He was a champion of greater sexual understanding in a society that only whispered the words he used out loud. This pioneering study of the nature of sexuality and love remains a monumental achievement. The importance of sexuality and infantilism in shaping individual destiny sets the general theme for these groundbreaking studies. Elaborating his now-famous frustration theory, Freud dramatically illustrates how a person's sexuality can be stifled to the point of neurosis by a sex-scared society. With utter frankness, he explains various aspects of homosexuality, incest, frigidity, impotence, masochism, sadism, and fetishism. Here is Freud at his most brilliant, raising the curtain on a new era of sexual and social awareness -- Publisher description.

    Here are case studies in which myths have helped Dr. May's patients make sense out of an often senseless world.

    As might be expected, the main interest of these writings is that they illuminate new facets of his usual subject matter."--The New York Times Book Review"A new single work for American readers that stands among the very finest."--The Nation

    This book maps a way towards an understanding of the union of opposites and the emergence of the Self.

    Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

    No other contribution has been as helpful as this for revealing, in a word, the anatomy of the psyche and how it applies to where one is in his or her process. This is a significant amplification and extension of Jung's work. Two hundred years from now, it will still be a useful handbook and an inspiring aid to those who care about individuation". -- Psychological Perspectives

    M. Scott Peck brilliantly probes into the essence of human evil.People who are evil attack others instead of facing their own failures. Peck demonstrates the havoc these people of the lie work in the lives of those around them. He presents, from vivid incidents encountered in his psychiatric practice, examples of evil in everyday life.This book is by turns disturbing, fascinating, and altogether impossible to put down as it offers a strikingly original approach to the age-old problem of human evil.

    We see, hear, and feel Umberto Eco, the passionate reader who has gotten lost over and over again in the woods, loved it, and come back to tell the tale, The Tale of Tales. Eco tells us how fiction works, and he also tells us why we love fiction so much. This is no deconstructionist ripping the veil off the Wizard of Oz to reveal his paltry tricks, but the Wizard of Art himself inviting us to join him up at his level, the Sorcerer inviting us to become his apprentice.

    The philosopher who announced the death of God in The Gay Science (1882) and went on to challenge the Christian code of morality in Beyond Good and Evil (1886), grappled with the fundamental issues of the human condition in his own intense autobiography, Ecce Homo (1888). Most notorious of all, perhaps, his idea of the triumphantly transgressive übermann ('superman') is developed in the extreme, yet poetic words of Thus Spake Zarathustra (1883-92). Whether addressing conventional Western philosophy or breaking new ground, Nietzsche vastly extended the boundaries of nineteenth-century thought.

    Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites.

    Dr Jacobi's synthesis, which Jung applauds in his Foreword, offers the reader a comprehensive review of the central content of his system by a student & colleague who worked closely with him for many years. For this definitive, new edition, Jolande Jacobi has written a new introduction & revised footnotes to refer to the complete works of C.G. Jung. The book also includes the complete bibliography of the many journal articles & books written by Jung during his long productive lifetime. There are eight color plates among the "pictures from the unconscious" & other illustrations which give a better idea of the intrapsychic process than can be conveyed in words.

    Lovecraft (1890-1937), the most important American supernaturalist since Poe, has had an incalculable influence on all the horror-story writing of recent decades. Altho his supernatural fiction has been enjoying an unprecedented fame, it's not widely known that he wrote a critical history of supernatural horror in literature that has yet to be superceded as the finest historical discussion of the genre. This work is presented in this volume in its final, revised text. With incisive power, Lovecraft here formulates the esthetics of supernatural horror & summarizes the range of its literary expression from primitive folklore to the tales of his own 20th-century masters. Following a discussiom of terror-literature in ancient, medieval & renaissance culture, he launches on a critical survey of the whole history of horror fiction from the Gothic school of the 18th century (when supernatural horror found its own genre) to the time of De la Mare & M.R. James. The Castle of Otranto, Radcliffe, "Monk" Lewis, Vathek Charles Brockden Brown, Melmoth the Wanderer, Frankenstein, Bulwer-Lytton, Fouqué's Undine, Wuthering Heights, Poe (full chapter), The House of the Seven Gables, de Maupassant's The Horla, Bierce, The Turn of the Screw , M.P. Shiel, W.H. Hodgson, Machen, Blackwood & Dunsany are among those discussed in depth. He also notices a host of lesser writers--enough to draw up an extensive reading list. By charting so completely the background for his own concepts of horror & literary techniques, Lovecraft throws light on his own fiction as well as on the horror-literature which has followed. For this reason this book will be especially intriguing to those who've read his fiction as an isolated phenomenon. Any searching for a guide thru the inadequately marked region of literary horror, need search no further. Unabridged & corrected republication of 1945 edition. New introduction by E.F. Bleiler.

    At the same time it's a demonstration of the practical application of these principles to the conduct of everyday relationships & the organization of personal life. Based upon a year's lectures to audiences at the People's Institute in Vienna, the book pointd out how the mistaken behavior of individuals affects social & communal harmony; to teach individuals to recognize their mistakes; & finally, to show them how they may effect a harmonious adjustment to communal life. Adler felt that mistakes in business or in science were costly & deplorable, but mistakes in the conduct of life are often dangerous to life itself. This book is dedicated by the author in his preface to the task of illuminating progress toward a better understanding of human nature.

    The remaining essays examine psychological and cultural problems with keen insight and humanistic sympathies.

    Twain speaks his mind on a variety of public issues and is especially passionate in his anti-imperialist stance. According to Twain's views on the human condition, the best to be hoped for is that we can be persuaded to rise above our selfish nature and work for the betterment of the community at large.