Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    He patiently waits his turn to be chosen by a real child, but when he is overlooked time and again, he sets off on an incredible journey to the bustling city, where he finally meets his perfect match and-at long last-is given his special name: Beekle.New York Times bestselling and award-winning author and illustrator Dan Santat combines classic storytelling with breathtaking art, creating an unforgettable tale about friendship, imagination, and the courage to find one's place in the world.

    She saw a queen—one with dynamic self-assurance, regality, beauty, and truth who captured this young girl’s imagination. When a nearby museum-goer snapped a photo of a mesmerized Parker, it became an internet sensation. Inspired by this visit, Parker, and her mother, Jessica Curry, tell the story of a young girl and her family, whose trip to a museum becomes an extraordinary moment, in a moving picture book. Parker Looks Up follows Parker, along with her baby sister and her mother, and her best friend Gia and Gia’s mother, as they walk the halls of a museum, seeing paintings of everyone and everything from George Washington Carver to Frida Kahlo, exotic flowers to graceful ballerinas. Then, Parker walks by Sherald’s portrait of Michelle Obama…and almost passes it. But she stops...and looks up! Parker saw the possibility and promise, the hopes and dreams of herself in this powerful painting of Michelle Obama. An everyday moment became an extraordinary one…that continues to resonate its power, inspiration, and indelible impact. Because, as Jessica Curry said, “anything is possible regardless of race, class, or gender.” **FOREWORD BY ARTIST AMY SHERALD**

    But cunning Mr. Dog tricks Salma, and before she knows it, he’s wearing her stripy ntama, her pretty white beads, and her yellow sandals. And he’s on his way to Granny’s house! African culture and flavor infuse this inventive retelling of a favorite fairy tale, and the vibrant lively illustrations bring it to life. The result is a story that combines new and old and spans cultures as successfully as it has spanned the centuries.

    Somewhere there must be a smart, strong, wonderful, magical little girl waiting to be best friends. In fact, far away (but not too far), a real little girl believes there is a unicorn waiting for her. This refreshing and sweet story of friendship reminds believers and nonbelievers alike that sometimes wishes really can come true.

    But when Sal wanders to the other side of Blueberry Hill, she discovers a mama bear preparing for her own long winter.  Meanwhile Sal's mother is being followed by a small bear with a big appetite for berries! Will each mother go home with the right little one?With its expressive line drawings and charming story, Blueberries for Sal has won readers' hearts since its first publication in 1948.

    Feeling a little foolish perhaps, but determined to see for himself if the dream is true, Isaac sets out on his long journey. What he finds makes a surprising and heart-warming ending to this retelling of a well-known folk tale. In a few words, Cadelcott Medal winner Uri Shulevitz draws a man who is innocent enough to have faith in a dream, and wise enough to understand the greatest reward of all.Isaac's solitary journey, his arrival at hte vast city, and his discovery there are all enriched by Mr. Shulevitz's beautifully detailed illustrations, which masterfully capture the spirit of the original tale while keeping it simple enough for the very youngest reader.The Treasure is a 1980 Caldecott Honor Book and a 1979 New York Times Book Review Best Illustrated Book of the Year.

    Through energy and encouragement, CJ's nana helps him see the beauty and fun in their routine.This beautifully illustrated, emotive picture book explores urban life with honesty, interest and gratitude.Last Stop on Market Street has won multiple awards and spent time at the number one spot in the New York Times Bestseller List.

    Outlaws feared him. As a deputy U.S. Marshal and former slave who escaped to freedom in the Indian Territories, Bass was cunning and fearless. When a lawbreaker heard Bass Reeves had his warrant, he knew it was the end of the trail, because Bass always got his man, dead or alive. He achieved all this in spite of whites who didn't like the notion of a black lawman.For three decades, Bass was the most feared and respected lawman in the territories. He made more than 3,000 arrests, and though he was a crack shot and a quick draw, he only killed fourteen men in the line of duty. Bad News for Outlaws reveals the story of a remarkable African American hero of the Old West.

    So when Zara has to go to school, WHOOSH, Moose escapes and rushes to her side.Hello, Moose!Unfortunately, dogs aren't allowed at school and Moose has to go back home.Goodbye, Moose.But Moose can't be held back for long. Through a series of escalating escapes, this loyal dog always finds her way back to Zara, and with a little bit of training and one great idea, the two friends find a way to be together all day long.

    The story, about three hungry soldiers who outwit the greedy inhabitants of a village into providing them with a feast, is based on an old French tale.

    It comes as no surprise that a wolf is able to blow down the first two pigs' houses. When the wolf can't blow down the third pig's brick house, everyone comes together and the fun begins. The first two pigs give him potato chips and sody-pop, and the third pig makes everyone a healthy meal. Since only one pig has a house left, the other two pigs and the wolf move in with her. The somewhat bad wolf is no longer hungry.

    Each spread, sumptuously illustrated by award-winning artist Kadir Nelson, depicts a stirring tableau, from the view of the Statue of Library at Ellis Island to civil rights marchers shoulder to shoulder, to a spacecraft at Cape Canaveral blasting off. This book is an ode to America then and now, from sea to shining sea.

    It highlights the unspeakable trauma of slavery, the faith and fire of the civil rights movement, and the grit, passion, and perseverance of some of the world's greatest heroes. The text is also peppered with references to the words of Martin Luther King, Jr., Langston Hughes, Gwendolyn Brooks, and others, offering deeper insights into the accomplishments of the past, while bringing attention to the endurance and spirit of those surviving and thriving in the present.

    When he reached the other side he was very thirsty.” The jaunty red fox stole milk from an old farm woman, lost his tail under the annoyed woman’s knife, and spent the day bargaining to get it back. Awarded the Caldecott Medal for the most distinguished picture book of 1971.