Mauled in street battles with the Chicago police during the Days of Rage demonstrations, Weather concluded that traditional political protest was insufficient to end the war. They turned instead to underground guerrilla combat.In this highly readable history, Ron Jacobs captures the hair-raising drama of a campaign which planted bombs in banks, military installations and, twice on successive days, in the US Capitol. He describes the group’s formation of clandestine revolutionary cells, its leaders’ disavowal of monogamous relationships, and their use of LSD to strengthen bonds between members. He recounts the operational failures of the group—three members died when a bomb they were building exploded in Greenwich Village—as well as its victories including a successful jailbreak of Timothy Leary. Never short-changing the fierce debates which underpinned the Weather’s strategy, Jacobs argues that the groups eventual demise resulted as much from the contradictions of its politics as from the increasingly repressive FBI attention.

    Moro reflects on past climbs and partners, including the death of his longtime friend and climbing partner, Anatoli Boukreev, on Annapurna, his mourning when Boukreev died, and his subsequent recovery; Denis Urubko and the nature of climbing partnerships; two attempts on Shisha Pangma; Broad Peak; Makalu; and Gasherbrum II, which he, Urubko, and Cory Richards completed in February 2011 despite near-tragic moments when they miraculously escaped after being swept away by an avalanche. Many of Moro's climbs do not result in a summit and he explains why his interest lies in the attempt itself. In addition to these reflections, we relive in real-time his attempt on Nanga Parbat, which he and Urubko had to abandon after 51 days and 6600 meters!

    Everest without supplementary oxygen, relates the physical and emotional strain of climbing the 26,000-foot peak of Nanga Parbat alone

    Gichin Funakoshi, the father of karate, once said that the ultimate aim of karate lies not in victory nor defeat, but in the perfection of the character of its participants.

    He saw this project as a way to influence the public's expectations about city life, in the same way his earlier work had redefined what it meant to watch an animated film or visit an amusement park. Walt and the Promise of Progress City is a personal journey that explores the process through which meaningful and functional spaces have been created by Walt Disney and his artists as well as how guests understand and experience those spaces.

    Rhea continues his spectacular narrative of the initial campaign between Ulysses S. Grant and Robert E. Lee in the spring of 1864. May 13 through 25, a phase oddly ignored by historians, was critical in the clash between the Army of the Potomac and the Army of Northern Virginia. During those thirteen days -- an interlude bracketed by horrific battles that riveted the public's attention -- a game of guile and endurance between Grant and Lee escalated to a suspenseful draw on Virginia's North Anna River.From the bloodstained fields of the Mule Shoe to the North Anna River, with Meadow Bridge, Myers Hill, Harris Farm, Jericho Mills, Ox Ford, and Doswell Farm in between, grueling night marches, desperate attacks, and thundering cavalry charges became the norm for both Grant's and Lee's men. But the real story of May 13--25 lay in the two generals' efforts to outfox each other, and Rhea charts their every step and misstep. Realizing that his bludgeoning tactics at the Bloody Angle were ineffective, Grant resorted to a fast-paced assault on Lee's vulnerable points. Lee, outnumbered two to one, abandoned the offensive and concentrated on anticipating Grant's maneuvers and shifting quickly enough to repel them. It was an amazingly equal match of wits that produced a gripping, high-stakes bout of warfare -- a test, ultimately, of improvisation for Lee and of perseverance for Grant.

    Make that the world. I worked hard to get this job, going above and beyond at every turn, making myself invaluable. The obvious choice.It wasn’t for career advancement, though. It’s because I’ve got a secret. I’m not who Mac Mackenzie thinks I am, and I’m on a mission to prove that he’s not who the world thinks he is.All I need is evidence. That’s why I’ve been working so hard to get close to him, so that I would have enough access to gather it.There’s only one problem, though. Now that I know him, I’m starting to think that maybe I have the wrong target. Maybe he’s not the man I thought he was before I met him. That maybe I’m falling for the man I’m finding out he is.I thought working with Mac would be simple, but now that love is involved, things are getting very complicated.Mac MackenzieWhen I promoted Kira Baker to be my “right hand woman,” I knew it was going to be hard to keep my mind on work when she was around. Her chestnut curls, her deep hazel eyes, her curves that go on for days…all of these things are very distracting.But when things heat up between us, I know beyond a shadow of a doubt that this is more than just a physical attraction.And when I find out things about her past that she thought would always stay hidden, I know one thing for certain—I will do anything to protect her.

    

    Panoramic, descriptive and solidly crafted.” When the book was first published in 1979, the Philadelphia Inquirer called it "an important novel for these times. . . . Through a dazzling interplay of American and Italian characters in both countries, Helen Barolini delineates the major concerns of all thinking American ethnics." This is no less true today, as this republication restores Umbertina to a reading public newly attuned to the complexities of cultural inheritance and identity.This multigenerational novel begins in Calabria, as Umbertina persuades her husband to emigrate. Through years of struggle on New York City’s Lower East Side and in a growing upstate New York town, it is Umbertina’s determination, ingenuity, and business sense that propel the family into financial success and security—leaving her daughters and granddaughters to sort out their identities as Italian Americans and as women.

    Charting Queen's flamboyant, hit-making musical history, this book also chronicles the life stories of members including the beloved lead singer and his battle with AIDS. Features a comprehensive discography and videography, plus eight pages of color photos. .

    As the world’s population has grown, our cities have burgeoned, and their impact on the environment worsened. Meanwhile, from the isolated, gated communities within Houston and Los Angeles, to the millions of residents of Bombay living in squalor, the city has failed to serve its ideal function—as the cradle of civilization, the engine of culture, and the inspiration for community and citizenship. In Cities for a Small Planet, Sir Richard Rogers, one of the world’s leading architects and the designer of the Pompidou Center in Paris, demonstrates how future cities could provide the springboard for restoring humanity’s harmony with its environment.Rogers outlines the disastrous impact cities have had and will continue to have on our world, from waste-saturated Tokyo Bay, to the massive plumes of pollution caused by London’s traffic, to the depleted water resources of Mexico City. He traces these problems to the underlying social and cultural values that create them—unchecked commercial zeal, selfish individualism, and a lack of community. Bringing to bear concepts such as that of “open-minded” space—places within cities that serve multiple functions such as markets, parks, and sidewalk cafes—he explains how urban design can be used to give citizens a sense of shared experience. The city built with comfortable and safe public space can bring diverse groups together and breed a sense of tolerance, awareness, identity, and mutual respect. He calls for a new theoretical shift in the way cities do business and interact with the environment, arguing that many products come to market and are sold without figuring their social or environmental cost.Rogers goes on to describe the city of the future: one that is sustainable within its own environment; that can make a positive impact on its surroundings; that encourages communication among its citizens; that is compact and focused around neighborhoods; and that is beautiful, a city whose buildings and spaces spark the creative potential of its inhabitants.As our population grows larger, our planet grows smaller. Cities for a Small Planet is a passionate and eloquent blueprint for the cities we must create in response, cities that provide for the needs of both their residents and the earth on which they live.

    

    There was no denying what it looked liked to my long-time assistant and now I had to trust her not to blow things up with Harper and I. I needed to fix this. I was going to fix this, even if it meant losing my top client, the woman I was caught kissing. Mason seems distant. He’s been secretive and I’m beginning to wonder how much Natalie has to do with Mason’s change of heart. She’s hot, she’s cold, but even more importantly, she’s out to get me. Connected Hearts, The Series. Harper Browning has it all, but it didn’t come without struggles. She’s put it all behind her and turned over a new leaf with her extremely romantic, good-looking and billionaire matchmaker boss, Mason Asher, but not to the liking of his personal assistant and right-hand girl. Mason Asher is known for his ability to find a match for anyone, including the hundreds of wealthy clients that pay him handsomely for his services. But when he makes a promise to Harper’s best friend, Avery Gains, he’s taken on more than he can handle and now risks not only losing his business, but Harper’s love too. Connected Hearts is the follow-up series to It Takes Two and can be read as a stand-alone series or you can follow along from the start by downloading the complete series. *** Connected Hearts is a steamy romance ideal for fans of J.S. Scott, Katy Evans, Lauren Blakely and MS Parker.

    That day, the German army used a chlorine gas meant to exterminate indiscriminately. Until then, war, as described by Clausewitz and practiced by Napoleon, involved attacking the adversary’s vital function first. Using poison gas signaled the passage from classical war to terrorism. This terror from the air inaugurated an era in which the main idea was no longer to target the enemy’s body, but their environment. From then on, what would be attacked in wartime as well as in peacetime would be the very conditions necessary for life.This kind of terrorism became the matrix of modern and postmodern war, from World War I’s toxic gas to the Nazi Zyklon B used in Auschwitz, from the bombing of Dresden to the attack on the World Trade Center. Sloterdijk goes on to describe the offensive of modern aesthetics, aesthetic terrorism from Surrealism to Malevich--an “atmo-terrorism” in the arts that parallels the assault on environment that had originated in warfare.

    In 1979, Thatcher's Britain was a country crippled by strikes, joblessness, and economic gloom, divided by race and class—and skanking to a new beat: 2 Tone. The unruly offspring of white boy punk and rude boy ska, the Specials burst on to the scene. On stage they were electric, and at the heart of this energy was the vocal chemistry of the ethereal Terry Hall and Jamaican rude boy Neville Staple. In 1961, five-year-old Neville was sent to England to live with his father, a man for whom discipline bordered on child abuse. As he recounts here, growing up black in the Midlands of the 1960s and 1970s wasn't easy, and his youth was marked by scuffles with skins, compulsive womanizing, and a life of crime that led from shoplifting to burglary and eventually prison. But throughout there was music, and Nev reveals how he became part of the most important band of the 1980s. He remembers sound system battles; the legendary 2 Tone tour with the Selecter, Madness, and Dexy's, and their clashes with white nationalist thugs. He recalls the band's increasing tensions and eventual split; his subsequent foray into bubblegum pop with Fun Boy Three; and a newfound fame in America as godfather to Third Wave ska bands. Finally he reflects on the Specials' reunion and how even now, 30 years later, they can't help tearing themselves apart.