That’s the mantra behind HR, Inc., an elite "placement agency" that doubles as a network of assassins-for-hire, taking down high-profile executives who wouldn't be able to remember an intern’s name if their lives depended on it.At the ripe old age of twenty-five, John Lago is already New York City’s most successful hit man. He’s also an intern at a prestigious Manhattan law firm, clocking eighty hours a week getting coffee, answering phones, and doing all the grunt work no one else wants to do. But he isn't trying to claw his way to the top of the corporate food chain. He was hired to assassinate one of the firm’s heavily guarded partners. His internship is the perfect cover, enabling him to gather intel and gain access in order to pull off a clean, untraceable hit.The Intern’s Handbook is John Lago's unofficial survival guide for new recruits at HR, Inc. (Rule #4: "Learn how to make the perfect cup of coffee: you make an exec the best coffee he’s ever had, and he will make sure you’re at his desk every morning for a repeat performance. That’s repetitive exposure, which begets access and trust. 44% of my kills came from my superior coffee-making abilities.")Part confessional, part how-to, the handbook chronicles John’s final assignment, a twisted thrill ride in which he is pitted against the toughest—and sexiest—adversary he’s ever faced: Alice, an FBI agent assigned to take down the same law partner he’s been assigned to kill.

    Since he first started breaking into houses when he was fourteen years old, he’s never once been caught. But now, after twenty-two years of an exemplary career, Junior has been blackmailed by Trey Annunziato, one of the most powerful crime bosses in LA, into acting as a private investigator on the set of Trey’s porn movie venture, which someone keeps sabotaging.The star Trey has lined up to do all that’s unwholesome on camera is Thistle Downing, America’s beloved child star, who now lives alone in a drug-induced stupor, destitute and uninsurable. Her starring role will be the scandalous fall-from-grace gossip of rubber-neckers across the country. No wonder Trey needs help keeping the production on track.Junior knows what that he should do — get Thistle out and find her help — but doing the right thing will land him on the wrong side of LA’s scariest mob boss. With the help of his precocious twelve-year-old daughter, Rina, and his criminal sidekick, Louie the Lost (an ex-getaway driver), Junior has to figure out a miracle solution.

    A stressed-out single mom of two and struggling novelist, Finlay’s life is in chaos: The new book she promised her literary agent isn’t written; her ex-husband fired the nanny without telling her; and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors.When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet. She soon discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation.Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moments, Finlay Donovan Is Killing It is the first in a brilliant new series from award-winning Elle Cosimano.

    She's traded in her law degree for her old private investigating license, struggling to keep Mars Investigations afloat on the scant cash earned by catching cheating spouses until she can score her first big case.Now it's spring break, and college students descend on Neptune, transforming the beaches and boardwalks into a frenzied, week-long rave. When a girl disappears from a party, Veronica is called in to investigate. But this is not a simple missing person's case. The house the girl vanished from belongs to a man with serious criminal ties, and soon Veronica is plunged into a dangerous underworld of drugs and organized crime. And when a major break in the investigation has a shocking connection to Veronica's past, the case hits closer to home than she ever imagined.

    The ship's comforts and possibilities seem infinite. The children - two eleven-year-olds, an eight-year-old, and a six-year-old—love the nonstop buffet and the independence they have at the Kids' Club. But when they all go ashore in beautiful Central America, a series of minor misfortunes leads the families farther and farther from the ship's safety. One minute the children are there, and the next they're gone. What follows is a riveting, revealing story told from the perspectives of the adults and the children, as the once-happy parents - now turning on one another and blaming themselves - try to recover their children and their lives. Celebrated for her ability to write vivid, spare, moving fiction, Maile Meloy shows how quickly the life we count on can fall away, and how a crisis changes everyone's priorities. The fast-paced, gripping plot of Do Not Become Alarmed carries with it an insightful, provocative examination of privilege, race, guilt, envy, the dilemmas of modern parenthood, and the challenge of living up to our own expectations.

    The case rocked the small farm town of Penny Gate, Iowa, where Jack was raised, and for years Jack avoided returning home. But when his beloved aunt Julia is in an accident, hospitalized in a coma, Jack and Sarah are forced to confront the past that they have long evaded. Upon arriving in Penny Gate, Sarah and Jack are welcomed by the family Jack left behind all those years ago—barely a trace of the wounds that had once devastated them all. But as facts about Julia's accident begin to surface, Sarah realizes that nothing about the Quinlans is what it seems. Caught in a flurry of unanswered questions, Sarah dives deep into the puzzling rabbit hole of Jack's past. But the farther in she climbs, the harder it is for her to get out. And soon she is faced with a deadly truth she may not be prepared for.

    Lydia Smith lives her life hiding in plain sight. A clerk at the Bright Ideas bookstore, she keeps a meticulously crafted existence among her beloved books, eccentric colleagues, and the BookFrogs.....the lost and lonely regulars who spend every day marauding the store’s overwhelmed shelves. But when Joey Molina, a young, beguiling BookFrog, kills himself in the bookstore’s upper room, Lydia’s life comes unglued. Always Joey’s favorite bookseller, Lydia has been bequeathed his meager worldly possessions. Trinkets and books; the detritus of a lonely, uncared for man. But when Lydia flips through his books she finds them defaced in ways both disturbing and inexplicable. They reveal the psyche of a young man on the verge of an emotional reckoning. And they seem to contain a hidden message. What did Joey know? And what does it have to do with Lydia? As Lydia untangles the mystery of Joey’s suicide, she unearths a long buried memory from her own violent childhood. Details from that one bloody night begin to circle back. Her distant father returns to the fold, along with an obsessive local cop, and the Hammerman, a murderer who came into Lydia’s life long ago and, as she soon discovers, never completely left.

    Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room.Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ...Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper.Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, BEAT THE REAPER is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.

    And they're both thrilled when Maggie gets an unexpected chance to be a mother to Anna, the daughter she once thought she'd lost forever.But when seventeen-year-old Anna arrives, everything changes - and the darkest turn of events will shatter their lives in ways no one could have imagined.

    Now one of those schemes has come true, and Ian is the only person alive who knows how it was done...and who is behind the plot. That makes him too dangerous to live.Ian goes on the run, sweeping up an innocent bystander in his plight--Margo French, a dog walker and aspiring singer. They are pursued by assassins and an all-seeing global-intelligence network that won't stop until Ian and Margo are dead. Ian has written thrillers like this before, but this time he doesn't know how it's going to end--or if he will be alive to find out.

    Standing in the way are [among others] an editor who wants Jack to "break her cherry," Stoma's ambitious pop-singer widow, and the soulless, profit-hungry newspaper owner Jack once publicly humiliated. As clues from Stoma's music give Jack Tagger the chance to trade obits for a story that could hit the front page, murder gives his career a new lease on life.

    Tyrants, perverts, tragic crushes, gossip, cruel jokes, and the hallucinatory effects of absinthe -- Flannery and the seven other friends in the Basic Eight have suffered through it all. But now, on tabloid television, they're calling Flannery a murderer, which is a total lie. It's true that high school can be so stressful sometimes. And it's true that sometimes a girl just has to kill someone. But Flannery wants you to know that she's not a murderer at all -- she's a murderess.

    Together they must solve one of the most notorious crimes in Irish history......or else they’ll be history.A Man With One of Those Faces is the first book in Caimh McDonnell's Dublin Trilogy, which melds fast-paced action with a distinctly Irish acerbic wit.

    a step at a time. Nikki Quinn is devastated when her best friend Barbara is knocked down and killed by a hit-and-run driver who claims diplomatic immunity. But Nikki has her work and her lover, fellow lawyer Jack Nolan, to keep her going, whereas Barbara's mother, Myra, has nothing. Festering in a sea of recriminations and hatred, unable to gain a sense of perspective, Myra is lost...until one day she switches on the evening news and sees Marie Lewellen, mother of a murder victim, take matters into her own hands and stab her daughter's killer. An idea is born, and within months Myra and Nikki have drawn together a group of women who have one thing in common: they have been failed by the American justice system, they're down but they're not out, and they're ready to find their nemeses and make them pay. First up is Kathryn, a long-distance truck driver who was raped at a road stop by three motorcyclists as her paralysed husband watched, helpless. Banding together, the Sisterhood plot the ultimate revenge -- but with dissension from inside the group and out, there's no saying if the plan will work until the moment of truth arrives.

    When Quinn Cruz receives that cryptic text message from her older sister Nora, she doesn’t think much of it. They haven’t seen each other in nearly a year and thanks to Nora’s fierce aloofness, their relationship consists mostly of infrequent phone calls and an occasional email or text. But when a haunted Nora shows up at the lake near Quinn's house just hours later, a chain reaction is set into motion that will change both of their lives forever. Nora’s “something” is more shocking than Quinn could have ever imagined: a little girl, cowering, wide-eyed, and tight-lipped. Nora hands her over to Quinn with instructions to keep her safe, and not to utter a word about the child to anyone, especially not their buttoned-up mother who seems determined to pretend everything is perfect. But before Quinn can ask even one of the million questions swirling around her head, Nora disappears, and Quinn finds herself the unlikely caretaker of a girl introduced simply as Lucy. While Quinn struggles to honor her sister’s desperate request and care for the lost, scared Lucy, she fears that Nora may have gotten involved in something way over her head—something that will threaten them all. But Quinn’s worries are nothing compared to the firestorm that Nora is facing. It’s a matter of life and death, of family and freedom, and ultimately, about the lengths a woman will go to protect the ones she loves.