Above all, as a very young child she decided one day that even if there was no other person in the world who loved and wanted her, she was going to love and care for herself—and that decision changed the course of her life. Africa’s Child is the story of a mixed-race girl growing up in the Usambara Mountains of Tanzania, East Africa. Raised in an orphanage with no knowledge of her origins or family, she endured abandonment, hardships, severe illnesses, and bullying. Her experiences as a child and teenager included physical, emotional, and sexual abuse, social stigma, and racial discrimination.Yet Nhambu tells her inspiring story with warmth and humor. Her questioning mind probes the African tribal realities and multi-cultural complexities that impacted her life both at the orphanage and schools run by German nuns as well as at an African high school with American nuns. Nhambu not only survived her childhood but triumphed. Her faith and resilience, along with a belief in learning and her tenacious pursuit of an education, sustained her through many challenges. Dance, especially African tribal dance, became the way she healed and nourished her spirit. Through the love and commitment of an American teacher she met in Africa, Nhambu was able to pursue her dream of education and a new life for herself. The first book in her three-part memoir ends as she is leaving Africa for university studies in America on a full scholarship.Maria Nhambu is the creator of Aerobics With Soul®, a fitness workout based on African dance.

    Once upon a time Kayla loved Christmas Now she’s more dedicated to her job than decking the halls, and can’t wait for the ‘most wonderful time of the year’ to be over.Until she arrives at the enchanting Snow Crystal ski resort, determined to win gorgeous owner Jackson as a marketing client.But wooing Jackson professionally quickly turns personal as they spend flirty festive nights in this glittering winter wonderland.With snowflakes swirling and sleigh bells ringing…could Jackson be the one to make Kayla fall back under the Christmas spell?

    The result is this astonishing first-person account of a pioneer woman who braved grueling work, profound tragedy, and a pitiless wilderness (she and her family faced floods, tornadoes, fires, bears, panthers, and snakes) to protect her home in the early American South.An early draft of Trials of the Earth was submitted to a writers' competition sponsored by Little, Brown in 1933. It didn't win, and we almost lost the chance to bring this raw, vivid narrative to readers. Eighty-three years later, in partnership with Mary Mann Hamilton's descendants, we're proud to share this irreplaceable piece of American history. Written in spare, rich prose, Trials of the Earth is a precious record of one woman's extraordinary endurance and courage that will resonate with readers of history and fiction alike.

    Peanut, is not like other Ivy League grads. He shares an apartment with Goldberg, his beloved battery-operated fish, sleeps on a bed littered with yellow legal pads penned with what he hopes will be the next great American novel, and spends the waning malaise-filled days of the Carter administration at Yankee Stadium, waxing poetic while slinging peanuts to pay the rent.When Ted hears the news that his estranged father, Marty, is dying of lung cancer, he immediately moves back into his childhood home, where a whirlwind of revelations ensues. The browbeating absentee father of his youth is living to make up for lost time, but his health dips drastically whenever his beloved Red Sox lose. And so, with help from a crew of neighborhood old-timers and the lovely Mariana--Marty's Nuyorican grief counselor--Ted orchestrates the illusion of a Sox winning streak, enabling Marty and the Red Sox to reverse the Curse of the Bambino and cruise their way to World Series victory. Well, sort of.David Duchovny's richly drawn Bucky F*cking Dent is a story of the bond between fathers and sons, Yankee fans and the Fenway faithful, and grapples with the urgent need to find our story in an age of irony and artifice. Culminating in that fateful moment in October of '78 when the meek Bucky Dent hit his way into baseball history with the unlikeliest of home runs, this tragicomic novel demonstrates that life truly belongs to the losers--that the long shots are the ones worth betting on.Bucky F*cking Dent is a singular tale that brims with the hilarity, poignancy, and profound solitude of modern life.

    Norma Hayes has always tried to make Christmas special for her family, but 1944 will make that more difficult with money being tight and wartime rationing making everything hard to come by. Aware of his mother's hardships and the worry from having her eldest son at war, second son, Dennis, is determined to buy his mother a special gift this Christmas, a lavender blue dress he hopes will bring her comfort as a symbol of special times gone by and the hope of a brighter future with the family reunited at war's end. Meantime, on the long campaign to free Europe, her soldier son carrys on as best he can, the horrors of war taking its heavy toll on armies and civilians alike. On a battlefield far from home in Holland with his 101st Airborne battalion, he catches a familiar scent of lavender which briefly transports him back to the home front to the perfume scent his mother wore, giving him a short respite and reuniting the family once again if only in his imagination. This historical fiction novel is a nostalgic and tender story about the power of love, the reality of war, and the hope we all have that things will turn out all right.

    Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant--the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the Yellow House would become Ivory Mae's thirteenth and most unruly child.A book of great ambition, Sarah M. Broom's The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the "Big Easy" of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority, and power.

    With his movie-star good looks and tragic past, Peter, a survivor of Auschwitz, is the most eligible bachelor in town. But Peter does not care for the parade of eligible women who come to the restaurant hoping to catch his eye. He has resigned himself to a solitary life. Running Masha’s consumes him, as does his terrible guilt over surviving the horrors of the Nazi death camp while his wife, Masha—the restaurant’s namesake—and two young daughters perished.Then exquisitely beautiful June Bouquet, an up-and-coming young model, appears at the restaurant, piercing Peter’s guard. Though she is twenty years his junior, the two begin a passionate, whirlwind courtship. When June unexpectedly becomes pregnant, Peter proposes, believing that beginning a new family with the woman he loves will allow him to let go of the horror of the past. But over the next twenty years, the indelible sadness of those memories will overshadow Peter, June, and their daughter Elsbeth, transforming them in shocking, heartbreaking, and unexpected ways.Jenna Blum artfully brings to the page a husband devastated by a grief he cannot name, a frustrated wife struggling to compete with a ghost she cannot banish, and a daughter sensitive to the pain of both her own family and another lost before she was born. Spanning three cinematic decades, The Lost Family is a charming, funny, and elegantly bittersweet study of the repercussions of loss and love.

    Our mother invented them for us to make up for all the things we lacked and to give us some hope for the future.During the hard and bitter years of his youth in England, Harry Bernstein's selfless mother struggles to keep her six children fed and clothed. But she never stops dreaming of a better life in America, no matter how unlikely. Then, one miraculous day when Harry is twelve years old, steamships tickets arrive in the mail, sent by an anonymous benefactor.Suddenly, a new life full of the promise of prosperity seems possible and the family sets sail for America, meeting relatives in Chicago. Harry is mesmerized by the city: the cars, the skyscrapers, and the gorgeous vistas of Lake Michigan. For a time, the family gets a taste of the good life: electric lights, a bathtub, a telephone. But soon the harsh realities of the Great Depression envelop them. Skeletons in the family closet come to light, mafiosi darken their doorstep, family members are lost, and dreams are shattered.In the face of so much loss, Harry and his mother must make a fateful decision one that will change their lives forever. And though he has struggled for so long, there is an incredible bounty waiting for Harry in New York: his future wife, Ruby. It is their romance that will finally bring the peace and happiness that Harry's mother always dreamed was possible.With a compelling cast and evocative settings, Harry Bernstein's extraordinary account of his hardscrabble youth in Depression-era Chicago and New York will grip you from the very first page. Full of humor, drama, and romance, this tale of hope and dreams coming true enthralls and enchants.

    Jackson grew up black in a neglected neighborhood in America’s whitest city, Portland, Oregon. In the ’90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding autobiographical novel, Mitchell writes what it was to come of age in that time and place, with a break-out voice that’s nothing less than extraordinary.The Residue Years switches between the perspectives of a young man, Champ, and his mother, Grace. Grace is just out of a drug treatment program, trying to stay clean and get her kids back. Champ is trying to do right by his mom and younger brothers, and dreams of reclaiming the only home he and his family have ever shared. But selling crack is the only sure way he knows to achieve his dream. In this world of few options and little opportunity, where love is your strength and your weakness, this family fights for family and against what tears one apart.Honest in its portrayal, with cadences that dazzle, The Residue Years signals the arrival of a writer set to awe.

     Shortly before Christmas 1933 in Depression-scarred Canton, Ohio, a small newspaper ad offered $10, no strings attached, to 75 families in distress. Interested readers were asked to submit letters describing their hardships to a benefactor calling himself Mr. B. Virdot. The author's grandfather Sam Stone was inspired to place this ad and assist his fellow Cantonians as they prepared for the cruelest Christmas most of them would ever witness. Moved by the tales of suffering and expressions of hope contained in the letters, which he discovered in a suitcase 75 years later, Ted Gup initially set out to unveil the lives behind them, searching for records and relatives all over the country who could help him flesh out the family sagas hinted at in those letters. From these sources, Gup has re-created the impact that Mr B. Virdot's gift had on each family. Many people yearned for bread, coal, or other necessities, but many others received money from B. Virdot for more fanciful items-a toy horse, say, or a set of encyclopedias. As Gup's investigations revealed, all these things had the power to turn people's lives around- even to save them. But as he uncovered the suffering and triumphs of dozens of strangers, Gup also learned that Sam Stone was far more complex than the lovable- retiree persona he'd always shown his grandson. Gup unearths deeply buried details about Sam's life-from his impoverished, abusive upbringing to felonious efforts to hide his immigrant origins from U.S. officials-that help explain why he felt such a strong affinity to strangers in need. Drawing on his unique find and his award-winning reportorial gifts, Ted Gup solves a singular family mystery even while he pulls away the veil of eight decades that separate us from the hardships that united America during the Depression. In A Secret Gift, he weaves these revelations seamlessly into a tapestry of Depression-era America, which will fascinate and inspire in equal measure.Watch a Video

    In the tradition of 'The Christmas Shoes' and 'A Christmas on Jane Street', the heart-warming story of 'The Christmas Glass' shows how, today as always, the Christmas miracle works its wonders in the human heart.

     For a long time, Nadja Spiegelman believed her mother was a fairy. More than her famous father, Maus creator Art Spiegelman, and even more than most mothers, hers—French-born New Yorker art director Françoise Mouly—exerted a force over reality that was both dazzling and daunting. As Nadja’s body changed and “began to whisper to the adults around me in a language I did not understand,” their relationship grew tense. Unwittingly, they were replaying a drama from her mother’s past, a drama Nadja sensed but had never been told. Then, after college, her mother suddenly opened up to her. Françoise recounted her turbulent adolescence caught between a volatile mother and a playboy father, one of the first plastic surgeons in France. The weight of the difficult stories she told her daughter shifted the balance between them.  It had taken an ocean to allow Françoise the distance to become her own person. At about the same age, Nadja made the journey in reverse, moving to Paris determined to get to know the woman her mother had fled.  Her grandmother’s memories contradicted her mother’s at nearly every turn, but beneath them lay a difficult history of her own. Nadja emerged with a deeper understanding of how each generation reshapes the past in order forge ahead, their narratives both weapon and defense, eternally in conflict. Every reader will recognize herself and her family in this gorgeous and heartbreaking memoir, which helps us to see why sometimes those who love us best hurt us most.

    While there is action here, there's also political hassle, the rich and often troubling history of a department not unfamiliar with corruption, and the day to day life of people charged with preserving order in America's largest city. Conlon's book is, in part, a memoir as he progresses from being a rookie cop working the beat at troubled housing projects to assignments in the narcotics division to eventually becoming a detective. But it's also the story of his family history within the enormous NYPD as well as the evolving role of the police force within the city.Conlon relates the controversies surrounding the somewhat familiar shooting of Amadou Diallou and the abuse, at the hands of New York cops, of Abner Louima. But being a cop himself, Conlon lends insight and nuance to these issues that could not possibly be found in the newspapers. And as an outstanding writer, he draws the reader into that world. In the book's most remarkable passage, Conlon tells of the grim but necessary work done at the Fresh Kills landfill, sifting through the rubble and remains left in the wake of the World Trade Center attacks on 9/11 (a section originally published in The New Yorker).In many ways, Blue Blood comes to resemble the world of New York City law enforcement that Conlon describes: both are expansive, sprawling, multi-dimensional, and endlessly fascinating. And Conlon's writing is perfectly matched to his subject, always lively, keenly observant, and possessing a streetwise energy.

    There's Ivy League Caroline, who dreams of graduating from the typing pool to an editor's office, naive country girl April, who within months of hitting town reinvents herself as the woman every man wants on his arm; Gregg, the free-spirited actress with a secret yearning for domesticity. Now a classic, and as page-turning as when it first came out, The Best of Everything portrays their lives and passions with intelligence, affection and prose as sharp as a paper cut.(back cover)

    Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society Included in this remarkable quartet are False Dawn, The Old Maid, The Spark, and New Year's Day.