switzerland."Bonhoeffer" gives witness to one man's extraordinary faith and to the tortured fate of the nation he sought to deliver from the curse of Nazism. It brings the reader face to face with a man determined to do the will of God radically, courageously, and joyfully―even to the point of death. "Bonhoeffer" is the story of a life framed by a passion for truth and a commitment to justice on behalf of those who face implacable evil.

    It is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested in occupied France, along with her father. Later, in the camps, he managed to smuggle a note to her, a sign of life that made all the difference to Marceline—but he died in the Holocaust, while Marceline survived. In But You Did Not Come Back, Marceline writes back to her father, the man whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found her calling, working as both an activist and a documentary filmmaker. But now, as France and Europe in general faces growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt.

    Even in the darkest moments of Occupation, glamour was ever present. French women wore lipstick. Why?It was women who came face to face with the German conquerors on a daily basis – perhaps selling them clothes or travelling alongside them on the metro, where a German soldier had priority over seats. By looking at collaborators to resisters, actresses and prostitutes, as well as teachers and writers, including American women and Nazi wives, spies, mothers, mistresses, fashion and jewellery designers – Anne Sebba shows that women made life-and-death decisions every day, and, in an atmosphere where sex became currency, often did whatever they needed to survive. Her fascinating cast includes both native Parisian women and those living in Paris temporarily: American women and Nazi wives, spies, mothers, mistresses, and fashion and jewellery designers. Some like the heiress Béatrice Camondo or novelist Irène Némirovsky, converted to Catholicism; others like lesbian racing driver Violette Morris embraced the Nazi philosophy; only a handful, like Coco Chanel, retreated to the Ritz with a German lover.In enthralling detail Sebba explores the aftershock of the Second World War. How did women who survived to see the Liberation of Paris come to terms with their actions and those of others? Although politics lies at its heart, Les Parisiennes is the first in-depth account of the everyday lives of women and young girls in this most feminine of cities.

    LIKE BIRDS IN BLACK AND WHITE is the narrative of a young Jewish girl from the village of Wereszczyn, Poland. At the same time, LIKE BIRDS IN BLACK AND WHITE is a very painful human story, about the spark of goodness that exists – even in the depths of evil, and motivates us to be humane. Miriam Raz-Zunszajn-Winograd was born in 1933 on a small farm, in the village of Wereszczyn, located in Western Poland. She spent the duration of the Holocaust in the region where she was born, and she is the sole survivor of her family, as well as from the Jews of Wereszczyn. With her farewell to her readers, at the completion of her journey-story of torment, Miriam asks to tell us the lesson that is so very important to her: “I learned that in every place – even in the case of the most evil – there is always a handful of righteous people ready to endanger their own lives for the good of others. I never forget these righteous people that I encountered in my path to survive. They were my hope and my light in the darkness.” Miriam live today on Kibbutz and can be reached at miryamr@gan.org.il

    Using a variety of resources, the Tusas are able to thoroughly layout new information from the trial. This was the closure for many to World War II, and it was one of the greatest judicial accomplishements. The Tusas provide a clear history of the events and fresh insight to what happened during the trial.

    officer during World War Two encapsulates the tragic experience of a generation of Europeans. One night at a dinner party in Florence, historian Daniel Lee was told about a remarkable discovery. An upholsterer in Amsterdam had found a bundle of swastika-covered documents inside the cushion of an armchair he was repairing. They belonged to Dr. Robert Griesinger, a lawyer from Stuttgart, who joined the S.S. and worked at the Reich's Ministry of Economics and Labour in Occupied Prague during the war. An expert in the history of the Holocaust, Lee was fascinated to know what circumstances and choices had led to the man's dreadful fate- and how his most precious documents ended up hidden inside a chair, hundreds of miles from Prague and Stuttgart. In The S.S. Officer's Armchair, Lee weaves detection with biography to tell an astonishing narrative of ambition and intimacy in the Third Reich. He uncovers Griesinger's American backstory -- his father was born in New Orleans and the family had ties to the plantations and music halls of nineteenth century Louisiana. As Lee follows the footsteps of a rank and file Nazi official seventy years later, and chronicles what became of him and his family at the war's end, Griesinger's role in Nazi crimes comes into focus. When Lee stumbles on an unforeseen connection between Griesinger and the murder of his own relatives in the Holocaust, he must grapple with potent questions about blame, manipulation, and responsibility. The S.S. Officer's Armchair is an enthralling detective story and a reconsideration of daily life in the Third Reich. It provides a window into the life of Hitler's millions of nameless followers and into the mechanisms through which ordinary people enacted history's most extraordinary atrocity.

    As the SS Bremen leaves New York Harbor with Marlies and her family as passengers, Marlies has no idea that what is intended to be a three-month stay will turn into a seven-year struggle to stay alive in a living hell.No one could have predicted the events that are about to unfold as the Bremen docks in Bremerhaven, Germany six days later. As World War II begins, Hitler comes into power, and all borders and ports are closed; the Adams family is prohibited from leaving Germany-now a Nazi-controlled country. In her compelling autobiography, Marlies chronicles a little girl's unforgettable journey through starvation, bone-chilling cold, prejudice, bombings, abuse, homelessness, and fear instigated by an evil dictator.Narrated with candor and many historical details that bring her memoir to life, Marlies shares the tragic yet inspirational story of how she endured a childhood in wartime Germany by relying on her own sheer will, faith, and the unconditional love of a most unusual, yet devoted best friend.

    In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize-winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. Does he probe the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman’s private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right.

    He was put to work every day in a German factory, where he labored alongside Jewish prisoners from a nearby camp called Auschwitz. The stories they told him were horrifying. Eventually Avey's curiosity, kind-heartedness, derring-do, and perhaps foolhardiness drove him to suggest--and remarkably manage--switching places with two of the Jewish prisoners in order to spend a couple of harrowing days and nights inside. Miraculously, he lived to tell about it.Surely deserving of its place alongside the great World War II stories, this is an incredible tale of generosity, courage, and, for one Jewish prisoner whom Denis was able to help, survival. Amazingly, breathtakingly, it is told here for the first time.

     These images of victory and celebration are so strong in our minds that the period of anarchy and civil war that followed has been forgotten.  Across Europe, landscapes had been ravaged, entire cities razed and more than thirty million people had been killed in the war. The institutions that we now take for granted - such as the police, the media, transport, local and national government - were either entirely absent or hopelessly compromised. Crime rates were soaring, economies collapsing, and the European population was hovering on the brink of starvation.  In Savage Continent, Keith Lowe describes a continent still racked by violence, where large sections of the population had yet to accept that the war was over.  Individuals, communities and sometimes whole nations sought vengeance for the wrongs that had been done to them during the war. Germans and collaborators everywhere were rounded up, tormented and summarily executed.  Concentration camps were reopened and filled with new victims who were tortured and starved.  Violent anti-Semitism was reborn, sparking murders and new pogroms across Europe.  Massacres were an integral part of the chaos and in some places – particularly Greece, Yugoslavia and Poland, as well as parts of Italy and France – they led to brutal civil wars. In some of the greatest acts of ethnic cleansing the world has ever seen, tens of millions were expelled from their ancestral homelands, often with the implicit blessing of the Allied authorities.Savage Continent is the story of post WWII Europe, in all its ugly detail, from the end of the war right up until the establishment of an uneasy stability across Europe towards the end of the 1940s.  Based principally on primary sources from a dozen countries, Savage Continent is a frightening and thrilling chronicle of a world gone mad, the standard history of post WWII Europe for years to come.

    Weaving together the voices of three generations of women, Leslie Gilbert-Lurie and her mother, Rita Lurie, provide powerful — and inspiring — evidence of the resilience of the human spirit, relevant to every culture in every corner of the world. By turns unimaginably devastating and incredibly uplifting, this firsthand account of survival and psychological healing offers a strong, poignant message of hope in our own uncertain times. Rita Lurie was five years old when she was forced to flee her home in Poland to hide from the Nazis. From the summer of 1942 to mid-1944, she and fourteen members of her family shared a nearly silent existence in a cramped, dark attic, subsisting on scraps of raw food. Young Rita watched helplessly as first her younger brother then her mother died before her eyes. Motherless and stateless, Rita and her surviving family spent the next five years wandering throughout Europe, waiting for a country to accept them. The tragedy of the Holocaust was only the beginning of Rita's story.Decades later, Rita, now a mother herself, is the matriarch of a close-knit family in California. Yet in addition to love, Rita unknowingly passes to her children feelings of fear, apprehension, and guilt. Her daughter Leslie, an accomplished lawyer, media executive, and philanthropist, began probing the traumatic events of her mother's childhood to discover how Rita's pain has affected not only Leslie's life and outlook but also her own daughter, Mikaela's. A decade-long collaboration between mother and daughter, Bending Toward the Sun reveals how deeply the Holocaust remains in the hearts and minds of survivors, influencing even the lives of their descendants. It also sheds light on the generational reach of any trauma, beyond the initial victim. Drawing on interviews with the other survivors and with the Polish family who hid five-year-old Rita, this book brings together the stories of three generations of women — mother, daughter, and granddaughter — to understand the legacy that unites, inspires, and haunts them all.

    The youngest daughter, Kieks, joined the Resistance, delivering illegal newspapers, guiding British parachutists around The Hague and preparing safe houses for Special Forces who were dropped in from England. As the War continued, she fell in love with a Resistance commander, and worked with him to rescue wounded colleagues, steal weapons from German arms dumps and move weapons around the country. They had a tumultuous parting and she continued her work, acting as a courier with a two hundred km bike ride to the north of Holland. When she returned home, she appreciated how much the war had changed her and her boyfriend, and prepared to try a reconciliation.She escaped a firing squad four times, and survived the war, mentally scarred by her experiences. She sought help, but the help she was offered came in a poisoned chalice, and she kept her secret to herself for almost fifty years.Her family in Holland was recognised by Yad Vashem, the Israeli organisation that records those who saved Jews from the Holocaust, and she was awarded a pension for her work in the Resistance by the Dutch foundation Stichting 1940-1945. It was only when these organisations acknowledged the truth of her claims that she had the confidence to tell her family of the events from long ago.