With no boyfriend or job prospects, Jasmine returns home to work at her parents’ donut shop. Jasmine quickly loses herself in a cyclical routine of donuts, Netflix, and sleep. She wants to break free from her daily grind, but when a hike in rent threatens the survival of their shop, her parents rely on her more than ever.Help comes in the form of an old college crush, Alex Lai. Not only is he successful and easy on the eyes, to her parents’ delight, he’s also Chinese. He’s everything she should wish for, until a disastrous dinner reveals Alex isn’t as perfect as she thinks. Worse, he doesn’t think she’s perfect either.With both sets of parents against their relationship, a family legacy about to shut down, and the reappearance of an old high school flame, Jasmine must scheme to find a solution that satisfies her family’s expectations and can get her out of the donut trap once and for all.

     The cold needle in his warm vein was a welcome comfort to my son at first. But then it became the monster that kept us apart. Heroin lied, and my son believed. It took him to a world where the last year didn’t happen, to a place where his father was still alive. What Beck didn’t understand was that it couldn’t bring his father back from the dead. It couldn’t take away his pain, not permanently. You think it can’t happen to you, that your kids, your family, will never be in this situation. I thought that too. But you’re wrong. Step into our world, and see for yourself. Watch my golden boy become a slave to this raging epidemic. Watch me try and save him. Drug addiction comes with a price. Trust me, you’re not equipped to pay it. Don’t miss this heartwrenching, evocative, yet hopeful novel—it will leave you forever changed.

    She’s American. They meet on vacation. And agree to fake name each other. One is lying about everything. The other is telling the truth. They’re about to embark on a sexcation. But what happens when it’s over?

    But even as unrest simmers in the capital, Olga is content to live within the confines of the sheltered life her parents have built for and her three sisters: hiding from the world on account of their mother’s ill health, their brother Alexei’s secret affliction, and rising controversy over Father Grigori Rasputin, the priest on whom the Tsarina has come to rely. Olga’s only escape from the seclusion of Alexander Palace comes from her aunt, who takes pity on her and her sister Tatiana, inviting them to grand tea parties amid the shadow court of Saint Petersburg. Finally, she glimpses a world beyond her mother’s Victorian sensibilities—a world of opulent ballrooms, scandalous flirtation, and whispered conversation.  But as war approaches, the palaces of Russia are transformed. Olga and her sisters trade their gowns for nursing habits, assisting in surgeries and tending to the wounded bodies and minds of Russia’s military officers. As troubling rumours about her parents trickle in from the Front, Olga dares to hope that a budding romance might survive whatever the future may hold. But when tensions run high and supplies run low, the controversy over Rasputin grows into fiery protest, and calls for revolution threaten to end 300 years of Romanov rule. At turns glittering and harrowing, The Last Grand Duchess is story about dynasty, duty, and love, but above all, it’s the story of a family who would choose devotion to each other over everything—including their lives.

    Neither Rebekah nor her father have heard from her since. Now a recent college graduate, Rebekah has moved to New York City to follow her dream of becoming a big-city reporter. But she's also drawn to the idea of being closer to her mother, who might still be living in the Hasidic community in Brooklyn.Then Rebekah is called to cover the story of a murdered Hasidic woman. Rebekah's shocked to learn that, because of the NYPD's habit of kowtowing to the powerful ultra-Orthodox community, not only will the woman be buried without an autopsy, her killer may get away with murder. Rebekah can't let the story end there. But getting to the truth won't be easy--even as she immerses herself in the cloistered world where her mother grew up, it's clear that she's not welcome, and everyone she meets has a secret to keep from an outsider.

    The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protesters of the 1980's give way to the hipsters of the 2000's and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020's, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself.

    American Oscar Harvey opens the trunk of his hosts’ car and finds the body of a woman, beaten and bloody. But let’s start at the beginning. Kate and Mannix O’Brien live by Curragower Falls in Limerick, in a lovely house they can barely afford. Their son Fergus is bullied at school, and their daughter Izzy blames herself, wishing she could protect him. Kate decides that her family needs a vacation, and is convinced her luck’s about to change when she spots a gorgeous Manhattan apartment on a home-exchange website.Hazel and Oscar Harvey and their two children live on Manhattan’s Upper West Side. Though they seem successful and happy, Hazel has mysterious bruises, and Oscar is hiding things about his dental practice. They, too, need a change of pace. Hazel has always wanted her children to see her native Limerick, and the house swap offers a perfect chance to soothe two troubled marriages. But this will be anything but a perfect vacation. And the body in the trunk is just the beginning.

    The ticking time bomb is Saul Reimer's sanity. His Alzheimer's is going to be the catalyst that will either bring his family together or tear it apart. Although An Absent Mind depicts Saul's arduous struggle with Alzheimer's, it is equally a story about his relationship with his loved ones and their shared journey. Seventy-one, and a man used to controlling those around him, Saul finds himself helplessly slipping into the abyss in what he describes as his slow dance with death. As we listen in on his ramblings, humor, emotions, lucid moments, and confusion, we are also privy to the thoughts and feelings his family share with us-his wife, Monique, conflicted and depressed; caring, yet angry; his daughter, Florence, compassionate, worried about her father's health, yet proper and reserved; his son, Joey, self-centered and narcissistic, seemingly distant from his family's challenges. And Dr. Tremblay, Saul's Alzheimer's specialist, who provides the reader with facts and observations about this dreaded disease that imprisons more than 35 million people worldwide. We know from the beginning how it has to end for Saul, because no one has ever outsmarted Alzheimer's. But how will he navigate the meandering road that will eventually destroy his health and result in his death? And how will it affect those around him as they live with strain and guilt, while at the same time being forced to face their own demons? These questions are answered expertly by the author as he explores the conflicts that rise to the surface as the family deals with Saul's dementia. Eric Rill's novel is reminiscent of Lisa Genova's Still Alice, Nicholas Sparks The Notebook, and Alice Munro's Away From Her. Although a beautiful work of literary fiction, An Absent Mind will expose the reader to the reality of Alzheimer's.

    He's exhausted by being at once too black and not black enough for his African American peers and worn down by the expectations of his own Liberian family and community. When his frustration finally spills into violence and his parents send him back to Monrovia to reform school, the story shifts. Like Kollie, readers travel back to Liberia, but also back in time, to the early twentieth-century and the point of view of Togar Somah, an eighteen-year-old indigenous Liberian on the run from government militias that would force him to work the plantations of the Congo people, descendants of the African-American slaves who colonized Liberia almost a century earlier. When Togar's section draws to a shocking close, the novel jumps again, back to America in 1827, to the children of Yasmine Wright, who leave a Virginia plantation with their mother for Liberia, where they're promised freedom and a chance at self-determination by the American Colonization Society. The Wrights begin their section by fleeing the whip and by its close, they are then ones who wield it. With each new section, the novel uncovers fresh hope and resonating heartbreak, all based on historical fact.In Dream Country, Shannon Gibney spins a riveting tale of the nightmarish spiral of death and exile connecting America and Africa, and of how one determined young dreamer tries to break free and gain control of her destiny.

    The daughter of Chinese parents who came to the United States to secure the American dream for their children, Joan is intensely devoted to her work, happily solitary, successful. She does look up sometimes and wonder where her true roots lie: at the hospital, where her white coat makes her feel needed, or with her family, who try to shape her life by their own cultural and social expectations. Once Joan and her brother, Fang, were established in their careers, her parents moved back to China, hoping to spend the rest of their lives in their homeland. But when Joan’s father suddenly dies and her mother returns to America to reconnect with her children, a series of events sends Joan spiraling out of her comfort zone just as her hospital, her city, and the world are forced to reckon with a health crisis more devastating than anyone could have imagined. Deceptively spare yet quietly powerful, laced with sharp humor, Joan Is Okay touches on matters that feel deeply resonant: being Chinese-American right now; working in medicine at a high-stakes time; finding one’s voice within a dominant culture; being a woman in a male-dominated workplace; and staying independent within a tight-knit family. But above all, it’s a portrait of one remarkable woman so surprising that you can’t get her out of your head.

    A party in a spacious Manhattan apartment, hosted by a wealthy young activist. Dozens of idealistic twenty-somethings have impassioned conversations over takeout dumplings and champagne. The evening shines with the heady optimism of a progressive new millennium. A young man, Ben, meets a young woman, Kate—and they begin to fall in love.From their first meeting, Ben knows Kate is unworldly and fanciful, so at first he isn’t that concerned when she tells him about the recurring dream she’s had since childhood. In the dream, she’s transported to the past, where she lives a second life as Emilia, the mistress of a nobleman in Elizabethan England.But for Kate, the dream becomes increasingly real and compelling until it threatens to overwhelm her life. And soon she’s waking from it to find the world changed—pictures on her wall she doesn’t recognize, new buildings in the neighborhood that have sprung up overnight. As she tries to make sense of what’s happening, Ben worries the woman he’s fallen in love with is losing her grip on reality.Transporting the reader between a richly detailed past and a frighteningly possible future, The Heavens is a powerful reminder of the consequences of our actions, a poignant testament to how the people we love are destined to change, and a masterful exploration of the power of dreams.

    Not even his best friend (and accidental girlfriend) Mackenzie. Then he discovers a secret from actual history: Abraham Lincoln was in love with another guy! Since everyone loves Lincoln, Wyatt's sure that if the world knew about it, they would treat gay people differently and it would solve everything about his life. So Wyatt outs Lincoln online, triggering a media firestorm and conservative backlash that threaten to destroy everything he cares about.Now Wyatt has to pretend more than ever that he's straight (because no one will believe a gay kid saying Lincoln was gay). Only then he meets Martin, who is openly gay and who just might be the guy Wyatt's been hoping to find. Will Wyatt stay closeted to change the world, or will he let Abraham Lincoln's gay romance fade back into history and take his own chance at love? This nineteenth- and twenty-first-century coming-of-age, coming out story was inspired by real historical evidence that Abraham Lincoln was in love—romantic love—with another man. QUEER AS A FIVE-DOLLAR BILL asks LGBTQ teens (and everyone else), What if you knew a secret from history that could change the world?

    A month later, none of that was true. Levy picks you up and hurls you through the story of how she built an unconventional life and then watched it fall apart with astonishing speed. Like much of her generation, she was raised to resist traditional rules—about work, about love, and about womanhood. “I wanted what we all want: everything. We want a mate who feels like family and a lover who is exotic, surprising. We want to be youthful adventurers and middle-aged mothers. We want intimacy and autonomy, safety and stimulation, reassurance and novelty, coziness and thrills. But we can’t have it all.” In this profound and beautiful memoir, Levy chronicles the adventure and heartbreak of being “a woman who is free to do whatever she chooses.” Her own story of resilience becomes an unforgettable portrait of the shifting forces in our culture, of what has changed—and of what is eternal.

    They decide to complete the bucket list they created the summer they were 18, the summer that saw their friendship torn apart. But when the man who came between them all those years ago reappears, it challenges their fragile new bond and pushes each woman to confront past hurts and buried truths.

    A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children’s game-show villainess ushers in the New Year with her deadbeat half brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken traces how our closely held desires—for intimacy, atonement, comfort—bloom and wither against the indifferent passing of time. Her characters embark on journeys that leave them indelibly changed—and so do her readers. The Souvenir Museum showcases the talents of one of our finest contemporary writers as she tenderly takes the pulse of our collective and individual lives.