This summer, the revival season doesn’t go as planned, and after one service in which Reverend Horton’s healing powers are tested like never before, Miriam witnesses a shocking act of violence that shakes her belief in her father—and in her faith.When the Hortons return home, Miriam’s confusion only grows as she discovers she might have the power to heal—even though her father and the church have always made it clear that such power is denied to women. Over the course of the next year, Miriam must decide between her faith, her family, and her newfound power that might be able to save others, but, if discovered by her father, could destroy Miriam.Celebrating both feminism and faith, Revival Season is a story of spiritual awakening and disillusionment in a Southern, black, Evangelical community. Monica West’s transporting coming-of-age novel explores complicated family and what it means to live among the community of the faithful.

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

    Mariam felt pretty sure she didn’t know a single Muslim woman who would describe herself that way. Why was she hearing about Muslim women from people who were neither Muslim, nor female?Years later the state of the national discourse has deteriorated even further, and Muslim women’s voices are still pushed to the fringes – the figures leading the discussion are white and male.Taking one of the most politicized and misused words associated with Muslim women and Islamophobia, It’s Not About the Burqa is poised to change all that. Here are voices you won’t see represented in the national news headlines: seventeen Muslim women speaking frankly about the hijab and wavering faith, about love and divorce, about feminism, queer identity, sex, and the twin threats of a disapproving community and a racist country. Funny, warm, sometimes sad, and often angry, each of these essays is a passionate declaration, and each essay is calling time on the oppression, the lazy stereotyping, the misogyny and the Islamophobia.What does it mean, exactly, to be a Muslim woman in the West today? According to the media, it’s all about the burqa.Here’s what it’s really about.

    When her Black mom and Jewish dad split up, she relocates to her mom's family home in Harlem and is forced to confront her identity for the first time. Nevaeh wants to get to know her extended family, but one of her cousins can't stand that Nevaeh, who inadvertently passes as white, is too privileged, pampered, and selfish to relate to the injustices they face on a daily basis as African Americans. In the midst of attempting to blend their families, Nevaeh's dad decides that she should have a belated bat mitzvah instead of a sweet sixteen, which guarantees social humiliation at her posh private school. Even with the push and pull of her two cultures, Nevaeh does what she's always done when life gets complicated: she stays silent.It's only when Nevaeh stumbles upon a secret from her mom's past, finds herself falling in love, and sees firsthand the prejudice her family faces that she begins to realize she has a voice. And she has choices. Will she continue to let circumstances dictate her path? Or will she find power in herself and decide once and for all who and where she is meant to be?

    Seventeen-year-old Lucy Adler, a street-smart, trash-talking baller, is often the only girl on the public courts. At turns quixotic and cynical, insecure and self-possessed, Lucy is in unrequited love with her best friend and pick-up teammate Percy, scion to a prominent New York family who insists he wishes to resist upper crust fate.As she navigates this complex relationship with all its youthful heartache, Lucy is seduced by a different kind of life—one less consumed by conventional success and the approval of men. A pair of provocative female artists living in what remains of New York’s bohemia invite her into their world, but soon even their paradise begins to show cracks.

    Now, she takes on one of today’s hottest cultural topics: feminism. Nugent is a proud feminist—and she’s not afraid to say it. From the “scarlet F” thrust upon you if you declare yourself a feminist at a party to how to handle judgmental store clerks when you buy Plan B, You Don’t Have to Like Me skewers a range of cultural issues, and confirms Nugent as a star on the rise.

    Morris crafts a twisty mystery about a black lawyer who gets in over her head after the sudden death of her boss. A debut perfect for fans of Attica Locke, Alyssa Cole, Harlan Coben, and Celeste Ng, with shades of How to Get Away with Murder and John Grisham’s The Firm. Everyone has something to hide... Ellice Littlejohn seemingly has it all: an Ivy League law degree, a well-paying job as a corporate attorney in midtown Atlanta, great friends, and a “for fun” relationship with a rich, charming executive—her white boss, Michael.But everything changes one cold January morning when Ellice goes to meet Michael… and finds him dead with a gunshot to his head.And then she walks away like nothing has happened. Why? Ellice has been keeping a cache of dark secrets, including a small-town past and a kid brother who’s spent time on the other side of the law. She can’t be thrust into the spotlight—again.But instead of grieving this tragedy, people are gossiping, the police are getting suspicious, and Ellice, the company’s lone black attorney, is promoted to replace Michael. While the opportunity is a dream-come-true, Ellice just can’t shake the feeling that something is off.When she uncovers shady dealings inside the company, Ellice is trapped in an impossible ethical and moral dilemma. Suddenly, Ellice’s past and present lives collide as she launches into a pulse-pounding race to protect the brother she tried to save years ago and stop a conspiracy far more sinister than she could have ever imagined…

    So begins Reva's "darkly hilarious" (Anthony Doerr) intertwined narratives, nine stories that span the chaotic years leading up to and immediately following the fall of the Soviet Union. But even as the benighted denizens of 1933 Ivansk Street weather the official neglect of the increasingly powerless authorities, they devise ingenious ways to survive.In "Bone Music," an agoraphobic recluse survives by selling contraband LPs, mapping the vinyl grooves of illegal Western records into stolen X-ray film. A delusional secret service agent in "Letter of Apology" becomes convinced he's being covertly recruited to guard Lenin's tomb, just as his parents, not seen since he was a small child, supposedly were. Weaving the narratives together is the unforgettable, chameleon-like Zaya: a cleft-lipped orphan in "Little Rabbit," a beauty-pageant crasher in "Miss USSR," a sadist-for-hire to the Eastern Bloc's newly minted oligarchs in "Homecoming."

    The Lazaretto’s black live-in staff forge a strong social community, and when one of them receives permission to get married on the island the mood is one of celebration, particularly since the white staff—save the opium-addicted doctor—are given leave for the weekend. On the eve of the ceremony, a gunshot rings out across the river. A white man has fired at a boat carrying the couple’s friends and family to the island, and the captain is injured. His life lies in the hands of Sylvia, the Lazaretto’s head nurse, who is shocked to realize she knows the patient. Intertwined with the drama unfolding at the Lazaretto are the fates of orphan brothers. When one brother commits a crime to protect the other, he imperils both of their lives—and the consequences ultimately deliver both of them to the Lazaretto.In this masterful work of historical fiction, Diane McKinney-Whetstone seamlessly transports us to Philadelphia in the aftermath of the Civil War and Lincoln’s assassination, beautifully evoking powerful stories of love, friendship and humanity amid the vibrant black community that flourished amid the troubled times.

    In this debut collection of stories, each of them navigate life’s “training school”—with its lessons on gentrification and respectability—while fighting to create a vibrant sense of self in this love letter to Washington, DC.

    In"Bog Girl", a revelatory story about first love, a young man falls in love with a two thousand year old girl that he's extracted from a mass of peat in a Northern European bog. In "The Prospectors," two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. In the brilliant, hilarious title story, a new mother desperate to ensure her infant's safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void--yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.

    This is a story of courage, of women willing to take a stand in the face of corporate greed, and most definitely a tale for our times.” —Fiona Davis, New York Times bestselling author of The Lions of Fifth AvenueMaddie Sykes is a burgeoning seamstress who’s just arrived in Bright Leaf, North Carolina—the tobacco capital of the South—where her aunt has a thriving sewing business. After years of war rations and shortages, Bright Leaf is a prosperous wonderland in full technicolor bloom, and Maddie is dazzled by the bustle of the crisply uniformed female factory workers, the palatial homes, and, most of all, her aunt’s glossiest clientele: the wives of the powerful tobacco executives.When a series of unexpected events thrusts Maddie into the role of lead dressmaker for the town’s most influential women, she scrambles to produce their ornate gowns for the biggest party of the season. But she soon learns that Bright Leaf isn’t quite the carefree paradise that it seems: A trail of misfortune follows many of the women, including substantial health problems. Although Maddie is quick to believe that this is a coincidence, she inadvertently uncovers evidence that suggests otherwise.Maddie wants to report what she knows, but in a town where everyone depends on Big Tobacco to survive, she doesn’t know who she can trust—and fears that exposing the truth may destroy the lives of the proud, strong women with whom she has forged strong bonds.Shedding light on the hidden history of women’s activism during the post-war period, at its heart, The Tobacco Wives is a deeply human, emotionally satisfying, and dramatic novel about the power of female connection and the importance of seeking truth.

    Kendi, author of the number one bestseller How To Be an Antiracist, and fellow historian Keisha N. Blain, Four Hundred Souls begins with the arrival of twenty enslaved Ndongo people on the shores of the British colony in mainland America in 1619, the year before the arrival of the Mayflower. In eighty chronological chapters, the book charts the tragic and triumphant four-hundred-year history of Black American experience in a choral work of exceptional power and beauty. Contributors include some of the best-known scholars, writers, historians, journalists, lawyers, poets and activists of contemporary America who together bring to vivid life countless new facets to the drama of slavery and resistance, segregation and survival, migration and self-discovery, cultural oppression and world-changing artistic, literary and musical creativity. In these pages are dozens of extraordinary lives and personalities, rescued from the archives and restored to their rightful place in America's narrative, as well as the ghosts of millions more.Four Hundred Souls is an essential work of story-telling and reclamation that redefines America and changes our notion of how history is written.

    It was, as she says, “a way to carve out a space of celebration and freedom for black women online.”In this collection of essays, Blay expands on that initial idea by looking at the significance of influential black women throughout history, including Josephine Baker, Michelle Obama, Rihanna, and Cardi B. Incorporating her own personal experiences as well as astute analysis of these famous women, Blay presents an empowering and celebratory portrait of black women and their effect on American culture. She also examines the many stereotypes that have clung to black women throughout history, whether it is the Mammy, the Angry Black Woman, or more recently, the Thot.

    After seven years, Tracy is running out of time—her dad has only 267 days left. Then the unthinkable happens. The police arrive in the night, and Tracy’s older brother, Jamal, goes from being a bright, promising track star to a “thug” on the run, accused of killing a white girl. Determined to save her brother, Tracy investigates what really happened between Jamal and Angela down at the Pike. But will Tracy and her family survive the uncovering of the skeletons of their Texas town’s racist history that still haunt the present?Fans of Nic Stone and Jason Reynolds won’t want to miss this provocative and gripping debut.