Andrew Hudgins imagines himself in the life of a now largely forgotten poet, Sidney Lanier, who served as a soldier for the Confederacy.

    A collection of poems ranging from melancholy meditations of a solitary mind concerning estrangement and the longing for reconnection to the natural world and its creatures closely observed.

    Now in the delightfully candid, outlandishly funny Waiting for Birdy, Newman charts the year she anticipated the birth of her second child while also coping with the realities of raising a toddler. As she navigates life with her existentially curious and heartbreakingly sweet three-year-old, and her doozy of a pregnancy, she lends her irresistibly unique voice to the secret thoughts and fears of parents everywhere. Filled with quirky warmth and razor-sharp wit, Waiting for Birdy captures the universal wonder, terror, humor, and tenderness of raising a family.

    With Hoagland’s trademark humor and social commentary, these poems are exhilarating for their fierce moral curiosity, their desire to name the truth, and their celebration of the resilience of human nature.

    "An oblique conversation with Degas reigns throughout this collection of oddly heartbreaking pieces. Against the backdrop of his paintings and sketches, we find ourselves in an intimate world, coherent but uncanny, where private memory becomes inseparable from the culture we hold in common, and all of it just barely cracked open, riven by interstices through which we glimpse the vivid but unsayable. White has given us a truly exceptional first collection, deeply musical and intricately haunting" Cole Swensen."

    Yet the biggest and most transformative adventure of her life might be one she never anticipated: at 31, she moves into a tiny 19th-century cabin on her family's Ohio farm, and begins the journey into motherhood.In eight vivid and boldly questioning essays, Menkedick explores the luminous, disorienting time just before and after becoming a mother. As she reacquaints herself with the subtle landscapes of the Midwest, and adjusts to the often surprising physicality of pregnancy, she ruminates on what this new stage of life means for her long-held concepts of self, settling, and creative fulfillment. In "Millie, Mildred, Grandma Menkedick," she considers the nature of story through the life of her tough German grandmother, who raised two boys as a single mother in the 1950s and then spent her seventies traveling the world with her best friend Marge; in "Motherland," on a trip back to Oaxaca, Mexico to visit her husband's family, she finally embraces her Midwestern roots; in "The Milk Cave," she discovers in breastfeeding a new appreciation for the spiritual and artistic potential of boredom; and in "The Lake," she revisits her childhood with her father, whose relentless optimism and mystical streak she sees anew once she has a child of her own.A story of a traveler come home to the farm; of becoming a mother in spite of reservations and doubt; and of learning to appreciate the power and beauty of the quotidian, Homing Instincts speaks to the deepest concerns and hopes of a generation.

    Amid the strange, disjointed rhythms of her days and nights and another impending winter in upstate New York, Ari is a tree without roots, struggling to keep her branches aloft.When Mina, a one-time cult musician — older, self-contained, alone, and nine-months pregnant —moves to town, Ari sees the possibility of a new friend, despite her unfortunate habit of generally mistrusting women. Soon they become comrades-in-arms, and the previously hostile terrain seems almost navigable.With piercing insight, purifying anger, and outrageous humor, Elisa Albert issues a wake-up call to a culture that turns its new mothers into exiles, and expects them to act like natives. Like Lionel Shriver’s We Need to Talk About Kevin and Anne Enright’s The Gathering, this is a daring and resonant novel from one of our most visceral writers.

    The result easily demonstrated, then as now, the massive achievement of the writer whom Carolyn Kizer called "one of the most passionate, energetic, and honest poets living."

    Her subject matter can be found climbing through the window, hanging on to the edge of the roof, and always at the refrigerator. Here she chronicles the exuberant, awesome life of boys through conversations overheard, rules she's been forced to make, and the many episodes of boy behavior that continue to mystify mothers worldwide. From the care and feeding of her team, to travels out in public, to their wide-eyed adoration of Walker, Texas Ranger, this laugh-out-loud celebration joyfully explores the sweet and wild side of boyhood.

    In settings as various as a patio in Arizona, the bistros and boulevards of Paris, the sun-drenched pyramids of Mexico—and directly from the Greek myth itself—Rita Dove explores this relationship and the dilemma of letting go.

    This is their story--ultimately a love story--darkly funny, mournful, testy. It is about a reader who at times presides over the page like a god, and at others follows the leash of the author's voice through the dark streets of the book like a dog, and it is about a writer of determined slipperiness.  As we read, we think that each of us is The Reader, the one who knows the Real Story. But the more we think we understand, the more the story moves away from us—all is not what it seems. This eagerly awaited third volume by the poet whose work The New York Times described as "at once charmed and frightening" is a book of high-spirited subversiveness, a work of argument, seduction, and a relentless devotion to language. Then, Suddenly— bristles with the sound of the author's voice--insistent, vital, hilarious, and iconoclastic--tearing away at the confinement of the page and at the distance between the page and the reader. Emanuel's images are dazzling. She creates a performance that is fearsome and funny in its portrayal of the argument between the work of the text and the world of the body. The Gettsyburg Review has called her a writer of "exquisite craftsmanship" who can "strike from language . . . images chiseled clean as bas-relief." Then, Suddenly— is a book of spectacle and verve, part elegy, part vaudeville.

    What's the secret of successful breastfeeding? For almost fifty years mothers who have been in touch with La Leche League have found the kind of information and support they needed to breastfeed their babies. In this newly revised edition of The Womanly Art of Breastfeeding, you will learn: ? How human milk offers lifetime benefits for your baby ? How to prepare for breastfeeding during pregnancy ? How to exercise and lose weight safely while nursing ? How to find time for yourself while meeting baby's needs ? How to increase your milk supply by using herbs and medications ? How to be sure your baby is getting enough to eat The Womanly Art of Breastfeeding was the first book of its kind, written for mothers by mothers. Over the years, more than two million mothers have turned to it for information and inspiration.

    By weaving the particulars of her own loss into a tapestry that also contains the elements common to all losses, Bang creates something far larger than a mere lament. Continually in search of an adequate metaphor for the most profound and private grief, the poems in Elegy confront, in stark terms and with a resilient voice, how memory haunts the living and brings the dead back to life. Within these intimate and personal poems is a persistently urgent, and deeply touching, examination of grief itself.

    With poems in the leading journals of the day -- American Poetry Review, Grand Street, Conjunctions, The Boston Review, to name just a few -- Gander plumbs the erotic depths of human interaction with the land. The poems in Science Steepleflower test this relationship with what Publisher's Weekly has called "an inbred (and often haunting) spirituality", bringing us to new vistas of linguistic and perceptive grace.

    Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.