Elsa Park is a particle physicist at the top of her game, stationed at a neutrino observatory in the Antarctic, confident she's put enough distance between her ambitions and the family ghosts she's run from all her life. But it isn't long before her childhood imaginary friend—an achingly familiar, spectral woman in the snow—comes to claim her at last. Years ago, Elsa's now-catatonic mother had warned her that the women of their line were doomed to repeat the narrative lives of their ancestors from Korean myth and legend. But beyond these ghosts, Elsa also faces a more earthly fate: the mental illness and generational trauma that run in her immigrant family, a sickness no less ravenous than the ancestral curse hunting her. When her mother breaks her decade-long silence and tragedy strikes, Elsa must return to her childhood home in California. There, among family wrestling with their own demons, she unravels the secrets hidden in the handwritten pages of her mother’s dark stories: of women’s desire and fury; of magic suppressed, stolen, or punished; of the hunger for vengeance. From Sparks Fellow, Tin House alumna, and Harvard graduate Angela Mi Young Hur, Folklorn is a wondrous and necessary exploration of the myths we inherit and those we fashion for ourselves.

    She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own. As the two young lovers translate the grandmother’s letters, Daughter begins to understand that each woman in her family embodies a myth–and that she will have to bring her family’s secrets to light in order to change their destiny.With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. Tracing one family’s history from Taiwan to America, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and girlhood.

    A messed-up, grown-up, Little Red Riding Hood.Broken-hearted Joan has been searching for her husband, Victor, for almost a year--ever since he went missing on the night they had their first serious argument. One terrible, hungover morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher named Eugene Wolff. By the time she staggers into the tent, the service is over. But as she is about to leave, she hears an unmistakable voice.She turns, and there Victor is. The same face, the same eyes, the same hands. But his hair is short and he's wearing a suit and he doesn't recognize her at all. No, he insists, she's the one suffering a delusion: he's the Reverend Wolff and his only mission is to bring his people to Jesus. Except that, as Joan soon discovers, that's not all the enigmatic Wolff is doing.With only the help of Ajean, a foul-mouthed euchre shark with a knowledge of the old ways, and her odd, Johnny-Cash-loving, 12-year-old nephew Zeus, Joan has to find a way to remind the Reverend Wolff of who he really is. If he really is Victor. Her life, and the life of everyone she loves, depends upon it.

    Friendless and fatherless, sixteen-year-old Szu lives in the shadow of her mother Amisa, once a beautiful actress and now a hack medium performing séances with her sister in a rusty house. When Szu meets the privileged, acid-tongued Circe, an unlikely encounter develops into an intense friendship and offers Szu a means of escape from her mother's alarming solitariness.Seventeen years later, Circe is struggling through a divorce in fraught and ever-changing Singapore when a project comes up at work: a remake of the cult seventies horror film series 'Ponti', the very project that defined Amisa's short-lived film career. Suddenly Circe is knocked off balance: by memories of the two women she once knew, by guilt, and by a past that threatens her conscience.Told from the perspectives of all three women, Ponti is about friendship and memory, about the things we do when we're on the cusp of adulthood that haunt us years later. Beautifully written by debut author Sharlene Teo, and enormously atmospheric, Ponti marks the launch of an exciting new literary voice in the vein of Zadie Smith.

    Mary Deerfield is twenty-four-years-old. Her skin is porcelain, her eyes delft blue, and in England she might have had many suitors. But here in the New World, amid this community of saints, Mary is the second wife of Thomas Deerfield, a man as cruel as he is powerful. When Thomas, prone to drunken rage, drives a three-tined fork into the back of Mary's hand, she resolves that she must divorce him to save her life. But in a world where every neighbor is watching for signs of the devil, a woman like Mary--a woman who harbors secret desires and finds it difficult to tolerate the brazen hypocrisy of so many men in the colony--soon finds herself the object of suspicion and rumor. When tainted objects are discovered buried in Mary's garden, when a boy she has treated with herbs and simples dies, and when their servant girl runs screaming in fright from her home, Mary must fight to not only escape her marriage, but also the gallows. A twisting, tightly plotted thriller from one of our greatest storytellers, Hour of the Witch is a timely and terrifying novel of socially sanctioned brutality and the original American witch hunt.

     In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie is traveling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn to wait out the blizzard. There he meets Fabrissa, a lovely young woman also mourning a lost generation. Over the course of one night, Fabrissa and Freddie share their stories. By the time dawn breaks, Freddie will have unearthed a tragic, centuries-old mystery, and discovered his own role in the life of this remote town.

    Its author tells the story of a priceless tarot deck, now lost to history, but as Semele delves further, she realizes the manuscript is more than it seems. Both a memoir and a prophecy, it appears to be the work of a powerful seer, describing devastating wars and natural disasters in detail thousands of years before they occurred.The more she reads, the more the manuscript begins to affect Semele’s life. But what happened to the tarot deck? As the mystery of her connection to its story deepens, Semele can’t shake the feeling that she’s being followed. Only one person can help her make sense of it all: her client, Theo Bossard. Yet Theo is arrogant and elusive, concealing secrets of his own, and there’s more to Semele’s desire to speak with him than she would like to admit. Can Semele even trust him?The auction date is swiftly approaching, and someone wants to interfere—someone who knows the cards exist, and that the Bossard manuscript is tied to her. Semele realizes it’s up to her to stop them: the manuscript holds the key to a two-thousand-year-old secret, a secret someone will do anything to possess.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    "Even as a girl, I knew the only chance I had was to change my face... even before a fortune-teller told me so." Kyuri is a beautiful woman with a hard-won job at a "room salon," an exclusive bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake with a client may come to threaten her livelihood.Her roomate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the super-wealthy heir to one of Korea's biggest companies.Down the hall in their apartment building lives Ara, a hair stylist for whom two preoccupations sustain her: obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that is commonplace.And Wonna, one floor below, is a newlywed trying to get pregnant with a child that she and her husband have no idea how they can afford to raise and educate in the cutthroat economy.Together, their stories tell a tale that's seemingly unfamiliar, yet unmistakably universal in the way that their tentative friendships may have to be their saving grace.

    Still, I never tried to hide or suppress my mind as some girls do, and thank God, because that would have been the beginning of the end.From childhood, Katherine knows she is different, and that her parents are not who they seem to be. But in becoming a mathematician, she must face the most human of problems—who is she? What is the cost of love, and what is the cost of ambition? On her quest to conquer the Riemann Hypothesis, the greatest unsolved mathematical problem of her time, she turns to a theorem with a mysterious history that holds both the lock and key to her identity, and to secrets long buried during World War II in Germany. Forced to confront some of the most consequential events of the twentieth century and rethink everything she knows of herself, she strives to take her place in the world of higher mathematics and finds kinship in the stories of the women who came before her—their love of the language of numbers connecting them across generations.In The Tenth Muse, Catherine Chung offers a gorgeous, sweeping tale about legacy, identity, and the beautiful ways the mind can make us free.

    Rule #1: The poison must never be used to harm another woman.Rule #2: The names of the murderer and her victim must be recorded in the apothecary’s register.One cold February evening in 1791, at the back of a dark London alley in a hidden apothecary shop, Nella awaits her newest customer. Once a respected healer, Nella now uses her knowledge for a darker purpose - selling well-disguised poisons to desperate women who would kill to be free of the men in their lives. But when her new patron turns out to be a precocious twelve-year-old named Eliza Fanning, an unexpected friendship sets in motion a string of events that jeopardizes Nella’s world and threatens to expose the many women whose names are written in her register.In present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, reeling from the discovery of her husband’s infidelity. When she finds an old apothecary vial near the river Thames, she can’t resist investigating, only to realize she’s found a link to the unsolved “apothecary murders” that haunted London over two centuries ago. As she deepens her search, Caroline’s life collides with Nella’s and Eliza’s in a stunning twist of fate - and not everyone will survive.

    Twenty years later, one is found--but she's still the same age as when she disappeared. The secrets of witches have reached across the centuries in this chilling Gothic thriller from the author of the acclaimed The Nesting. When single mother Liv is commissioned to paint a mural in a 100-year-old lighthouse on a remote Scottish island, it's an opportunity to start over with her three daughters--Luna, Sapphire, and Clover. When two of her daughters go missing, she's frantic. She learns that the cave beneath the lighthouse was once a prison for women accused of witchcraft. The locals warn her about wildlings, supernatural beings who mimic human children, created by witches for revenge. Liv is told wildlings are dangerous and must be killed.Twenty-two years later, Luna has been searching for her missing sisters and mother. When she receives a call about her youngest sister, Clover, she's initially ecstatic. Clover is the sister she remembers--except she's still seven years old, the age she was when she vanished. Luna is worried Clover is a wildling. Luna has few memories of her time on the island, but she'll have to return to find the truth of what happened to her family. But she doesn't realize just how much the truth will change her.

    High paying. No out of pocket medical expenses. A free place to live. All Lena has to do is participate in a secret program—and lie to her friends and family about the research being done in Lakewood. An eye drop that makes brown eyes blue, a medication that could be a cure for dementia, golden pills promised to make all bad thoughts go away.The discoveries made in Lakewood, Lena is told, will change the world—but the consequences for the subjects involved could be devastating. As the truths of the program reveal themselves, Lena learns how much she’s willing to sacrifice for the sake of her family.Provocative and thrilling, Lakewood is a breathtaking novel that takes an unflinching look at the moral dilemmas many working-class families face, and the horror that has been forced on black bodies in the name of science.

    Gwendolyn and Estella have always been as close as sisters can be. Growing up in a wealthy, eminent, and sometimes deceitful family, they’ve relied on each other for support and confidence. But now Gwendolyn is lying in a coma, the sole survivor of Estella’s poisoning of their whole clan. As Gwendolyn struggles to regain consciousness, she desperately retraces her memories, trying to uncover the moment that led to this shocking and brutal act. Was it their aunt’s mysterious death at sea? Estella’s unhappy marriage to a dangerously brutish man? Or were the shifting loyalties and unspoken resentments at the heart of their opulent world too much to bear? Can Gwendolyn, at last, confront the carefully buried mysteries in their family’s past and the truth about who she and her sister really are? Traveling from the luxurious world of the rich and powerful in Indonesia to the most spectacular shows at Paris Fashion Week, from the sunny coasts of California to the melting pot of Melbourne’s university scene, The Majesties is a haunting and deeply evocative novel about the dark secrets that can build a family empire—and also bring it crashing down.

    In the trunk of the car rests a cache of diaries dating back 200 years, tied and retied with strings through generations. The diaries carry the rules for survival that have been handed down from mother to daughter since the 19th century. But how can Hannah escape an enemy with the ability to look and sound like the people she loves? Stephen Lloyd Jones's debut novel is a sweeping thriller that extends from the present day, to Oxford in the 1970s, to Hungary at the turn of the 19th century, all tracing back to a man from an ancient royal family with a consuming passion -- a boy who can change his shape, insert himself into the intimate lives of his victims, and destroy them. If Hannah fails to end the chase now, her daughter is next in line. Only Hannah can decide how much she is willing to sacrifice to finally put a centuries-old curse to rest.