With the help of the entire creative collective, Gordon-Levitt culled, edited and curated over 8,500 contributions into this finely tuned collection of original art from 67 contributors. Reminiscent of the 6-Word Memoir series, The Tiny Book of Tiny Stories: Volume 1 brings together art and voices from around the world to unite and tell stories that defy size.

    Jekyll and Mr. Hyde'] follows a path as indirect and elusive as its multiple narrative voices. With its obliquely recorded incidents, its eyewitness accounts and sealed confessions, it resembles...a [police detective's] casebook--a collection of gathered clues, fragments, through which the clever detective may be able to...project a complete narrative. Perhaps one of the most compelling aspects of this novel [of ten chapters] is that, in fact, there's so much left here for [the reader] to fill in, so many scenes that [the reader] can only imagine. Such a structure creates fertile ground for allegory [a story with symbolic meaning] hunters, and there are indeed many convincing interpretations of this novel.

    This volume, the 8th in the series, concentrates on Modern English stories - modern for 1909 that is. Many are from authors still widely read today: Rudyard Kipling, Arthur Conan Doyle, Robert Louis Stevenson and Wilkie Collins, others from less well-known or anonymous sources. The contents are: My Own True Ghost Story, The Sending of Dana Da, In the House of Suddhoo, His Wedded Wife, A Case of Identity, A Scandal in Bohemia, The Red-Headed League, The Baron's Quarry, The Fowl in the Pot, The Pavilion on the Links, The Dream Woman, The Lost Duchess, The Minor Canon, The Pipe, The Puzzle and The Great Valdez Sapphire. This new edition is not a scan; it has been carefully typeset to be clear and complete.

    The Girl Who Heard Dragons and fourteen other stories of alien worlds and strange beings are all brought magically alive by the magic pen of Anne McCaffrey.

    Collected in a mini-book format, here--for the first time in print--are six of her quirky, wry, engaging best:In -The Fermi Paradox Is Our Business Model, - aliens reveal the terrible truth about how humans were created--and why we'll never discover aliens.-As Good as New- is a brilliant twist on the tale of three wishes, set after the end of the world. -Intestate- is about a family reunion in which some attendees aren't quite human anymore--but they're still family.-The Cartography of Sudden Death- demonstrates that when you try to solve a problem with time travel, you now have two problems.-Six Months, Three Days- is the story of the love affair between a man who can see the one true foreordained future, and a woman who can see all the possible futures. They're both right, and the story won the 2012 Hugo Award for Best Novelette.And -Clover, - exclusively written for this collection, is a coda to All the Birds in the Sky, answering the burning question of what happened to Patricia's cat.

    This exciting new anthology, perfect for airport or airplane reading, includes an original introduction and story notes for each story by Stephen King, along with brand new stories from Stephen King and Joe Hill.Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you.Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight."

    Unabashedly classic in the great tradition of Asimov and Clarke, Liu Cixin's science-fiction is firmly rooted in the cosmic. “[most] literature has always left me with the impression of indulging an intense anthropocentric narcissism. […] In the world of literature, the Sun exists for no other reason than to illuminate the pure, unadulterated countryside, the Moon has no other reason to shine than to cast the shadows of the seaside lovers, [but] if the universe is the Sahara, then all that makes the Earth a grain of gold within it, is that a particular bacteria called humanity clinging to its surface.” Liu Cixin uses the unique perspective of science-fiction to take us on a journey into this majestic, desolate cosmos. He gives us the chance to reacquaint ourselves with the fundamental truth that in the face of a vast universe we are no more than a speck of dust; That the Earth is just another celestial body – And an extremely vulnerable one at that. The flash of a gamma-ray burst or the blast of a nearby supernova could, at any moment, reduce our cherished home to nothing but ashes.It can be terrifying to contemplate the end of our world and stories that describe such destruction can be disturbing. At the same time however, they can leave us feeling not only entertained, but exhilarated and inspired. Maybe, they can even give us a chance to renew our love of life. Most stories found in the “The Wandering Earth” collection take us to a sci-fi vision of Earth's end. But here, there are no Hollywood aliens, descending from the depths of space to blow up our cities. In these futures, the dangers humanity faces are much stranger and whimsical than that. The unexpected calamities that befall his richly detailed worlds are only eclipsed by humanity's epic, but always plausible, attempts to escape destruction.In all this peril and doom, Liu Cixin always feels for humanity. His stories are full of a deep love for all of Earth's peoples. But even this love does not escape reflection and even ridicule when viewed through his unrelenting cosmic lens. No matter how dearly one loves the Earth, humanity and all its cultures, there is no avoiding the cold, hard truth that they mean absolutely nothing when viewed against the vastness of the universe. But even an infinite universe could not change the simple fact that we are worthy of love, that we need love. It is this twist that lies at the very heart of the stories in this collection.Table of Contents 1 The Wandering Earth 2 Mountain 3 Of Ants and Dinosaurs 4 Sun of China 5 The Wages of Humanity 6 Curse 5.0 7 The Micro-Age 8 Devourer 9 Taking Care of Gods 10 With Her Eyes 11 The Longest Fall

    Salvatore, Douglas Niles, Troy Denning, Christie Golden, and others

    The stories brought together here span a quarter century, drawn from some of her earliest books, The Beggar Maid and The Moons of Jupiter, through her recent best-selling collection, Runaway. Here are such favorites as “Royal Beatings” in which a young girl, her father, and stepmother release the tension of their circumstances in a ritual of punishment and reconciliation; “Friend of My Youth” in which a woman comes to understand that her difficult mother is not so very different from herself; and “The Albanian Virgin," a romantic tale of capture and escape in Central Europe that may or may not be true, told by an elderly married woman to her younger friend who is on a desperate adventure of her own..Munro’s incomparable empathy for her characters, the depth of her understanding of human nature, and the grace and surprise of her narrative add up to a richly layered and capacious fiction. Like the World War I soldier in the title story, whose letters from the front to a small-town librarian he doesn’t know change her life forever, Munro’s unassuming characters insinuate themselves in our hearts and take permanent hold.Carried Away, Alice Munro's Best and My Best Stories contain the same 17 works: Royal beatings -- The beggar maid -- The turkey season -- The moons of Jupiter -- The progress of love -- Miles City, Montana -- Friend of my youth -- Meneseteung -- Differently -- Carried away -- The Albanian virgin -- A wilderness station -- Vandals -- Hateship, friendship, courtship, loveship, marriage -- Save the reaper -- Runaway -- The bear came over the mountain.

    Martin and Gardner Dozois, with the full cooperation of Jack Vance, his family, and his agents, suggest a Jack Vance tribute anthology called Songs of the Dying Earth, to encourage the best of today's fantasy writers to return to the unique and evocative milieu of The Dying Earth, from which they and so many others have drawn so much inspiration, to create their own brand-new adventures in the world of Jack Vance s greatest novel.Half a century ago, Jack Vance created the world of the Dying Earth, and fantasy has never been the same. Now, for the first time ever, Jack has agreed to open this bizarre and darkly beautiful world to other fantasists, to play in as their very own. To say that other fantasy writers are excited by this prospect is a gross understatement; one has told us that he'd crawl through broken glass for the chance to write for the anthology, another that he'd gladly give up his right arm for the privilege that's the kind of regard in which Jack Vance and The Dying Earth are held by generations of his peers.

    Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction, horror, and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J.J. Abrams. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and setting it in the darkened streets and suburbs we recognize as our own. He infused tales of the fantastic and supernormal with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world. The Best of Richard Matheson brings together his greatest hits as chosen by Victor LaValle, an expert on horror fiction and one of its brightest talents, marking the first major overview of Matheson's legendary career.

    Almost all the stories are specially written for the collection and the cases are presented in the order in which Holmes solved them. The result is a life of Sherlock Holmes, with a continuous narrative alongside the stories which identities the gaps in the canon and places the new and hitherto unrecorded cases in their correct sequence - plus there is an invaluable, complete Holmes chronology.(back cover)

    Well, kinda. After all, a cold and wet hike from a stranded train through the middle of nowhere would not normally end with a delicious kiss from a charming stranger. And no one would think that a trip to the Waffle House through four feet of snow would lead to love with an old friend. Or that the way back to true love begins with a painfully early morning shift at Starbucks. Thanks to three of today’s bestselling teen authors—John Green, Maureen Johnson, and Lauren Myracle—the magic of the holidays shines on these hilarious and charming interconnected tales of love, romance, and breathtaking kisses.Alternate cover edition for B006MOW98E

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    Contains the books Carry On, Jeeves, The Inimitable Jeeves and Very Good, Jeeves and the short stories Jeeves Makes an Omelette and Jeeves and the Greasy Bird.