In them he not only demonstrated how he thought, but proposed a rule as to how thinking ought to proceed. Tracing his arguments and their development in these essays is a rich and rewarding exercise. The range of Orwell's interests was limitless, and a glance at the titles of some of his subjects in this book gives us an idea..."Shooting an Elephant," "Lear, Tolstoy and the Fool" and "England Your England." "Orwell requires of himself that he think his way through things using truthfulness as his only star. His contribution to our culture came during a desperate era, and helped us navigate the trackless post-war years." (B-O-T Editorial Review Board)

    Through rare interviews and with unique insight, Peter Guralnick tells the definitive story of the songs that inspired a generation and forever changed the sound of American music.

    In 1946, Anatole Broyard was a dapper, earnest, fledgling avant-gardist, intoxicated by books, sex, and the neighborhood that offered both in such abundance. Stylish written, mercurially witty, imbued with insights that are both affectionate and astringent, this memoir offers an indelible portrait of a lost bohemia.

    Steiner’s discussion of the break with the traditional literary past (Jewish, Christian, Greek, and Latin) is illuminating and attractively undogmatic.  He writes as a man sharing ideas, and his original notions, though scarcely cheerful, have the bracing effect that first-rate thinking always has.” –New Yorker“In Bluebeard’s Castle is a brief and brilliant book.  An intellectual tour de force, it is also a book that should generate a profound excitement and promote a profound unease…like the great culturalists of the past.  Steiner uses a dense and plural learning to assess his topic: his book has the outstanding quality of being not simply a reflection on culture, but an embodiment of certain contemporary resources within it.  The result is one of the most important books I have read for a very long time.”—New Society

    With mordant wit, she surveys an anti-rationalist landscape extending from pop culture to a pseudo-intellectual universe of "junk thought." Disdain for logic and evidence defines a pervasive malaise fostered by the mass media, triumphalist religious fundamentalism, mediocre public education, a dearth of fair-minded public intellectuals on the right and the left, and, above all, a lazy and credulous public.Jacoby offers an unsparing indictment of the American addiction to infotainment—from television to the Web—and cites this toxic dependency as the major element distinguishing our current age of unreason from earlier outbreaks of American anti-intellectualism and anti-rationalism. With reading on the decline and scientific and historical illiteracy on the rise, an increasingly ignorant public square is dominated by debased media-driven language and received opinion.At this critical political juncture, nothing could be more important than recognizing the "overarching crisis of memory and knowledge" described in this impassioned, tough-minded book, which challenges Americans to face the painful truth about what the flights from reason has cost us as individuals and as a nation.

    A witty, sometimes curmudgeonly, often helpful look at various fads, crazes, morals, fashions, and mores in America today ranges from comments on good weather to a pontifical guide for the truly ambitious.

    Now, firmly established as a classic, the fourth edition features a completely new introduction as well as an entirely updated discography that includes CDs for the first time.

    Rather, the teenager as icon can be traced back to the 1890s, when the foundations for the new century were laid in urban youth culture. Teenage: The Creation of Youth Culture is a monumental cultural history that charts the spread of the American ideal of youth through England and Europe and around the world. From Peter Pan to Oscar Wilde, Anne Frank to the Wizard of Oz, Savage documents youth culture’s development as a commodity and an industry from the turn of the last century to its current driving force in the global economy. Fusing film, music, literature, diaries, fashion, and art, this epic cultural history is an astonishing and surprising chronicle of modern life sure to appeal to pop culture fans, social history buffs, and anyone who has ever been a teenager.

    "The City of Nets," as Brecht called Berlin, before the deluge, and people who created and those who destroyed it.

    There is a brief chronology of O'Hara's short life and an index of titles.

    In this incendiary book, Hitchens takes the floor as prosecuting counsel and mounts a devastating indictment of a man whose ambitions and ruthlessness have directly resulted in both individual murders and widespread, indiscriminate slaughter. He investigates and reveals Kissingers' involvement in: the deliberate mass killings of civilian populations in Indochina; the deliberate collusion in mass murder and assassination in Bangladesh; the personal suborning and planning of a murder, of a senior constitutional officer in a democratic nation that the USA was not war with - Chile; the incitement and enabling of a mass genocide in East Timor; and the personal involvement in the kidnap and murder of a journalist living in Washinton DC.

    Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching (what Cage called writing through).

    But it was much more than that. It was a cogent history of an unruly era, from the rise of Bill Haley to the death of Jimi Hendrix.And while telling outrageous tales, vividly describing the music, and cutting through the hype, Nik Cohn would engender a new literary form: rock criticism. In his book's wake, rock criticism has turned into a veritable industry, and the world of music has never been the same. Now this seminal history of rock 'n' roll's evolution is available once more -- as riotous a spree as any in rock writing.

    But which ones? As he guides readers through an intellectual hall of mirrors, Lawrence Weschler revisits the 16th-century "wonder cabinets" that were the first museums and compels readers to examine the imaginative origins of both art and science. Illustrations.

    But betrayal and tragedy strike as the original 'angry young man' of the fifties pursues his goals.