Ted Kooser’s third book in the Pitt Poetry Series is a selection of poems published in literary journals over a ten year period by a writer whose work has been praised for its clarity and accessiblity, its mastery of figurative language, and its warmth and charm.

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    The poems range in tone from the spiritual longing of an isolated monk to the erotic ecstasy of a court princess—but share the extraordinary simplicity and luminosity of language that marks Kenneth Rexroth's verse style. An introduction by the poet and translator Sam Hamill, the editor of this collection, and short biographies of the poets are included. The Shambhala Library is a series of exquisitely designed and produced cloth editions of the world's spiritual and literary classics, both ancient and modern. Perfect for collecting or as gifts, each volume features a sewn binding, decorative endsheets, and a ribbon marker—a delightful-to-hold 4 ¼ x 6 ¾ trim size.

    It contains his earliest poems - in nazm, ghazal and qita form - that set him on course to becoming the greatest and most-read Urdu poet of the 20th century.

    A Pound of Steam presents seven poems exploring identity and alienation, a philosophical bent that can be found in her song lyrics, but here goes further to unearth truths about the human condition.

    While focusing on the words from the project, new photography launches each section which speaks to the reader's journey through the world: Love Found, Being In Love, Love Lost, Hope, Despair, Living and Dying.

    This collection is many things: an exploration of strength and femininity, an invitation to let things go wrong, a reminder that growth comes in many forms, and an acknowledgment that “some things can’t be written in sugar, only salt.” Some of the writings are extravagant, some are sparse, but all are infused with Guinery’s introspection, stillness, and kindness.

    Heartbreaking and humorous, Atlantis is a journey about picking up the pieces from the ruins of a life they said would be good for you.

    I never perceived our life in New Zealand as exile and emigration as martyrdom, as it is the custom (and pretty much a patriotic obligation) in the Bulgarian cultural and literary tradition. Our life in Aotearoa was a challenge and a lifetime adventure, a love affair and a hilarious comedy (with just the tiny bit of drama) in a land, regarded by the rest of the world as the last Eden on Earth. This book is my humble attempt to tell the story of our hardship and joy, suffering and fun, the mundane and the extraordinary, the adventurous and the banal, that we faced during our six years in New Zealand. It is about the friends we found. The clichés we wrestled. The wonders we witnessed. The people we met. The lessons we learned. The country we reluctantly, but helplessly fell in love with. About Aotearoa - The Land Of The Long White Cloud. About New Zealand - at the end of the world.

    A woman reconsiders her decision to join a fundamentalist compound and enter a polygamous marriage; a Somali refugee takes a job at the local mill to support her family; a college student attempts to right her world through the lens of mathematics; an Iraq War vet struggles to regain his compromised relationships. In spare yet vivid prose, Anderson explores loss and desire, regret and hope. Everywhere we are reminded of all that a single life contains.

    

    S. Merwin, Allen Ginsberg, and Lawrence Ferlinghetti. In work spanning 30 years (1955-1985), Parra, the pioneer of "antipoetry," remains fresh, bold, and inventive, deftly and humorously subverting convention. Editor David Unger brings together poems from Parra's groundbreaking collection Poemas y antipoemas, the witty aphorisms of Artefactos, and his original and uncompromising later work.

    But those who seek instead a true widening of the horizons of meaning, coupled with a sure-handed mastery of the craft of poetry, will find this latest collection satisfying indeed.Here is a man who matches superb gifts with a truly subtle imagination, into whose depths he is courageously traveling--pioneering--in exploratory penetrations into areas of life that are too often evaded or denied. "The Firebombing," "Slave Quarters," "The Fiend"--these poems, with the others that comprise the present volume, show a mature and original poet at his finest.

    His fear of commitment doesn’t allow him to settle in one place until he loses everything.Whether it’s lost love, finding yourself or seeking companionship in lonely places ― this is for you.Delivered with witty metaphors, Malanda allows for his readers to embark on a journey with him. Every page is a layer of truth as he fights to understand himself and his counterparts redefining what it is to be a man in a ‘stoic-male’ society.

    Her poems take us to the flip side of human consciousness, where anything can happen at any time. Tinged with surrealism, her work makes visionary leaps from the quotidian to sudden, surprising epiphanies.