A detective duo. A demon who may or may not exist.It's 1634 and Samuel Pipps, the world's greatest detective, is being transported to Amsterdam to be executed for a crime he may, or may not, have committed. Traveling with him is his loyal bodyguard, Arent Hayes, who is determined to prove his friend innocent.But no sooner are they out to sea than devilry begins to blight the voyage. A twice-dead leper stalks the decks. Strange symbols appear on the sails. Livestock is slaughtered.And then three passengers are marked for death, including Samuel.Could a demon be responsible for their misfortunes?With Pipps imprisoned, only Arent can solve a mystery that connects every passenger onboard. A mystery that stretches back into their past and now threatens to sink the ship, killing everybody on board.The breathtaking new novel from Stuart Turton, author of the The 7 1/2 Deaths of Evelyn Hardcastle, winner of the Costa Best First Novel Award.

    Included are two original stories, several rarities and out of print tales, as well as a few "best of the year" inclusions. Stephen Graham Jones is a master storyteller. What does happen after the people lights have gone off? Crack the spine and find out. With an introduction by Joe R. Lansdale.Stephen Graham Jones is the author of fifteen novels and five collections, and has some two hundred stories published. Stephen's been an NEA Fellow and has won the Texas Institute of Letters Award for Fiction and the Independent Publishers Award for Multicultural fiction. He's forty-two, married with a couple of kids, and lives in Boulder, Colorado.WINNER, Short Story Collection, THIS IS HORRORNOMINATED, Short Story Collection, BRAM STOKER AWARDSNOMINATED, Short Story Collection, SHIRLEY JACKSON AWARDS

    R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.

    The man crossing the covered walkway on this freezing November morning is confident he's alone. As he sits on the metal bench at the far end of the platform it is clear his choice is strategic - he's as far away from the night staff as he can get.What the man doesn't realize is that he has company. Lisa Evans knows what he has decided. She knows what he is about to do as she tries and fails to stop him walking to the platform edge.Two deaths on Platform Seven. Two fatalities in eighteen months - surely they're connected?No one is more desperate to understand what connects them than Lisa Evans herself. After all, she was the first of the two to die.

    Always on the lookout for stylish second-hand steals, she attends the estate sale of deceased socialite Charlotte Meadows. But she gets a lot more than she bargained for when Charlotte's ghost appears before her--offering fashion advice and begging Cookie to find out who murdered her.As the persistent poltergeist tags along and a possibly psychic pussycat moves into the shop, Cookie sorts through racks of suspects to see who may be hiding some skeletons in the closet. Do a clothing store owner and a disembodied socialite have a ghost of a chance of collaring a killer--or will Cookie's life be the next one hanging by a thread?Don't miss Cookie Chanel's Fashion Tips!

    But Rachel Martin has a crush on Brendan and is excited to be invited. Brendan has a lot of party games planned. But one game no one planned intrudes on his party—the game of murder. As the guests start dying one by one, Rachel realizes to her horror that she and the other teenagers are trapped on the tiny island with someone who may want to kill them all. How to escape this deadly game? Rachel doesn't know whom she can trust. She should have realized that nothing is as it seems… on Fear Island.R.L. Stine makes his triumphant return to Shadyside, a town of nightmares, shadows, and genuine terror, and to the bestselling series that began his career writing horror for the juvenile market, in the new Fear Street book Party Games.

    . . and Daniel was gone.Now they are a pair of strangers who can't even look each other in the eye.Distrust and unspoken words fill the void where their son used to be.Anna will go to any lengths to find Daniel - a four-year-old doesn't just vanish into thin air. But how far will this desperate search push her?Right to the brink.And beyond.

    But for the isolated community of Bridelow, his removal is a sinister sign—a danger to the ancient spiritual tradition. In the weeks approaching the Celtic feast of the dead, tragedy strikes again and again in Bridelow. And, as zealots challenge an older, gentler faith, the village faces a natural disaster unknown since the reign of Henry VII.

    Evil lurks and strange things happen--and 15-year-olds Hayley and Taylor Ryan secretly use their wits and their telepathic “twin-sense” to uncover the truth about the town's victims and culprits.  Envy, the series debut, involves the mysterious death of the twins' old friend, Katelyn. Was it murder? Suicide? An accident? Hayley and Taylor are determined to find out--and as they investigate, they stumble upon a dark truth that is far more disturbing than they ever could have imagined.

    This placid body of water has brought prosperity to an isolated community, and with it, two strangers who intermingle with the insular local folk, strangers probing into crimes against nature from generations past that cannot remain submerged beneath the waters’ surface.Under the Lake marks the eagerly awaited return to the South of Stuart's Edgar Award winning novel, Chiefs. John Howell, once a top investigative journalist, comes to this backcountry town on the run from a once promising personal and professional life that has somehow gone sour. What he finds is a mystery so deep, so complex, so bizarre, that he cannot concentrate on the book he has come here to write.The story begins with his entanglement in a subtle, but relentless battle waged by the autocratic town father and the local sheriff against an outcast family, ravaged by its origins. Howell is further drawn in by his involvement with two women – an ambitious young reporter on the prowl for corruption, and a shy backwoods beauty, forsaken by the world because of her family’s ill kept secret. Then, without warning, visits from an otherworldly young girl haunt Howell as his rustic cabin becomes a spectral theater offering strange and frightening images of a hideous event of long ago.

    It’s easy money, and a chance to return to his hometown for his first visit in years. The app itself seems like a retread of old ideas—relaxing white noise and guided meditations. But then there are the “Sleep Songs.” A woman’s hauntingly beautiful voice sings a ballad that is anything but soothing—it’s disturbing, really, more of a warning than a relaxation—but it works. Deep, refreshing sleep follows. So do nightmares. Vivid and chilling, they feature a dead woman who calls Nick by name and whispers guidance—or are they threats? And soon her voice follows him long after the song is done. As the effects of the nightmares begin to permeate his waking life, Nick makes a terrifying discovery: no one involved with Clarity has any interest in his article. Their interest is in him. Because while he might not have any memory of it, he’s one of twenty people who have heard this sinister song before and the only one who is still alive.

    Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal.After hearing damning testimony, magistrate Woodward sentences the accused witch to death by burning. Desperate to exonerate the woman he has come to love, Matthew begins his own investigation among the townspeople. Piecing together the truth, he has no choice but to vanquish a force more malevolent than witchcraft in order to save his beloved Rachel and free Fount Royal from the menace claiming innocent lives.

    The feeling like a buzz in your teeth.The scrape of bone on bone. . .Paul Gallo saw the report on the news: a mass murderer leading police to his victims graves, in remote Dread's Hand, Alaska.It's not even a town; more like the bad memory of a town. The same bit of wilderness where his twin brother went missing a year ago. As the bodies are exhumed, Paul travels to Alaska to get closure and put his grief to rest.But the mystery is only beginning. What Paul finds are superstitious locals who talk of the devil stealing souls, and a line of wooden crosses to keep what's in the woods from coming out. He finds no closure because no one can explain exactly what happened to Danny.And the more he searches for answers, the more he finds himself becoming part of the mystery. . .

    It’s Rays/Mariners, and David Price is breezing through the line-up. Suddenly, in a seat a few rows up beyond the batter, Evers sees the face of someone from decades past, someone who shouldn’t be at the ballgame, shouldn’t be on the planet. And so begins a parade of people from Evers’s past, all of them occupying that seat behind home plate. Until one day Dean Evers sees someone even eerier….

     She is terrified – but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.Later that night, Poirot learns that three guests at a fashionable London Hotel have been murdered, and a cufflink has been placed in each one’s mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim...