Tolkien was an early work completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication.Suitable for tablets. Some special characters may not display correctly on older devices.We recommend that you download a sample and check the 'Note to the Reader' page before purchase.This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book.From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot.But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf 'snuffling in baffled rage and injured greed when he discovers the theft of the cup'; but he rebuts the notion that this is 'a mere treasure story', 'just another dragon tale'. He turns to the lines that tell of the burying of the golden things long ago, and observes that it is 'the feeling for the treasure itself, this sad history' that raises it to another level. 'The whole thing is sombre, tragic, sinister, curiously real. The "treasure" is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination.'Sellic Spell, a 'marvellous tale', is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the 'historical legends' of the Northern kingdoms.

    Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations throughout, and an unparalleled number of illustrations and contextual materials, offering additional perspectives both on individual texts and on larger social and cultural developments. Innovative, authoritative, and comprehensive, The Broadview Anthology of British Literature embodies a consistently fresh approach to the study of literature and literary history. The full Broadview Anthology of British Literature comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible online by using the passcode obtained with the purchase of one or more of the bound volumes. The six individual bound volumes are also available in any combination at special package prices. Highlights of Volume 1: The Medieval Period include: Roy Liuzza's acclaimed translation of Beowulf, along with new translations by Liuzza of many other works of Old English poetry and prose; a powerful new verse translation of Judith by Stephen Glosecki; new translations of some of the Lais of Marie de France by Claire Waters; and newly edited texts of eight of The Canterbury Tales, supplemented by a wide variety of contextual materials.

    Here are such well-known songs and sonnets as "A Valediction: Forbidding Mourning," "The Extasie," and "A Nocturnall Upon S. Lucies Day," along with the love elegies "Jealosie," "His Parting From Her," and "To His Mistris Going to Bed." Presented as well are Donne's satires, epigrams, verse letters, and holy sonnets, along with his most ambitious and important poems, the Anniversaries. In addition, there is a generous sampling of Donne's prose, including many of his private letters; Ignatius His Conclave, a satiric onslaught on the Jesuits; excerpts from Biathanatos, his celebrated defense of suicide; and his most famous sermons, concluding with the final "Death's Duell." "We have only to read [Donne]," wrote Virginia Woolf, "to submit to the sound of that passionate and penetrating voice, and his figure rises again across the waste of the years more erect, more imperious, more inscrutable than any of his time."

    A volume containing the English texts of all the plays of Samuel Beckett, including "Waiting For Godot", "Krapp's Last Tape", "Endgame" and "Not I".

    legal system. The play centers on Juror Eight, who is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal prejudices or biases. Reginald Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture to form of them—and of America, at its best and worst.   After the critically acclaimed teleplay aired in 1954, this landmark American drama went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. More recently, Twelve Angry Men had a successful, and award-winning, run on Broadway.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    It is the finest anthology of lyric poetry ever published."Truth" by Geoffrey Chaucer"Ophelia's Song" by William Shakespeare"The Canonization" by John Donne"To Heaven" by Ben Jonson"Ode on Solitude" by Alexander Pope"The Tyger" by William Blake"The Solitary Reaper" by William Wordsworth"Ode to a Nightingale" by John Keats"God's Grandeur" by Gerard Manley Hopkins"Sailing to Byzantium" by William Butler Yeatsand more than ninety additional classic poems.

    Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love – and that our lives make tales no less dramatic and powerful than those of the old gods.

    Written later, and probably abandoned after her father's death, The Watsons is a tantalizing and highly delightful story whose vitality and optimism centre on the marital prospects of the Watson sisters in a small provincial town. Sanditon, Jane Austen's last fiction, is set in a seaside town and its themes concern the new speculative consumer society and foreshadow the great social upheavals of the Industrial Revolution.

    "The Kreutzer Sonata" (1891) is a penetrating study of jealousy as well as a splenetic complaint about the way in which society educates young men and women in matters of sex. In "The Death of Ivan Ilych" (1886), a symbolic Everyman discovers the inner light of faith and love only when confronted by death. "How Much Land Does a Man Need?" (1886) is a simple, didactic story of peasant life, written by Tolstoy in the wake of a spiritual crisis. All three tales offer readers a splendid introduction to Tolstoy's work as well as the focused delights of the short story form brought to a pinnacle in the hands of a master.

    Lawrence's frank portrayal of an extramarital affair and the explicit sexual explorations of its central characters caused this controversial book, now considered a masterpiece, to be banned as pornography until 1960.

    Bennett's bestselling The Book of Virtues is an inspiring anthology that helps children understand and develop moral character—and helps parents teach it to them.Responsibility. Courage. Compassion. Honesty. Friendship. Persistence. Faith. Everyone recognizes these traits as essentials of good character. In order for our children to develop such traits, we have to offer them examples of good and bad, right and wrong. And the best places to find them are in great works of literature and exemplary stories from history. William J. Bennett has collected hundreds of stories in The Book of Virtues. From the Bible to American history, from Greek mythology to English poetry, from fairy tales to modern fiction, these stories are a rich mine of moral literacy, a reliable moral reference point that will help anchor our children and ourselves in our culture, our history, and our traditions—the sources of the ideals by which we wish to live our lives. Complete with instructive introductions and notes, The Book of Virtues is a book the whole family can read and enjoy—and learn from—together.

    'Where I'm Calling From', his last collection, encompasses classic stories from 'Cathedral', 'What We Talk About When We Talk About Love' and earlier Carver volumes, along with seven new works previosly unpublished in book form. Together, these 37 stories give us a superb overview of Carver's life work and show us why he was so widely imitated but never equaled.

    But the routine of his life is interrupted when Beatrice's cousins, illegal immigrants from Italy, arrive in New York. As one of them embarks on a romance with Catherine, Eddie's envy and delusion plays out with devastating consequences.

    Includes alphabetical lists of titles and first lines.

    The First Folio is a literary icon and is the version of Shakespeare's text preferred by many actors and directors, yet no one has edited it in its entirety for over three hundred years.At the request of the Royal Shakespeare Company, Jonathan Bate and Eric Rasmunssen, two of today's most accomplished Shakespearean scholars, have used the very latest techniques and research to correct the errors and variations in the early printed copies and to present the First Folio for modern readers. The result is a fresh and definitive Complete Works for the twenty-first century.This edition includes all the material that might be needed by a student of Shakespeare. The Sonnets, The Two Noble Kinsmen, Pericles, Shakespeare's scene from Sir Thomas More, Venus and Adonis, The Rape of Lucrece, The Phoenix and Turtle, and a number of other interesting passages not published in the First Folio are also included.'This is a glorious edition of one of the world's most important books. It's the essential reference book for anyone who's ever been in love, felt jealousy, hatred, or desire. All human life is here — and every home should have one.'-Dame Judi Dench'A splendid edition … the general introduction is among the best 50-page guides to Shakespeare you could hope to find, while the short essays prefixed to each play are informative, thought-provoking and humane. Marginal notes help readers imagine what's happening onstage … the RSC's edition allows you to lose yourself in the wonder of the works.'-Dr Colin Burrow, Oxford University'A triumphant addition to our times.'-Fiona Shaw, The Times'The scholarly apparatus is discreet, elegant and pertinent. For each play, we get brief accounts of plots, dates and sources … footnotes are found snugly and legibly at the bottom of each page … there is a universe to be found in these annotations: the Renaissance world of power and fate, sex and death, language and philosophy … an edition full of endless fascination.'-Tom Deveson, Times Educational Supplement'Bate's general introduction to Shakespeare's life, stage and reputation is superb, and the short introductions to individual works are among the best of their kind available … they manage to speak about what really matters about the plays.'-Professor Michael Dobson, London Review of Books'Excellent, succinct notes and introductions to each play.'-John Carey, Sunday Times'Outstanding … Jonathan Bate writes with as much elegance as insight about the making of theatre and the creation of the plays … an impeccably informative introduction gives a comprehensive theatrical, social, political and biographical context to the plays … exemplary notes at the foot of each page translate verbal and topical obscurities … for actors and directors it will be incomparably useful, but for any curious reader of Shakespeare's plays it provides an invaluable guide to reading them not as novels or dramatic poems, but as they were intended to be read: blueprints for live performance.'-Richard Eyre, Sunday Telegraph