Satisfied with her comfortable house in a New Jersey suburb and her reliable husband, Leonard, she expects that her life will be predictable and secure. Surprised by an untimely death, an unexpected illness, and the contrary natures of her two daughters, Rhoda finds that fate undermines her sense of entitlement and security. Shrewd, wry, and sometimes bitter, Rhoda reveals herself to be a wonderfully flawed and achingly real woman caught up in the unexpectedness of her own life.

    In “Vacuum,” three young brothers make trouble when they call on the seedy neighborhood doctor to cheer up their underappreciated mother. Originally published in The New Yorker, “Visitation” follows a down-and-out, divorced father as he spends a weekend with his son at a California motel. A husband shoots himself in the foot in “The Terrible Argument,” letting down not only his wife but his dog as well. In the masterful title novella, a freshly married, disastrously mismatched, and expectant young couple are visited by an unusual pair of inmates from a nearby insane asylum, who just might be—or might as well be—aliens from another planet.Brad Watson writes with such an all-seeing, six-dimensional view of human hopes and inadequacies that his talent must come from another planet. With wry humor and otherworldly grace, he reminds us how alien we humans really are—to each other and to ourselves.

    With Tongues of Flame, her first collection of short stories, Brown bares the awkward, sometimes hopeful, and often tragic suffering of people caught in changing times within a timeless setting.Here we meet such memorable characters as a dying black woman who seeks the advice of a now-alcoholic white doctor whom she knew in better years; a young woman, jilted at the altar, driven crazy by an illuminated cross erected by the church opposite her house; and a 95-year-old woman buying a tombstone for her long-deceased husband only to discover that he had been adulterous throughout their marriage. Brown constructs her characters in a disarmingly plain style while breathing life into them with compassion and honesty as they confront the large moments of their lives.First published by E. P. Dutton in 1986 to immediate critical acclaim, Tongues of Flame won the 1987 PEN/Ernest Hemingway Foundation Award. The judges commended Brown for "seeing life whole, without prejudice, without sentimentality, without histrionics. Her voice may be quiet-sometimes she speaks in a whisper-but her words are, nevertheless, always forceful, clear, and ultimately lasting." With this new publication of Tongues of Flame and its inclusion in the University of Alabama Press's Deep South Books series, a whole new generation of readers may once more discover Mary Ward Brown's profound stories of pain, loss, and hope.

    Twenty stories from the Nobel Prizewinner, including "Disguised," a transvestite tale of the yeshiva student whose deserted wife finds him dressed as a woman and married to a man, and the title story, which portrays Methuselah at the age of 969 -- "and when you pass your nine hundredth birthday, you are not what you used to be."

    11 stories: The AwakeningBeyond the BayouMa'ame PelagieDesiree's BabyA Respectable WomanThe KissA Pair of Silk StockingsThe LocketA ReflectionAt the 'Cadian BallThe Storm

    This is Koontz's spellbinding collection of takes interconnected by the strange highways of human experience: adventures, terrors, failures and triumphs.

    He is Adolph Hitler. The narrative that follows is a profound and disturbing exploration of the nature of guilt, vengeance, language, and the power of evil—each undiminished over time. George Steiner's stunning novel, now with a new afterword, will continue to provoke our thinking about Nazi Germany's unforgettable past. "Two readings have convinced me that this is a fiction of extraordinary power and thoughtfulness. . . . [A] remarkable novel."—Bernard Bergonzi, Times Literary Supplement"In this tour de force Mr. Steiner makes his reader re-examine, to whatever conclusions each may choose, a history from which we would prefer to avert our eyes."—Edmund Fuller, Wall Street Journal"Portage largely avoids both the satisfactions of the traditional novel and the horrifying details of Holocaust literature. Instead, Steiner has taken as his model the political imaginings of an Orwell or Koestler. . . . He has produced a philosophic fantasy of remarkable intensity."—Otto Friedrich, Time

    A young boy growing to manhood as a country sorcerer's apprentice learns the difference between power and strength. From the first piece to the last, these stories capture very real human experiences in a new and startling light.

    Written between the 1920s and 1950s, these sixty-five tales—eleven of which have been translated into English for the first time—display all the shades of Nabokov's imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur's samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers an intoxicating draft of the master's genius, his devious wit, and his ability to turn language into an instrument of ecstasy.The Wood-SpriteRussian Spoken HereSoundsWingstrokeGodsA Matter of ChanceThe SeaportRevengeBeneficenceDetails of A SunsetThe ThunderstormLa VenezianaBachmannThe DragonChristmasA Letter That Never Reached RussiaThe FightThe Return of ChorbA Guide to BerlinA Nursery TaleTerrorRazorThe PassengerThe DoorbellAn Affair of HonorThe Christmas StoryThe Potato ElfThe AurelianA Dashing FellowA Bad DayThe Visit to the MuseumA Busy ManTerra IncognitaThe ReunionLips to LipsOracheMusicPerfectionThe Admiralty SpireThe LeonardoIn Memory of L.I. ShigaevThe CircleA Russian BeautyBreaking the NewsTorpid SmokeRecruitingA Slice of LifeSpring in FialtaCloud, Castle, LakeTyrants DestroyedLikMademoiselle OVasiliy ShishkovUltima ThuleSolus RexThe Assistant ProducerThat in Aleppo OnceA Forgotten PoetTime and EbbConversation Piece, 1945Signs and SymbolsFirst LoveScenes From the Life of A Double MonsterThe Vane SistersLance

    Millhauser is mine.”—David Rollow, Boston Sunday GlobeFrom the Pulitzer Prize–winning author: the essential stories across three decades that showcase his indomitable imagination.Steven Millhauser’s fiction has consistently, and to dazzling effect, dissolved the boundaries between reality and fantasy, waking life and dreams, the past and the future, darkness and light, love and lust. The stories gathered here unfurl in settings as disparate as nineteenth-century Vienna, a contemporary Connecticut town, the corridors of a monstrous museum, and Thomas Edison’s laboratory, and they are inhabited by a wide-ranging cast of characters, including a knife thrower and teenage boys, ghosts and a cartoon cat and mouse. But all of the stories are united in their unfailing power to surprise and enchant. From the earliest to the stunning, previously unpublished novella-length title story—in which a man who is dead, but not quite gone, reaches out to two lonely women—Millhauser in this magnificent collection carves out ever more deeply his wondrous place in the American literary canon.

    Taut, lucid, and engrossing, provocative and dark—and often darkly funny—these stories have much to offer the lover of literary fiction as well as the reader who just loves a great story.

    An Anglo-Indian cavalryman, his homeland on the brink of revolution, finds himself in Malaya fighting to protect British interests. Two soldiers lost in the jungle with a Japanese prisoner confront their prejudices toward each other, and the nature of being American. An island witnesses the passing of history from Magellan, to Amelia Earhart, to the dropping of the atomic bomb. With exquisite lyricism tempered by a journalist's eye for detail, Murray shines light on the tangle of battles created by that conflict, the violent reach across the generations, the shattering reverberations in memory. With this collection, Sabina Murray established herself as a passionate and wise voice of literary fiction.

    Marked by its quiet power and emotional nuance, her fiction garnered widespread praise.Now, at long last, Tallent returns with a new collection of diverse, thematically linked, and deeply powerful stories that confirm her enduring gift for capturing relationships at their moment of transformation: marriages breaking apart, people haunted by memories of old love and reaching haltingly toward new futures. Mendocino Fire explore moments of fracture and fragmentation; it limns the wilderness of our inner psyche and brilliantly evokes the electric tension of deep emotion. In these pages, Tallent explores expectations met and thwarted, and our never-ending quest to avoid being alone.With this breathtaking collection, Elizabeth Tallent cements her rightful place in the literary pantheon beside her contemporaries Lorrie Moore, Ann Beattie, and Louise Erdrich. Visceral and surprising, profound yet elemental, Mendocino Fire is a welcome visit with a wise and familiar friend.

    Compassionate and profound in their wry humor, this collection of stories captures the poetry of human relationships at the point where reality and imagination meet.

    Obejas has been the model of a writer for me in every way--a master in her aesthetics, an inspiration in her politics, fearless and vital in every page. The Tower of the Antilles is another brilliant collection, a story of many Cubas, intensely personal and political, erotic and cerebral. I found myself holding my breath as I devoured this book, as I navigated the various avenues of the body, the blood, and all those seemingly impossible roads that lead to a place we try to call home."--Porochista Khakpour, author of The Last Illusion"These stories are like a long dream of many parts, mixed desire, love, longing, anger—Obejas is a master of the human, able to conjure her characters’ heartbeats right under your fingertips, their breaths in your ears."--Alexander Chee, author of The Queen of the Night "Achy Obejas's new story collection begins and ends with a question: What is your name? The answer is an abounding one. Counterrevolutionaries, the witnesses to the arrival of Columbus's caravels, poets, Supermán--the characters in these stories, in all their riveting variety, name themselves as Cuban, and are bound in complex ways by the geography of their hearts, if not the geography beneath their feet. An audacious and remarkable read!"--Chantel Acevedo, author of The Distant MarvelsPraise for Achy Obejas:"Obejas writes like an angel, which is to say: gloriously...one of Cuba's most important writers."--Junot DíazThe Cubans in Achy Obejas's story collection The Tower of the Antilles are haunted by an island: the island they fled, the island they've created, the island they were taken to or forced from, the island they long for, the island they return to, and the island that can never be home again.In "Supermán," several possible story lines emerge about a 1950s Havana sex-show superstar who disappeared as soon as the revolution triumphed. "North/South" portrays a migrant family trying to cope with separation, lives on different hemispheres, and the eventual disintegration of blood ties. "The Cola of Oblivion" follows the path of a young woman who returns to Cuba, and who inadvertently uncorks a history of accommodation and betrayal among the family members who stayed behind during the revolution. In the title story, "The Tower of the Antilles," an interrogation reveals a series of fantasies about escape and a history of futility.With language that is both generous and sensual, Obejas writes about lives beset by events beyond individual control, and poignantly captures how history and fate intrude on even the most ordinary of lives.