He's failing in school, his teachers pick on him, his classmates laugh at him, a relentless bully terrorizes him, his best friend has moved away, and he's hopelessly in love with the prettiest girl in his school. At home, his harsh and distant father has all but disinherited him, he worries his mother to tears, and he squabbles senselessly with his pretty, talented sister Anica, who seems to be everything he is not. Then adolescence comes along and really complicates things. A torrent of long-denied feelings for a sister who once adored him compel Joshua to repair the damage he's done to their relationship. His longtime babysitter helps him to understand things his mother doesn't know how to tell him and his father doesn't want him to know. Then, in a murky funeral home far away from home, he meets a distant cousin who changes his life in ways he could never have imagined. As Joshua starts to turn his life around, his father's tortured past catches up with him, and life at home begins to unravel. Joshua is faced with a decision that could imperil his very life. He will risk everything to protect his sister, and in the process, he learns the power of love and the meaning of courage.

    She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and re-told over generations to become a foundational American tale. The myth gave rise to operas and one-act plays, and in the 1950s to a novel by Alan LeMay, which would be adapted into one of Hollywood's most legendary films, The Searchers, "The Biggest, Roughest, Toughest... and Most Beautiful Picture Ever Made!" directed by John Ford and starring John Wayne. Glenn Frankel, beginning in Hollywood and then returning to the origins of the story, creates a rich and nuanced anatomy of a timeless film and a quintessentially American myth. The dominant story that has emerged departs dramatically from documented history: it is of the inevitable triumph of white civilization, underpinned by anxiety about the sullying of white women by "savages." What makes John Ford's film so powerful, and so important, Frankel argues, is that it both upholds that myth and undermines it, baring the ambiguities surrounding race, sexuality, and violence in the settling of the West and the making of America.

    Rossie Benasco's horseback existence begins when he's fifteen and culminates in a thousand-mile drive of more than two hundred head of horses through the Rockies into Calgary, through Oregon, Idaho, and Montana, across virgin wilderness, failed homesteads, ghost towns, squatters' camps, and Indian settlements. It's a journey that leads him, ultimately, to Eliza Stevenson and a love so powerful that his vocational aimlessness is focused only by his desire to spend his life with her: whether on her family ranch in the Bitterroot, which will prove their best refuge from a century fraught with war and civil strife, or on sojourns in Hawaii and Guam during World War II, or in the horse-trading business in California, or on the campaign trail throughout Montana. A novel rich with landscapes and characters, "The Willow Field" chronicles a way of life nearly extinct at the novel's beginning and surviving only in memory upon its close at century's end. And as these people pivot between the ghosts of the old frontier and the modern world that engulfs them--from the uprooted lives of the Blackfeet tribes left listless and betrayed to the ravages of war, McCarthyism, urban riots, and insidious land development--the perennial imperatives of ambition, responsibility, and love prove as vital as ever, revealed as they are with the conviction, humor, and humanity for which Kittredge has long been acclaimed.

    As a novelist and icon, Rushdie has embraced both 'popular' and 'high' culture; reflecting this, the Guide brings together both academic criticism and journalism to investigate the passions and preoccupations of Rushdie's many critics, steering the reader through the inflamed debates and rhetoric surrounding this much admired but controversial author.

    Losing her young son to a tragic accident had nearly driven her to the point of madness and now she was on the verge of losing her husband too. In a last ditch effort to save their marriage, she decided to book a romantic cabin vacation for just the two of them up in the mountains of North Carolina. She thought she had experienced the worst life could throw at her. Little did she know that the wilderness had in something else in store for her, when she finds herself left alone and fighting for her life.

    When a drunken fight escalates into the near-death of a young Indian, Ty flees his Nebraska home. Twenty-two years later, Ty is a horse trainer in Kansas, sharing his life with a young woman named Dakota. Their comfortable existence is shattered by a visit from Harney, who commits an act of brutality that forces Ty to face up to his own violent past. Returning to Nebraska, he finds his dying father fighting the bank's foreclosure on the ranch. In an explosive courtroom confrontation with Harney, Ty finally comes to terms with the past and in the process is able to forgive himself and his family.

    His wife has left him. He thinks his father won't notice if he doesn't arrive. Waiting for the last train, alone on the platform, a chance encounter with a stranger changes his life forever. Intended for those seeking a traditional short ghost story to read, or to be read to, by the fire on those dark winter nights.

    The story unfolds with vivid immediacy and describes the pivotal battle from the perspective of the Mexican attackers as well as the American defenders. Filled with dramatic scenes, and abounding in fictional and historical personalities--among them James Bowie, David Crockett, William Travis, and General Santa Anna--The Gates of the Alamo enfolds us in history and, through its remarkable and passionate storytelling, allows us to participate at last in an American legend.

    Red Cloud’s coalition of tribes is battling the U.S. Army to reclaim hunting grounds in the Powder River Valley. Against this background, Wolves of Eden sets four men on a deadly collision course in a narrative that explores the cruelty of warfare, the power of love and the resilience of the human spirit. Lieutenant Martin Molloy and his loyal orderly are sent west to investigate a triple murder at a frontier fort, and Irish immigrant brothers Thomas and Michael O’Driscoll, who survived the brutal frontlines of the Civil War, find themselves as both hunters and the hunted in another bloody campaign. Blending intimate historical detail and emotional acuity, Wolves of Eden is “a riveting and propulsive mystery” (Publishers Weekly).

    His father has mysteriously disappeared, and Grant’s brother, Max, a lifelong rival, takes off on the day Grant returns, leaving him with a sickly flock and a pile of debt. When Max returns a year later with a young woman named Sophia, a contest of will begins between the brothers, reviving ghosts that Grant had hoped were banished from the homestead.

    The rubber snake might as well be a real snake—the nightmare reality—when they elicit the same response. Blind fear will make both horse and rider try to outrun lions, even when those lions are made of paper. Blind fear can send you straight over a cliff, and even if you manage to pull up before the edge, that is no way to live life. It is only through training, training, and more training, and then testing that training, that you learn to turn and face fear, find courage, and welcome the ride, wild though it promises to be. These are the rings of fire, the trials that lie ahead for all of us, whether they be taking command of a spooky horse or navigating more human problems. Once trained, with worthy companions marching with you, shoulder-to-shoulder, you are ready for the ride. Welcome to The Dressage Chronicles IV: Rings of Fire.

    Emily Hourican has always been an insightful, astute writer but this may be her best novel yet.' Louise O'NeillTwo very different families ... One is loud, eccentric, rich and confident. The other is less sure of their place in life. On holidays in Portugal, a near-drowning brings the ten-year-old daughters, Jamie and Sarah, together and a friendship is formed. As the bond between the girls grows deeper, so too do the ties between their families and an unsettling closeness develops between two of the adults. Then, as Jamie begins to feel suffocated by the intensity of Sarah's friendship, cracks begin to show. What will it take to shatter the façade of friendship? The affair? The obsessive crush? And which family will be left whole? The Outsider is the compelling and unforgettable story of the complexity of friendship, marriage, hidden passions and teenage desire.

    Although they live in the same north London neighbourhood of Stamford Hill, they come from two culturally different communities that rarely interact.Miri is a sheltered but contemplative young woman from a Chassidic family. Her strict upbringing has prevented her from pursuing a career or being allowed to date. She has never even spoken to a boy other than a close relative. Soon, she will be expected to marry, but she fears being forced into an unsuitable shidduch (traditional, arranged marriage).When her more adventurous friend invites her for an evening out, she agrees on a whim. It is an experience she will never forget. There, she meets Ben. Kind, sensitive, and hiding his own secret pain, Ben is from the exiled, Middle Eastern Jewish community of Aden. Despite their differences, Ben and Miri are drawn to one another. What her friend only intended as a bit of harmless fun soon develops into something more serious, with far-reaching consequences for them all, and risks tearing Miri’s family apart.With distinct nuances from two little-known communities, Ayuni is a powerful story about forbidden love, loss, the complexities of family and community, and the bonds of friendship.

    Death takes no prisoners, yet ironically, it liberates the captive Saints from persecution. Flying banners of freedom, a new American society emerges based on the original Constitution of the United States. A different, fiercely righteous people descend from the north and join with the Saints as they re-establish a republic. The lost tribes bring with them miracles, gifts, and deadly defenses to protect their tent cities from rogue land pirates that infest the nation. For the Rogers family, the tribes return is especially joyful as Braun and Carea finally come home! In Jerusalem, Elder Conrad Rogers and the two apostles he serves face hostile Jews. The apostles have caused many Jews to question the ancient holy traditions as they send sore plagues upon the nation. Secretly, a Judas is sent among the apostles and their missionary associate, Elder Rogers. It s his job to bring them to destruction. It s only a matter of time before someone dies.... Among the righteous in every corner of the world, there are whisperings among the faithful. They see the signs and know it is the midnight hour. He is coming!

    It is filled with quips and quotes that represent the Code of the West, like: "Always drink upstream from the herd" and "The easiest way to eat crow is while it's still warm. The colder it gets, the harder it is to swallow."