For Jay, a retired research scientist this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth--and, even more, a final opportunity to more fully understand his son, a writer and classicist. But through the sometimes uncomfortable months that the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last.

    Bates characterizes Silas as "the original Adam, rich and lusty and robust" and "a protest against the Puritanical poison in the English blood,” and he adds: "to those who find these stories too Rabelaisian, far-fetched, or robust, my reply would be that, as pictures of English country life, they are in reality understated." This volume contains: The Lily, The Revelation, The Wedding, Finger Wet Finger Dry, A Funny Thing, The Sow & Silas, The Shooting Party, Silas the Good, A Happy Man, Silas & Goliath, A Silas Idyll, The Race, The Death of Uncle Silas, The Return. Published in England in October 1939, these 14 tales offer sly, affectionate glimpses of the narrator's great-uncle Silas--a rural oldster of the earthy, boozy, incorrigible school. In a voice at once dreamy, devilish, innocent, mysterious and triumphant, 93-year-old Silas recalls his more youthful days of poaching and wooing. In ""The Revelation,"" the narrator watches old Silas being given a bath by his surly, longtime housekeeper--and realizes for the first time that their relationship is (or at least Once was) intensely romantic. Elsewhere, Silas chortles over tall-tales of his Casanova days, trying to out-lie his dandyish, equally ancient brother-in-law Cosmo. (In one anecdote, Silas hides from a jealous husband in a cellar for days, eating ""stewed nails"" to keep from starving to death.) There are nostalgic vignettes of roof-thatching, pig-wrestling, and grave-digging--plus, in ""A Happy Man,"" a somewhat more serious sketch of Silas' old chum Walter, an outwardly cheerful ex-soldier who eventually succumbs (with traumatic memories of 1880s Asian campaigns) to madness. And, inevitably, ""The Death of Uncle Silas"" arrives at the close--though, even on his deathbed, Silas is sneaking snorts of wine . . . while, in an epilogue, the narrator shows that he's inherited a wee bit of his great-uncle's mischief.

    That is what is strange—that friends, even passionate love,are not my real life, unless there is time alone in which to explore what is happening or what has happened." In this journal, she says, "I hope to break through into the rough, rocky depths,to the matrix itself. There is violence there and anger never resolved. My need to be alone is balanced against my fear of what will happen when suddenly I enter the huge empty silence if I cannot find support there."In this book, we are closer to the marrow than ever before in May Sarton's writing.

    Its exciting account of air adventure, combined with lyrical prose and the spirit of a philosopher, makes it one of the most popular works ever written about flying. Translated by Lewis Galantière.

    Or maybe you’re The Adulterer, who struggles to commit and never has less than four books on the go, or The Abuser, whose “treat ’em mean” attitude leads to turned-down corners, broken spines, and water-damaged pages. With over 20 hilarious bookworm profiles, you’re sure to spot a good few character traits that any member of the literati will recognize. While we won’t claim it’s as funny as a Philip Roth novel, So You Think You’re a Bookworm? will definitely raise a smile or two.

    A newer edition may be found here.From one of the 20th century's great writers comes one of the finest autobiographies of our time. Speak, Memory, first published in 1951 as Conclusive Evidence and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov’s life and times, even as it offers incisive insights into his major works, including Lolita, Pnin, Despair, The Gift, The Real Life of Sebastian Knight, and The Luhzin Defense.One of the 20th century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic, and translator. He taught literature at Wellesley, Stanford, Cornell, and Harvard. In 1961 he moved to Montreux, Switzerland, where he died in 1977.

    But after her mother, unsettled by growing political unrest, leaves for medical treatment in India, the civil war intensifies, changing young Enjeela’s life forever. Amid the rumble of invading Soviet tanks, Enjeela and her family are thrust into chaos and fear when it becomes clear that her mother will not be coming home.Thus begins an epic, reckless, and terrifying five-year journey of escape for Enjeela, her siblings, and their father to reconnect with her mother. In navigating the dangers ahead of them, and in looking back at the wilderness of her homeland, Enjeela discovers the spiritual and physical strength to find hope in the most desperate of circumstances.A heart-stopping memoir of a girl shaken by the brutalities of war and empowered by the will to survive, The Broken Circle brilliantly illustrates that family is not defined by the borders of a country but by the bonds of the heart.

    In this extensive biography, Grant covers Davies' childhood, relationships, journalism, passion for the theater, and his 20 years as a Master of Toronto's Massey College. of photos.

    Kennedy tells his extraordinary personal story--of his legendary family, politics, and fifty years at the center of national events.TRUE COMPASSThe youngest of nine children born to Joseph P. Kennedy and Rose Fitzgerald Kennedy, he came of age among siblings from whom much was expected. As a young man, he played a key role in the presidential campaign of his brother John F. Kennedy, recounted here in loving detail. In 1962 he was elected to the U.S. Senate, where he began a fascinating political education and became a legislator.In this historic memoir,Ted Kennedy takes us inside his family, re-creating life with his parents and brothers and explaining their profound impact on him. or the first time, he describes his heartbreak and years of struggle in the wake of their deaths. Through it all, he describes his work in the Senate on the major issues of our time--civil rights, Vietnam, Watergate, the quest for peace in Northern Ireland--and the cause of his life: improved health care for all Americans, a fight influenced by his own experiences in hospitals.His life has been marked by tragedy and perseverance, a love of family, and an abiding faith. There have been controversies, too, and Kennedy addresses them with unprecedented candor. At midlife, embattled and uncertain if he would ever fall in love again, he met the woman who changed his life, Victoria Reggie Kennedy. Facing a tough reelection campaign against an aggressive challenger named Mitt Romney, Kennedy found a new voice and began one of the great third acts in American politics, sponsoring major legislation, standing up for liberal principles, and making the pivotal endorsement of Barack Obama for president.Hundreds of books have been written about the Kennedys. TRUE COMPASS will endure as the definitive account from a member of America's most heralded family, an inspiring legacy to readers and to history, and a deeply moving story of a life like no other.

    She makes the plunge to a life "below the stairs," confident in her abilities to be a cook because she once took a course in French cuisine. She quickly learns the difference between school learning and real life. Scalded milk, dropped roasts, and fallen souffles plague her in her domestic career, but she perseveres. What makes this book so delightful is the sense of humor and drama Monica Dickens brings to her work. From dressing up for job interviews in a "supporting-a-widowed-mum look" to eavesdropping on dinner guests, she tackles her work with an enthusiasm for discovery. To her descriptions of battles with crazy scullery maids, abusive employers, and unwieldy custards, she brings a humorous and pointed commentary about the delicate and ongoing war between the wealthy and their servants. Written in 1939, this true-life experience reveals a writer who wasted no opportunity to explore daily lives and dramas. Her keen eye for detail, youthful resilience, and sense of the absurd make One Pair of Hands a deliciously inside look at the households of the British upper-class.

    Using medication that darkened his skin to deep brown, he exchanged his privileged life as a Southern white man for the disenfranchised world of an unemployed black man. His audacious, still chillingly relevant eyewitness history is a work about race and humanity-that in this new millennium still has something important to say to every American.

    ‘In a few days you’ll be so used to it that you’ll like them. Berlin’s a grand place! I’d rather be here than anywhere else in the world, and that’s a fact.’ ‘No more perceptive portrait of Germany in defeat has been etched in word than Frances Faviell’s first book, The Dancing Bear, which made so powerful an impact upon me that I read it in a single sitting.’ Guy Ramsey, Daily Telegraph‘Berlin during the decisive years from 1946 to 1949. … The prostitution which paid so handsomely; the black market which brought in rich rewards, although it meant that the Berliners had to part with treasured possessions; the night clubs which catered for still baser tastes; the impoverished intellectuals and the starving professors and the poor who had only their wits with which to eke out a bare sustenance—all this and much else the author describes with insight, incisiveness, and realism.’ Times Literary Supplement‘There is great charity in this book; there is the sharp, limpid eye of the artist; there is sound realism; and there is an unswerving, passionate desire to tell the truth.” John Connell, Evening News‘They were hard and terrible times, and brilliantly does Frances Faviell describe them for us. We meet the Altmann family and follow their joys and troubles. … The book is a brilliant pen-picture of the post-war years. We have British, French, American and Russian characters, but the background is always Berlin, and the strange tunes to which its bear danced.’ Liverpool Daily PostThis new edition includes an afterword by Frances Faviell’s son, John Parker, and other supplementary material.

    It all began one horrific night in 1993, when Arab raiders swept through her Nuba village, murdering the adults and rounding up thirty-one children, including Mende. Mende was sold to a wealthy Arab family who lived in Sudan's capital city, Khartoum. So began her dark years of enslavement. Her Arab owners called her "Yebit," or "black slave." She called them "master." She was subjected to appalling physical, sexual, and mental abuse. She slept in a shed and ate the family leftovers like a dog. She had no rights, no freedom, and no life of her own. Normally, Mende's story never would have come to light. But seven years after she was seized and sold into slavery, she was sent to work for another master—a diplomat working in the United Kingdom. In London, she managed to make contact with other Sudanese, who took pity on her. In September 2000, she made a dramatic break for freedom.Slave is a story almost beyond belief. It depicts the strength and dignity of the Nuba tribe. It recounts the savage way in which the Nuba and their ancient culture are being destroyed by a secret modern-day trade in slaves. Most of all, it is a remarkable testimony to one young woman's unbreakable spirit and tremendous courage.

    The book's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality. Lyrical and poignant, with powerful evocations of shame and yearning, this is an American literary treasure.

    NYU MFA candidate and Goldwater Fellow Alisson Wood's BEING LOLITA, a memoir of the author's two-year relationship with her high school English teacher who seduced her by teaching her Lolita, a story he had her believe was the greatest love story of our time, which she only later learned was anything but, and how revisiting Nabokov's masterpiece allowed her to grapple with what it means to have been an unreliable narrator of her own life, exploring our shifting views of consent, male dominance, and self-perception, to Sarah Murphy at Flatiron Books.