In his new book, Aslan takes on a subject even more immense: God, writ large.  In layered prose and with thoughtful, accessible scholarship, Aslan narrates the history of religion as a remarkably cohesive attempt to understand the divine by giving it human traits and emotions. According to Aslan, this innate desire to humanize God is hardwired in our brains, making it a central feature of nearly every religious tradition. As Aslan writes, “Whether we are aware of it or not, and regardless of whether we’re believers or not, what the vast majority of us think about when we think about God is a divine version of ourselves.”   But this projection is not without consequences. We bestow upon God not just all that is good in human nature—our compassion, our thirst for justice—but all that is bad in it: our greed, our bigotry, our penchant for violence. All these qualities inform our religions, cultures, and governments.   More than just a history of our understanding of God, this book is an attempt to get to the root of this humanizing impulse in order to develop a more universal spirituality. Whether you believe in one God, many gods, or no god at all, God: A Human History will challenge the way you think about the divine and its role in our everyday lives.Praise for God   “Breathtaking in its scope and controversial in its claims, God: A Human History shows how humans from time immemorial have made God in their own image, and argues that they should now stop. Writing with all the verve and brilliance we have come to expect from his pen, Reza Aslan has once more produced a book that will prompt reflection and shatter assumptions.”—Bart D. Ehrman, author of How Jesus Became God   “Reza Aslan offers so much to relish in his excellent ‘human history’ of God. In tracing the commonalities that unite religions, Aslan makes truly challenging arguments that believers in many traditions will want to mull over, and to explore further. This rewarding book is very ambitious in its scope, and it is thoroughly grounded in an impressive body of reading and research.”—Philip Jenkins, author of Crucible of Faith

    This book is a historical perspective on the formation and divisions of schools of fiqh. In addition to that Dr Bilal Philips has also identified the negate and positive roles played by madh-habs in the past. He further proposes a way in which all madh-habs can be unified. The book is important as it draws the Muslims' attention to self-criticism that is long overdue." About the authorDr. Philips was born January 7, 1947 in Jamaica, but grew up in Canada, where he converted to Islam in 1972. He received his B.A. degree from the Islamic University of Medina and his M.A. in Aqeedah (Islamic Theology) from the King Saud University in Riyadh, then to the University of Wales, UK, where he completed a PhD in Islamic Theology in the early 90s. Philips comes from a family of educators, as both his parents were teachers and his grandfather was a Christian minister and Bible scholar. The Islamic Online University (IOU) is the brainchild of Dr. Bilal Philips.

    The second novel from one of the most celebrated voices in British fiction and film, The Black Album is an exhilarating multicultural coming-of-age tale featuring Shalid, a sex, drugs, and rock ‘n’ roll-loving Pakistani student torn between a love affair with a gorgeous, free-spirited college professor and his desire to please his conservative Muslim community.

    This book should be required reading for the Left in the West who have mistakenly started believing that Islamists represent some sort of anti-imperialism.

    Setting out to gain insight into the lives of Iranians and Afghans today, Nicholas Jubber is surprised to uncover the legacy of a vibrant pre-Islamic Persian culture that has endured even in times of the most fanatic religious fundamentalism. Everywhere—from underground dance parties to religious shrines to opium dens—he finds powerful and unbreakable connections to a time when both Iran and Afghanistan were part of the same mighty empire, when the flame of Persian culture lit up the world. Whether through his encounters with poets and cab drivers or run-ins with “pleasure daughters” and mujahideen, again and again Jubber is drawn back to the eleventh-century Persian epic, the Shahnameh (“Book of Kings”). The poem becomes not only his window into the region’s past, but also his link to its tumultuous present, and through it Jubber gains access to an Iran and Afghanistan seldom revealed or depicted: inside-out worlds in which he has tea with a warlord, is taught how to walk like an Afghan, and even discovers, on a night full of bootleg alcohol and dancing, what it means to drink arak off an Ayatollah’s beard.

    She lived the life of a Muslim but, for many years, her father abused her in the cellar of their home. At 16, she discovered a plan to send her to Pakistan for an arranged marriage, and she ran away. Hunted by her angry father and brothers, who were determined to make her an honour killing, she had to keep moving houses to escape them. Then, worst of all, in her family's eyes, she became a Christian. Some Muslims say converting from Islam is punishable by death...One day a mob of forty men came after her, armed with hammers, sticks and knives...with her father at the front...The Imam's Daughter is Hannah's gripping - but ultimately inspiring - true story. How, through her courage and determination, she broke free from her background and found a new life beyond its confines - a new life of freedom and love.

    The New Muslim's Field Guide offers a fresh approach to guiding Muslim converts, focused on helping them grow as Muslims while maintaining their identity and love for God. Drawing on their shared decades of experience, Theresa and Kaighla walk the new Muslim through the hills and the valleys they'll encounter on their journey, helping the newcomer navigate the sometimes slippery cliffs of culture, politics, and interpersonal relationships. Injected with a healthy dose of humor and candor, The New Muslim's Field Guide discusses some of the deeper meanings behind belief and ritual, clarifies common sticky issues, and tells stories of triumph and failure on the journey of Islam.

    Two years earlier, her lover, Pakistan's greatest poet, was beaten to death by government thugs. In present-day Karachi, her daughter Aasmaani has just discovered a letter in the couple's private code—a letter that could only have been written recently. Aasmaani is thirty, single, drifting from job to job. Always left behind whenever Samina followed the Poet into exile, she had assumed that her mother's disappearance was simply another abandonment. Then, while working at Pakistan's first independent TV station, Aasmaani runs into an old friend of Samina's who gives her the first letter, then many more. Where could the letters have come from? And will they lead her to her mother? Merging the personal with the political, Broken Verses is at once a sharp, thrilling journey through modern-day Pakistan, a carefully coded mystery, and an intimate mother-daughter story that asks how we forgive a mother who leaves.

    Her mother is a maalish wali, paid to massage the tired bones of rich women. But Anita's life will change forever when she meets her elderly neighbour, a man whose shelves of books promise an escape to a different world.On the other side of Karachi lives Monty, whose father owns half the city and expects great things of him. But when a beautiful and rebellious girl joins his school, Monty will find his life going in a very different direction.Sunny's father left India and went to England to give his son the opportunities he never had. Yet Sunny doesn't fit in anywhere. It's only when his charismatic cousin comes back into his life that he realises his life could hold more possibilities than he ever imagined.These three lives will cross in the desert, a place where life and death walk hand in hand, and where their closely guarded secrets will force them to make a terrible choice.

    Diseases examined include miserliness, envy, hatred, treachery, rancour, malice, ostentation, arrogance, covetousness, lust, and other afflictions that assail people and often control them. The causes and practical cures of these diseases are discussed, offering a penetrating glimpse into how Islam deals with spiritual and psychological problems and demonstrating how all people can benefit from these teachings.

    In fact, Ross Douthat of The New York Times wrote that “if Aslan had actually written in defense of the Islamic view of Jesus, that would have been something provocative and new.”Mustafa Akyol’s The Islamic Jesus is that book.The Islamic Jesus reveals startling new truths about Islam in the context of the first Muslims and the early origins of Christianity. Muslims and the first Christians—the Jewish followers of Jesus—saw Jesus as not divine but rather as a prophet and human Messiah and that salvation comes from faith and good works, not merely as faith, as Christians would later emphasize. What Akyol seeks to reveal are how these core beliefs of Jewish Christianity, which got lost in history as a heresy, emerged in a new religion born in 7th Arabia: Islam.Akyol exposes this extraordinary historical connection between Judaism, Jewish Christianity and Islam—a major mystery unexplored by academia. From Jesus’ Jewish followers to the Nazarenes and Ebionites to the Qu’ran’s stories of Mary and Jesus, The Islamic Jesus will reveal links between religions that seem so contrary today. It will also call on Muslims to discover their own Jesus, at a time when they are troubled by their own Pharisees and Zealots.

    Like all women of her rank, she was expected to marry a prosperous Muslim from a respectable family, bear him many children and lead a sheltered life of leisure. Her marriage to Mustafa Khar, one of Pakistan's most eminent political figures, soon turned into a nightmare. Violently possessive and pathologically jealous, Mustafa Khar succeeded in cutting her off from the outside world. For fourteen years, Tehmina suffered alone, in silence. When she decided to rebel, the price she paid was extremely high: as a Muslim woman seeking a divorce, she signed away all financial support, lost the custody of her four children, and found herself alienated from her friends and disowned by her parents. When this book was first published it shook Pakistani society to its foundations. Here at last was someone who had succeded in reconciling her faith in Islam with her ardent belief in women's rights. Tehmina Durrani's story provided extraordinary insights into the vulnerable position of women caught in the complex web of Muslim society.

    A tiny minority of Muslims seems to be bent on hijacking the religion of Islam and bringing it into perpetual conflict with the rest of the world. Because of their actions, very few non-Muslims understand the real difference between Islam as it has always been, and the distorted perversions of Islam today. This book is an attempt to positively say what Islam actually is—and always was—as well as what it is not.

    He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent.What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation—one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory.A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.

    It is a formidable world and the people who live there are constantly subjected to extremes—both of geography and of culture.The Wandering Falcon begins with a young couple, refugees from their tribe, who have traveled to the middle of nowhere to escape the cruel punishments meted upon those who transgress the boundaries of marriage and family. Their son, Tor Baz, descended from both chiefs and outlaws, becomes “The Wandering Falcon,” a character who travels throughout the tribes, over the mountains and the plains, in the towns and tents that comprise the homes of the tribal people. The media today speak about this unimaginably remote region, a geopolitical hotbed of conspiracies, drone attacks, and conflict—now, told in the rich, dramatic tones of a master storyteller, this stunning, honor-bound culture is revealed from the inside.Jamil Ahmad has written an unforgettable portrait of a world of custom and compassion, of love and cruelty, of hardship and survival, a place fragile, unknown, and unforgiving.