Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me.The important thing is this: The drug is called Soy Sauce and it gives users a window into another dimension. John and I never had the chance to say no. You still do. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: None of this was my fault.

    But an ancient evil is looming, and what seems like a safe haven may not be all it appears . . . Snared and murdered by a vile, arcane horror, Chet quickly learns that pain and death are not unique to the living. Now the lives and very souls of his wife and unborn child are at stake. To save them, he must journey into the bowels of purgatory in search of a sacred key promised to restore the natural order of life and death. Alone, confused, and damned, Chet steels himself against the unfathomable terrors awaiting him as he descends into death’s stygian blackness.With Lost Gods, Brom’s gritty and visceral prose takes us on a haunting, harrowing journey into the depths of the underworld. Thrust into a realm of madness and chaos, where ancient gods and demons battle over the dead, and where cabals of souls conspire to overthrow their masters, Chet plays a dangerous game, risking eternal damnation to save his family.

    . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in .

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    Now suspended in an eerie, unsettling twilight zone during the four days of the liner's illustrious maiden voyage, a number of the passengers - including millionaires Madeleine Astor and Benjamin Guggenheim, the maid Annie Hebbley and Mark Fletcher - are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic's sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not - could not - have survived the sinking of the Titanic . . .

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    Peppered with familiar characters from Victorian history and fiction, the novel follows vampire Geneviève Dieudonné and Charles Beauregard of the Diogenes Club as they strive to solve the mystery of the Ripper murders. Anno Dracula is a rich and panoramic tale, combining horror, politics, mystery and romance to create a unique and compelling alternate history. Acclaimed novelist Kim Newman explores the darkest depths of a reinvented Victorian London. This brand-new edition of the bestselling novel contains unique bonus material, including a new afterword from Kim Newman, annotations, articles and alternate endings to the original novel.

    But soon after they buy Rawlingswood, a foreclosed mansion rumored to be haunted, they realize they’re in for more of the same…or worse.After a renovation fraught with injuries and setbacks, the Spielmans move in to the century-old house, and their problems quickly escalate. The home’s beautiful facade begins to crumble around them when their teenage son uncovers disturbing details of Rawlingswood’s history—a history of murder, betrayal, and financial ruin. The Spielmans’ own shameful secrets and lies become harder to hide as someone or something inside the house watches their every move.As tensions build between the family members, the home’s dark history threatens to repeat itself. Margot and Myron must confront their own ghosts and Rawlingswood’s buried past before the house becomes their undoing.

    Shortly after they arrive, things begin to turn ominous. Stirrings in the woods and over the treetops—the brooding shape of a monolith known as the Black Rock casts its terrible pall. Paranoia and distrust grips the settlement. The escape routes are gradually cut off as events spiral towards madness. Hell—or the closest thing to it—invades Little Heaven. The remaining occupants are forced to take a stand and fight back, but whatever has cast its dark eye on Little Heaven is now marshaling its powers...and it wants them all.

    Failed father, failed husband, and failed scholar, Charles hopes to put his life back together with a biography of Caedmon Hollow, the long-dead author of a legendary Victorian children's book, In the Night Wood. But soon after settling into Hollow's remote Yorkshire home, Charles learns that the past isn't dead. In the neighboring village, Charles meets a woman he might have loved, a child who could have been his own lost daughter, and the ghost of a self he thought he'd put behind him. And in the primeval forest surrounding Caedmon Hollow's ancestral home, an ancient power is stirring. The horned figure of a long-forgotten king haunts Charles Hayden's dreams. And every morning the fringe of darkling trees presses closer. Soon enough, Charles will venture into the night wood. Soon enough he'll learn that the darkness under the trees is but a shadow of the darkness that waits inside us all.

    But he is wrong. Uncle Jonathan and his next-door neighbor, Mrs. Zimmermann, are both magicians! Lewis is thrilled. At first, watching magic is enough. Then Lewis experiments with magic himself and unknowingly resurrects the former owner of the house: a woman named Selenna Izard. It seems that Selenna and her husband built a timepiece into the walls—a clock that could obliterate humankind. And only the Barnavelts can stop it!

    Or not missing–perhaps she has fled, abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the dense woods of the north. Alone and possibly lost, she meets another woman in the forest. Then everything changes.On a journey that will take her through a wolf-haunted wood, down a deep well, and onto a living ship made of human bones, our heroine is forced to confront her past and may find that the evil she flees has been inside her all along. Eerie and disturbing, In the House in the Dark of the Woods is a novel of psychological horror and suspense told in Laird Hunt's acclaimed lyrical prose style. It is the story of a bewitching, a betrayal, a master huntress and her quarry. It is a story of anger, of repression, of revenge and redemption. It is a story of a haunting, one that forms the bedrock of American mythology, told in a vivid voice you will never forget.

    Whoever settles, never leaves. Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth century woman whose eyes and mouth are sewn shut. Muzzled, she walks the streets and enters homes at will. She stands next to children's bed for nights on end. Everybody knows that her eyes may never be opened or the consequences will be too terrible to bear. The elders of Black Spring have virtually quarantined the town by using high-tech surveillance to prevent their curse from spreading. Frustrated with being kept in lockdown, the town's teenagers decide to break their strict regulations and go viral with the haunting. But, in so doing, they send the town spiraling into dark, medieval practices of the distant past. This chilling novel heralds the arrival of an exciting new voice in mainstream horror and dark fantasy.