The Dead Sea Poems, his fourth collection, culminates in a long visionary poem, 'Five Eleven Ninety Nine'. Elsewhere, questions of belief and trust, of identity and knowledge, dealt with as they occur in everyday domestic life, contribute to a picture of our contemporary world that is at once realistic and touched with a unique imaginative intensity.

    Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.

    He had been saving the pay he sweated so hard for, and he reckoned there was enough to set himself up with a spread of his own. He thought he might look into the Triple X Ranch, the one they called the Whiskey Brand. It had prime cattle land and was a bargain... or so it seemed.

    Prompted by the prophecies of three mysterious witches and goaded by his ambitious wife, the Scottish thane Macbeth murders Duncan, King of Scotland, in order to succeed him on the throne. This foul deed soon entangles the conscience-stricken nobleman in a web of treachery, deceit and more murders that ultimately spells his doom.

    Hall's new poems further the themes of love, death, and mourning so powerfully introduced in his WITHOUT (1998), but from the distance of passed time. A long poem, "Daylilies on the Hill 1975 - 1989," moves back to the happy repossession of the poet's old family house and its history - a structure that "persisted against assaults" as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing - "mania is melancholy reversed," as Hall writes in another long poem, "Kill the Day." In this book's fourth and final section, "Ardor," the poet moves toward acceptance of new life in old age; eros reemerges.

    Magazine, which covered the Southern California, and national, poetry scene in the mid-90's. It covers the growth of slam, with interviews and profiles of many poets who are now important figures in American poetry.

    In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to move, delight, and shock.

    “Provocative...a tantalizing, beautiful fusion of visions” (Bloomsbury Review).

    The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind—a kind of circus of the soul.

    But when news of a horrifying murder shocks her sleepy fishing community, she’s compelled by a deep sense of justice to help track down the killer. And when an old friend offers her a chance to do it from behind a badge, she goes all in. Ellie’s investigation gets off to a rapid start, leading her into a hidden underworld of drugs, murder, and lies, where she quickly discovers that some of the locals may not have the cleanest of hands. Meanwhile, as deep pain continues to linger from the recent death of her father and a gaping hole left by a previous mission gone terribly wrong, Ellie discovers that it’s not so easy to outrun your past. SHALLOW BREEZE When a plane loaded with illegal drugs crashes into an iconic pier, the locals begin to wonder if any other secrets are about to fall out of the sky. After going to Tampa to search out a possible link between Hawkwing Enterprises and the dead body of a young boy, Ellie suddenly becomes entangled with an elusive drug lord and the former Navy SEAL working with him. On Pine Island, a local and beloved business owner is blackmailed into moving cargo that goes against everything he believes in, bringing his world crashing down around him as he begins to live a sinister lie. BITTER TIDE When local Matlacha artist Jean Oglesby confides to Ellie that her son may be in some trouble, Ellie steps in to help and is sent down a winding trail that leads her into deep and unexpected waters. A Category 4 hurricane has Pine Island in its crosshairs, and as the winds whip the mainland, it forces Ellie to make a choice: flee for safety or stay and hunt down the weapons smugglers that have kidnapped and tortured an innocent man. And when a friend from the past suddenly appears with unexpected news, she begins to wonder if the truth is even out there and if she will be forced to finally bend the rules. VACANT SHORE Ellie has encountered setback after setback, and this time is no different. When a former adversary comes back for revenge, Ellie discovers the crosshairs cover more than she ever could have imagined and locks her into a deadly battle that has already claimed far too many innocent lives. As she gets ever closer to unmasking the lies running rampant over her community, Ellie finds corruption at the highest levels of government, forcing her to reexamine everything she knew to be true. In this nail-biting conclusion to an investigation that began in Broken Stern, Ellie’s pursuit of justice takes her to the very threshold of death’s door, and what she finds leading up to it is nothing short of terrifying.

    In another universe, humanity is overrun by monsters so evil that their very presence dims the light of the stars. In yet another universe, humanity is drawn into an endless battle for dominion over the galaxy. This is not one of those universes. In this universe, humanity is in charge of the Galactic Peace Committee. In theory, the Committee is an unmatched force for good, bringing peace and prosperity to countless worlds and ensuring that conflicts between different races are settled with words and not planet-cracking weaponry or super plagues designed to turn everyone into goo. In theory. Jake Smith is a diplomat. He works for the Committee. This is his story – and it goes about as well as you’d expect. In other words, it doesn’t go very well at all. Can Jake survive petty aliens? Sure. He’s a diplomat. It’s all part of the job. What about angry aliens? Probably. He does have a killer robot for a secretary, and he’s not bad with a shock staff. How about a fleet of aliens out for blood? That… that might be a little bit trickier. The Galactic Peace Committee… keeping peace (sort of) throughout the galaxy.

    / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.

    We all are broken and broken is its own kind of beautiful.

    

    Here, readers will find solace in works that are bracing and courageous, organized into such resonant headings as "Such As It Is More or Less" and "Let It Spill." From William Shakespeare and Walt Whitman to R. S. Gwynn and Jennifer Michael Hecht, the voices gathered in this collection will be more than welcome to those who've been struck by bad news, who are burdened by stress, or who simply appreciate the power of good poetry.