Each story is set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: Tommy Moore, Jessica Breheny, Naomi Hirahara, Calvin McMillin, Liza Monroy, Elizabeth McKenzie, Jill Wolfson, Ariel Gore, Jon Bailiff, Maceo Montoya, Micah Perks, Seana Graham, Vinnie Hansen, Peggy Townsend, Margaret Elysia Garcia, Lou Mathews, Lee Quarnstrom, Dillon Kaiser, Beth Lisick, and Wallace Baine.From the introduction by Susie Bright:Every town has its noir-ville. It’s easy to find in Santa Cruz. We live in what’s called “paradise,” where you can wake up in a pool of blood with the first pink rays of the sunrise peeking out over our mountain range. The dewy mist lifts from the bay. Don’t hate us because we’re beautiful—we were made that way, like Venus rising off the foam with a brick in her hand. We can’t help it if you fall for it every time . . .“If I lived in a place like this,” visitors often say, “I’d wake up with a smile every day.”Oh, we do, thank you for that. There’s no beauty like a merciless beauty—and like every crepuscular predator, it thrives at dawn and dusk. You’re just the innocent we’ve been waiting for, with your big paper cone of sugar-shark cotton, whipped out of pure nothing. We have just the ride for you, the longest tunnel ever. Santa Cruz is everything you ever dreamed, and everything you ever screamed, in one long drop you’ll never forget.

    On the Rocks - Suicide or murder? Lt. Jack Daniels solves a locked room mystery.Whelp Wanted - P.I. Harry McGlade becomes a dognapper in order to stop a dognapper, or something like that.Street Music - Phineas Troutt hunts a prostitute through the dangerous streets of Chicago. Are his intentions pure?The One That Got Away - The Gingerbread Man (the villain from WHISKEY SOUR) hunts one final victim.With a Twist - It looked like the man fell from a great height, but the body is in his living room. Jack Daniels solves another impossible crime.Epitaph - Phin Troutt takes on a Chicago street gang with vengeance on his mind.Taken to the Cleaners - Harry McGlade tries to solve a difficult mystery, but mostly just goofs off.Body Shots - Jack Daniels faces her most challenging case yet; a school shooting. But does she know more about the perp than she realizes?Suffer - Phineas Troutt has taken some questionable jobs, but will he murder a man's wife?School Daze - P.I. Harry McGlade investigates a private school, but he's not entirely sure why.Overproof - While shopping on the Gold Coast, Jack Daniels notices traffic has come to a stand-still. When she realizes what the problem is, she's confronted with her own mortality, and the possible deaths of hundreds.Bereavement - How badly does Phineas Troutt need a fix? What is he willing to do?Pot Shot - Detective Herb Benedict just wants a home cooked meal. But his plans get interrupted by a very determined sniper.Last Request - Phineas Troutt picks up a hitchhiker, with deadly results.The Necro File - Harry McGlade investigates some bizarre murders in this hilarious, gore-filled mini-epic. (Author's note: This is easily the funniest thing I've ever written, but it's also very offensive. Let the reader beware...)That's about 65,000 words of Jack Daniels and friends. Also included in this collection are excerpts from some of Jack's other adventures, including:An excerpt from Truck Stop by J.A. Konrath and Jack Kilborn, where Jack finds herself dueling with two serial killers at once.An excerpt from Floaters by J.A. Konrath and Henry Perez, where Jack joins forces with Chicago reporter Alex Chapa to solve a bizarre disappearance.An excerpt from Planter's Punch by J.A. Konrath and Tom Schreck, where Jack travels to NY and befriends professional boxer Duffy Dombrowski to break an extortion ring.And excerpt from Suckers by J.A. Konrath and Jeff Strand, where Harry McGlade reluctantly teams up with Andrew Mayhem. Hilarity ensues.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    After eight years in prison on a drug charge, he's come "uptown"-back to the Washington, DC neighborhood where he grew up, where his old cohorts still work their corners and their angles, trying to get ahead and stay alive. But Lorenzo's had enough of the life: Now he has a job as a Humane Society officer, policing animal abusers and protecting the abused. In the dangerous streets he used to menace, Lorenzo plays a part in maintain- ing order-and it's a role reversal some of his former friends don't appreciate. Rachel Lopez, Lorenzo's parole officer, tries to help him, even as she battles her own demons and excesses. Trying to stay one step ahead of her troubled past is a daily struggle. It looks like they both might make it, until a malevolent young killer, working for the powerful local drug boss, changes everything with one violent act. Now Lorenzo finds himself caught between the light and dark sides of the street, struggling to stay legit-or throw everything away to exact revenge.

    He is hardly surprised that his only clue is a radical student with four bullets in his chest.The cops are ready to throw the book at the pretty blond coed whose prints are all over the murder weapon but Spenser knows there are no easy answers. He tackles some very heavy homework and knows that if he doesn't finish his assignment soon, he could end up marked "D" -- for dead.

    He excelled in college, was elected editor-in-chief of The Yale Law Journal, and his future has limitless potential.But Kyle has a secret, a dark one, an episode from college that he has tried to forget. The secret, though, falls into the hands of the wrong people, and Kyle is forced to take a job he doesn't want--even though it's a job most law students can only dream about.Three months after leaving Yale, Kyle becomes an associate at the largest law firm in the world, where, in addition to practicing law, he is expected to lie, steal, and take part in a scheme that could send him to prison, if not get him killed.With an unforgettable cast of characters and villains--from Baxter Tate, a drug-addled trust fund kid and possible rapist, to Dale, a pretty but seemingly quiet former math teacher who shares Kyle's "cubicle" at the law firm, to two of the most powerful and fiercely competitive defense contractors in the country--and featuring all the twists and turns that have made John Grisham the most popular storyteller in the world, The Associate is vintage Grisham.

    It was first published in hardcover by Doubleday in 1983 and in paperback by the Fawcett Crest imprint of Ballantine Books in 1985.The book collects thirty stories by Asimov, most reprinted from magazines and a few previously unpublished, together with a foreword and afterword by the author. Each story is set at a club known as the Union Club, in which a conversation between three members prompts a fourth member, Griswold, to tell about a mystery he has solved. These are often tall stories, and often based on his time in US intelligence. The format is based on that utilized by P. G. Wodehouse in recounting his golf stories.

    Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption.

    Legendary editor Otto Penzler owns the Mysterious Bookshop in New York and is founder of the Mysterious Press and Otto Penzler books.

    In "Father's Day," Bosch investigates a young boy's seemingly accidental death and confronts his own fears as a father. In "Angle of Investigation," Bosch delves into one of the first homicides he ever worked back as a uniformed rookie patrolman, a case that was left unsolved for decades.Together, these gripping stories span Bosch's controversial career at the LAPD, and show the evolution of the haunted, legendary investigator he would become. Utterly unputdownable, they are proof that "Connelly never stops doling out the suspense....Once it grabs you in those first few pages, it won't let go of you" (Boston Globe).

    Stahl, himself a recovering addict with long-term sobriety, has assembled an impressive array of writers to create this 'encyclopedia of bad behavior.' Indeed, these tales of chasing the dragon, with corollaries often violent and savage, will satisfy devotees of noir fiction and outsider art alike."-- Publishers Weekly (starred review)“Editor Stahl (Permanent Midnight) has put forth a gritty, naked collection of short stories on the bleak life of heroin addicts. These tales by such edgy literary writers as Gary Phillips, Lydia Lunch, and Nathan Larson give different voices . . . that keep the stories fresh and above comparison.”-- Library Journal “Like its two predecessors, devoted to cocaine and speed, The Heroin Chronicles confirms how drugs are . . . the basis of some of the most unforgettable fiction you’ll ever read.”-- Bookgasm "For all the bleakness, suffering, and crime seeping from the pores of this anthology, Stahl welds together a creative whole from disparate voices. Because illegal drugs, especially heroin, are so damaging, it is refreshing to read an anthology focusing on drugs that neither moralizes or condescends to the reader. These stories reflect upon the human damage, one individual at a time."-- CCLaP: Chicago Center for Literature and Photography "The Heroin Chronicles conveys the sentiment that a life of heroin addiction is a human comedy, but it will usually end in dark or, even worse, banal tragedy."-- MysteryPeople "The Heroin Chronicles, the third entry in the [Akashic Drug Chronicles] series, is the finest so far -- a collection of short fiction that puts this series on the same must-read category as the Noir Series…The Heroin Chronicles is full of stories about suffering, survival, overdoses, hepatitis C, poverty, self-loathing, humiliation, danger, death, degradation, guns, and self-destruction. They’re all told with unflinching sincerity by authors who have either been there or extremely close to it. If you’re familiar with the Drug Chronicles, you know saying this is the best one yet is saying a lot. If you’re not familiar with the series, this is the definitely the book to start with."-- Verbicide Magazine Inspired by the ongoing international success of the city-based Akashic Noir Series (Brooklyn Noir, Boston Noir, Paris Noir, etc.), last year Akashic created the new Drug Chronicles series. On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, etc.) and The Cocaine Chronicles (Lee Child, Laura Lippman, etc.) comes The Heroin Chronicles, a volume sure to frighten and delight. The literary styles are varied, as are the moral quandaries herein.Heroin has long been understood as the most "literary" of narcotics, and this collection will, for better and worse, have tremendous pop cultural appeal.Featuring brand-new stories by: Eric Bogosian, Lydia Lunch, Jerry Stahl, Nathan Larson, Ava Stander, Antonia Crane, Gary Phillips, Jervey Tervalon, John Albert, Michael Albo, Sophia Langdon, Tony O'Neill, and L.Z. Hansen.Jerry Stahl is the author of six books, including the memoir Permanent Midnight (made into a movie with Ben Stiller and Owen Wilson) and the novels I, Fatty and Pain Killers. Formerly the culture columnist for Details, Stahl's fiction and journalism have appeared in Esquire, The New York Times, and The Believer, among other places. He has worked extensively in film and television and, most recently, wrote Hemingway & Gellhorn, starring Clive Owen and Nicole Kidman, for HBO.

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    Killing a man does take time though; so does disposing the body . . . if you do it right.After three relatively quiet years at Travis High School, it seems Anne is in danger of being exposed—even the baseball coach knows more about her former life than she ever imagined. Now, she must find out who else holds her secrets and who wants her to pay for them. . .without letting it make her tardy again. Anne still has a school to run, parents to manage, and a few students who might benefit from her unique—and deadly—experience.Collected together for the first time in Small Kingdoms and Other Stories, “Small Kingdoms,” “Sarah Smiles,” “Small Chances,” and “Small Signs” are sure to delight fans of Charlaine Harris.

    Now he bangs out honky-tonk for drunks in a dive in Philadelphia. But then two people walk into Eddie's life--the first promising Eddie a future, the other dragging him back into a treacherous past.Shoot the Piano Player is a bittersweet and nerve-racking exploration of different kinds of loyalty: the kind a man owes his family, no matter how bad that family is; the kind a man owes a woman; and, ultimately, the loyalty he owes himself. The result is a moody thriller that, like the best hard-boiled fiction, carries a moral depth charge.