Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language.From the opening story, "Willing", about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being, Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world--no flower or stone--as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is. In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties. In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Haagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.

    Her novels and short stories speak to women and men about their most intense relationships and heartfelt feelings.In this collection of five short stories and a novella, Ms. Godwin is at her best. In the title novella, "Mr. Bedford," a young would-be writer spends time in England under the strange and watchful eye of a rather unusual elderly couple; in "Amanuensis," a charming college student cares for a famous but blocked novelist, with unpredictable results; and in "The Angry Year," a rebellious student is drawn to two different kinds of men until she discovers what she has been running to and from.

    Daisy's valentine --A romantic weekend --something nice --An affair, edited --Connection --Trying to be --Secretary --Other factors --Heaven

    One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, strange in the dark; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: the stories focus in on crucial moments of transition, often imperceptible to the protagonists. A girl accepts a lift in a car with some older boys, or a young woman reads the diaries she comes across when she’s housesitting. Small acts have large consequences, and some of them reverberate across decades; things fantasised in private can reach out to affect other people, for better and worse. An older woman recovering from serious illness speaks to a lonely young man on a train; an old friend brings bad news to a dinner party; a schoolteacher in the throes of a painful affair in 1914 has mixed feelings about her pupils’ suffragette craze. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams.Bad Dreams shows yet again that Tessa Hadley is a master of her art, one of the very finest writers at work in Britain today.

    A female sheriff in a flooded town attempts to cover up a murder. When a farmer harvesting a field accidentally runs over his son, his grief sets him off walking, mile after mile. A band of teens bent on destruction runs amok in a deserted town at night. As these men and women lash out at the inscrutable churn of the world around them, they find a grim measure of peace in their solitude.Throughout Volt, Alan Heathcock's stark realism is leavened by a lyric energy that matches the brutality of the surface. And as you move through the wind-lashed landscape of these stories, faint signs of hope appear underfoot. In Volt, the work of a writer who's hell-bent on wrenching out whatever beauty this savage world has to offer, Heathcock's tales of lives set afire light up the sky like signal flares touched off in a moment of desperation.

    Or so believes Larry, who returns home from Desert Storm to find his hair gone and his bones rapidly disintegrating. Then there’s Lance Corporal James Laverne of the US Marines, who grows a third ear in Kuwait. And in the audaciously comic novella “Notes from a Bunker Along Highway 8,” a Green Beret deserts his team after seeing a vision of George Washington, only to find a new calling—administering aid to wounded Iraqi civilians; he’s hindered only by the furtive nature of his mission and an unruly band of chimpanzees. Together these narratives form a bracing amalgamation of devastating humor and brilliant cultural observation, in which Gabe Hudson fearlessly explores the darker implications of American military power.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind. The Best American Short Stories 2011 includes Chimamanda Ngozi Adichie, Megan Mayhew Bergman, Jennifer Egan, Nathan Englander, Allegra Goodman, Ehud Havazelet, Rebecca Makkai, Steven Millhauser, George Saunders, Mark Slouka, and others

    The stories range in style from the gritty noir of David Means' "Sault Ste. Marie" to the mesmerizing mythmaking of Louise Erdrich's "The Plague of Doves," while the settings include a village perched on top of an enormous whale (David Lawrence Morse's "Conceived") as well as a swank suite at the Plaza Hotel (Xu Xi's "Famine"). The three most powerful stories seem to have in common the ability to immerse readers in a character's sudden, searing moment of self-knowledge and the way that insight impacts the course of a life. In Edward P. Jones' elegiac, masterful "Old Boys, Old Girls," a hard-bitten con comes to see that redemption is within his reach. Deborah Eisenberg delicately deconstructs a young girl's attraction to an abusive man in the haunting "Windows." And, finally, the storied Alice Munro, in "Passion," conveys the complex inner world of a teenager who discovers she values risk over security.

    A cross between William Faulkner (Times-Picayune) and John Irving (Detroit Free Press), Dufresne once again masterfully charts the power of truth and lies and the magic hidden in the mundane.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    Her career, now spanning seven decades, continues here with nine new stories. In Starting Over, Spencer returns to the deep emotional fault lines and unseen fractures that lie just beneath the veneer of happy family life. In “Sightings,” a troubled daughter suddenly returns to the home of the father she accidently blinded during her parents’ bitter separation; in “Blackie,” the reappearance of a son from a divorcee’s first marriage triggers a harrowing confrontation with her new family; while in “The Wedding Visitor,” a cousin travels home only to find himself entwined in the events leading up to a family wedding. In these nine stories, Spencer excels at revealing the flawed fabric of human relations.

    Whether evoking the complex world of Creole New Orleans, where racial boundaries are burst by erotic gestures, often with tragic results, or recounting the simple sacrifices made in the name of love, she makes human emotions come instantly, dramatically alive. Her classic novel of sexual and spiritual rebirth, The awakening, is collected with her best stories in Penguin Classics.--back cover

    Whether addressing the smothered desire of suburban housewives, the white-collar despair of Manhattan office workers or the heartbreak of a single mother with artistic pretensions, Yates ruthlessly examines the hopes and disappointments of ordinary people with empathy and humour.Contents: Doctor Jack-o'-Lantern --The best of everything --Jody rolled the bones --No pain whatsoever --A glutton for punishment --A wrestler with sharks --Fun with a stranger --The B.A.R. man --A really good jazz piano --Out with the old --Builders --Oh, Joseph, I'm so tired --A natural girl --Trying out for the race --Liars in love --A compassionate leave --Regards at home --Saying goodbye to Sally --The canal --A clinical romance --Bells in the morning --Evening on the Cote d'Azur --Thieves --A private possession --The comptroller and the wild wind --A last fling, like --A convalescent ego.

    Her wry, often darkly funny voice describes the repressed underside of a range of middle-class characters living in the South.