Seven years later, that promise is broken, and the Maasai must choose between war with a powerful enemy and a perilous trek to the land allocated them by the government. Ole Sadera has risen from village scapegoat to leadership of his people. Now, they look to him for answers, while he struggles with betrayal and rapid change - and his desire for another man's wife. British administrator George Coll arrives in East Africa to face impossible choices of his own. How can he do the job he has been given and stay silent? And how can he ask the woman he loves to share an uncertain future? The Maasai gather to make their historic decision...and an Empire holds its breath.

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    Through a series of lessons and adventures the imaginative, spunky redheaded orphan who longs for a real family, friends, and a place to call home soon captures the hearts of the Cuthberts and all those around her in the small town of Avonlea. The original books have delighted millions and now younger readers can treasure this illustrated official movie adaptation based on the classic film by Kevin Sullivan.

    This book contains the complete novels of Jane Austen.- Lady Susan- Sense and Sensibility- Pride and Prejudice- Mansfield Park- Emma- Persuasion- Northanger Abbey- Love And Friendship And Other Early Works

    In 1960s South Carolina, new industry is encroaching on old country, and Genny fears her grandmother may have gotten in the way of so-called progress. Even Daduh, Nannie's dearest friend and longtime housekeeper, doesn't know what to make of Nannie's death. Was it an accident, or did the drunkard son of a local businessman play a role? What's more, ever since Nannie passed, Genny has been hearing and seeing things she's not sure she can share with anyone except her mother, whose own grief is making it harder and harder to get through to her. Seeking answers, longing for guidance, and unsure if Mama will ever be the same again, Genny gingerly forges a path out of childhood and into adolescence. As Genny struggles to understand justice, healing, and a world in which Nannie is gone but still present, The Truthful Story traces a family's difficult journey through the pain of loss and the survival of love.

    Apart from this, many a times each state of each nation has role models from the past but not forgotten history. Maharashtra has its own idols. The greatest and most loved of them all is shivaji maharaj.

    Magic was a part of everyday life for Kirk and his fellow Highlanders, and this remarkable book offers rare glimpses into their enchanted realm.Left in manuscript form upon the author's death in 1692, this volume was first published in 1815 at the behest of Sir Walter Scott. In 1893, the distinguished folklorist Andrew Lang re-edited the work. Lang's introduction to Kirk's extraordinary blend of science, religion, and superstition is included in this edition. For many years, The Secret Commonwealth was hard to find — available, if at all, only in scholarly editions. Academicians as well as lovers of myths and legends will prize this authoritative but inexpensive edition.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    

    

    This set includes Singing And Swinging And Getting Merry, I Know Why The Caged Bird Sings, Maya Angelou: Poems and Wouldn't Take Nothing For My Journey Now.

    Easy to tick off so you can keep track of which book is next in reading order. There are no parts or portions of the books themselves here, just the titles in reading order. Perfect for keeping a checklist in your kindle app.

    Although Kathleen Norris’s best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet.  Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

    Aneirin's poem is a universal celebration of the undying theme of the ideal hero. O'Grady's belief that what Aneirin wrote of his war is true of all wars informs the purpose of his version, which is to give a `reading' of the poem as one way in which it might have been written today. With magnificent brush drawings by Louis Le Brocquy.

    Enticed by promises of work with good pay, people flock to textile mills in the South. Many leave their beloved mountains for what they hope is a step up from their grinding poverty. It’s guaranteed pay and housing. Being the sighted sister of the Hooper/Watson family, Lottie is grieved by a dream that sorrow will come to her home. Yet, she leaves Cocke County, Tennessee, with Beck Radford, her new husband, and her four children from a previous, abusive marriage, and goes to Clifton, South Carolina. Lottie is a stranger to village life and close neighbors. Life is harder than any of them imagined. In spite of hard work, widespread poverty remains a fact of life for everyone in the mill town. Lottie’s “gift” of second sight into the future is not an ability she would’ve chosen. One event she didn't see coming, yet someone else did, rips apart their life, as well as everyone’s around them.