Yet his maman’s newest project is the most surprising: a fifteen-year-old Scottish girl grieving over her parents’ fate. A curious child with an artistic soul, Clare Ross finds solace in her connection to Luc, and she in turn inspires him in ways he never thought possible. Then, just as suddenly as Clare arrives, she is gone, whisked away by her grandfather to the farthest reaches of the globe. Devastated by her departure, Luc begins to write letters to Clare—and, even as she moves from Portugal to Africa and beyond, the memory of the summer they shared keeps her grounded.Years later, in the wake of World War I, Clare, now an artist, returns to France to help create facial prostheses for wounded soldiers. One of the wary veterans who comes to the studio seems familiar, and as his mask takes shape beneath her fingers, she recognizes Luc. But is this soldier, made bitter by battle and betrayal, the same boy who once wrote her wistful letters from Paris? After war and so many years apart, can Clare and Luc recapture how they felt at the edge of that long-ago summer?Bringing to life two unforgettable characters and the rich historical period they inhabit, Jessica Brockmole shows how love and forgiveness can redeem us.

    Having received instruction from her beloved father, Louis Vigée, a prominent Parisian guild painter, Lisette possesses all the qualities of a brilliant young painter, but is saddled with a singular disadvantage – being a woman in 18-century Paris. Undeterred, Lisette believes that she can become a painter. Approaching a marriageable age, her parents have other plans for Lisette, ones that don’t include painting. Lisette finds support in Queen Marie Antoinette and a dashing art collector and French Army officer named Amante, who is clearly intrigued by her talent and beauty. After Lisette’s father dies unexpectedly, her family is left in dire financial straits. Lisette wants to support her family, but before she can sell a single painting, her mother marries a wealthy merchant jeweler named Le Sèvre. Le Sèvre discovers Lisette’s artistic abilities and soon has her painting portraits of his noble and wealthy jewelry clientele.It quickly becomes clear that Le Sèvre only wants to control Lisette, leading to severe consequences for her budding career, Amante’s pursuit of her affections and even her safety. Lisette realizes that she must find her own way – before it is too late.Becoming Lisette is Book One of the Queen’s Painter Series.

    Sikoryak, Michael Kupperman, and Kate Beaton.”—NPR, Best Books of 2013A new collection from the Guardian and New York Times Magazine cartoonistThe New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s best-regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America—and these have been available exclusively within the pages of the prestigious Believer magazine.      You’re All Just Jealous of My Jetpack distills perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and imaginary towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

    Her wealthy industrialist father has died unexpectedly, leaving her a half-share in a ruined whisky distillery and the task of scattering his ashes on a Munro. After discovering her fiancé playing away from home, she cancels their lavish Christmas wedding at St Giles Cathedral, Edinburgh and heads for the only place she feels safe - Eilean na Sgairbh, a windswept island on Scotland’s west coast - where the cormorants outnumber the inhabitants, ten to one. When she arrives at her family home - now a bed and breakfast managed by her left-wing, firebrand Aunt Esme, she finds a guest in situ - BRODIE. Issy longs for peace and the chance to lick her wounds, but gorgeous, sexy American, Brodie, turns her world upside down. In spite of her vow to steer clear of men, she grows to rely on Brodie. However, she suspects him of having an ulterior motive for staying at her aunt’s Bed and Breakfast on remote Cormorant Island. Having been let down by the men in her life, will it be third time lucky for Issy? Is she wise to trust a man she knows nothing about - a man who presents her with more questions than answers? As for Aunt Esme, she has secrets of her own . . .

    This seductively beautiful replica of a 19th-century travel book—replete with illustrations of sights you will never see and maps that may plummet you into a different era—guides readers through the Paris that is, that might be, and that never was. Amid the Parisian locales you know and love, unheard-of temptations abound. If your visit to the Cafe Conjugal ends in a spat, you can make up at the luscious and fantastic Museum of Lips and Books. From the disconcerting Brasserie Loplop, steal your chair for the Cinema Pont Neuf, whose movies flow onto the Seine. Your curiosity sated for the day, check into Hotel des Etrangers, where phantoms change the sheets and your room in the middle of the night. Unhandy glossaries help you talk your way through these provocative encounters, with such apropos comments as J'aimerais sortir avec votre hyene pour boire un verre (I'd like to take your hyena out for a drink). A rare and rowdy entertainment that dares its readers to explore a Paris one can only wish existed.

    The visionary, sardonic, and often outrageous poems in this bilingual edition represent the first presentation of his work in English. With René Daumal he was the founder of the literary movement and magazine "Le Grand Jeu", the essence of which he defined as "the impersonal instant of eternity in emptiness". "The glimpse of eternity in the void", writes Rattray in the Introduction, "was to send Daumal to Hinduism, the study of Yoga philosophy, and Sanskrit. It sent Lecomte on an exploration of what he called a metaphysics of absence". Rattray, a poet acclaimed for his translations of Artaud, keeps intact the power and originality of Gilbert-Lecomte's work.

    Lara shares her experience of fashion photography in the digital age, including dedicated sections on retouching, genres of fashion photography, and making the best use of social media. Whether you're taking your first-ever shot, working with a professional model for the first time, or pitching to new clients, here is everything you need to produce moody, magical images that leap from the page straight into the viewer's imagination.

    In this e-book you will learn what exactly is needed to run a successful Design Thinking Workshop which is fun and at the same time generates great results. In this e-book Pauline Tonhauser, founder of designthinkingcoach.de, shares her best practices.

    In a book which argues that previous scholars have been looking in the wrong place, Moffat identifies Arthur as a cavalry general of a Welsh-speaking southern Scottish tribe. Through archaeology, documentary and place-name evidence, Moffat weaves a history of this truly British hero' and asks whether the real Camelot is to be found in the borders of Scotland.

    Art critics gave them the name "the School of Paris" to set them apart from the French-born (and less talented) young artists of the period. Modigliani and Chagall eventually attained enormous worldwide popularity, but in those earlier days most School of Paris painters looked on Soutine as their most talented contemporary. Willem de Kooning proclaimed Soutine his favorite painter, and Jackson Pollack hailed him as a major influence.Soutine arrived in Paris while many painters were experimenting with cubism, but he had no time for trends and fashions; like his art, Soutine was intense, demonic, and fierce. After the defeat of France by Hitler's Germany, the East European Jewish immigrants who had made their way to France for sanctuary were no longer safe. In constant fear of the French police and the German Gestapo, plagued by poor health and bouts of depression, Soutine was the epitome of the tortured artist. Rich in period detail, Stanley Meisler's Shocking Paris explores the short, dramatic life of one of the most influential artists of the twentieth century.

    This is a definite requirement for anyone who wants to be an artist. Drawing or sketching becomes automatic once you learn these skills and the majority is done by studying Nature. A must-have for any student and great for homeschooling. There are more than 40 illustrations to demonstrate each process. Join Author Kate Berry, a self taught artist who knows all about the obstacles you may be experiencing.

    The three long poems in Eye Against Eye convey the wrought particulars of intimate human relations, perceptions of the landscape, and the historical moment, tense with political exigencies. Mayan ruins invoke the collapsing Twin Towers, love between parents and child blister with tension, and a bicycle thief shatters the narcotic illusion of a private accord. Also contained is Late Summer Entry, a series of poetic commentaries on Sally Mann's landscape photographs. Eye Against Eye, Forrest Gander's third book with New Directions, cries out an ethical concern for the ways we see each other and the world, the potential to share a vision that acknowledges our commonality. As always with Gander's poetry, suspensions and repetitions drive toward a complex emotional experience, evoking the multifaceted, multi-vocal surge of our present.

    This gorgeous full-color illustrated book version was born of a unique collaboration between writer Neil Gaiman and artist Eddie Campbell, who brought to vivid life the characters and landscape of Gaiman's story. In August 2010, The Truth is a Cave in the Black Mountains was performed in the concert hall of the Sydney Opera House to a sold-out crowd—Gaiman read his tale live as Campbell's magnificent artwork was presented, scene-by-scene, on large screens. Narrative and art were accompanied by live music composed and performed especially for the story by the FourPlay String Quartet.

    Whether he's recording 'Justified and Ancient' with Tammy Wynette; contemplating the dull lunacy of the Turner prize; resisting the urge to paint landscapes; or glorying in the crapness of rock comebacks; he is consistently amusing and thought-provoking, and draws us into his world with the seductive enthusiasm of a born storyteller. An artist with a singular approach to his work, Bill Drummond paused to take stock of his life and a career that spans over twenty-five eventful years. Famously enjoying international success with The KLF and inviting national controversy for burning a million quid with The K Foundation, these days Drummond spends much of his time writing profusely. He avoids and confronts issues, infuriates and inspires those around him, muses and confuses, creates and destroys. He has maintained a penchant for reckless schemes - all this while drinking endless pots of tea.

    Now he has produced another thrilling, iconoclastic work of cultural history that is a trailblazing biography of an era--from the eve of the First World War and the rise of Hitler to the fall of the Berlin Wall--that illuminates our current world, with its cults of celebrity and the crisis of the authentic. Solar Dance is a penetrating examination of legitimacy and truth, fakery and pretence--highly relevant to all of us today.