This is the history of that division and the men and tanks that fought in it. Vic Hillery and Major Emerson Hurley, two veterans of the division, have provided a thorough account of this fascinating division in World War Two, from its inception in 1941 through to the end of the war. Hillery and Hurley fully explain how the Fifth Division, under the tactically brilliant leadership of Jack E. Heard, Sereno E. Brett, Lunsford E. Oliver, were able to revolutionise armored warfare. With detailed analysis the authors reconstruct the battles of the division and explain how they were able to carve a path through Normandy, Northern France, the Ardennes, Alsace, the Rhineland and Central Europe. Paths of Armor is essential reading for anyone interested in the Western Front of World War Two and the development of tank warfare that occurred through that war.

    And then it descends upon them - the infamous Children's Blizzard of 1888. Who will survive?With characters from Rosette: A Novel of Pioneer Michigan , "Blizzard: A Story of Dakota Territory" captures in one sod shanty the dramatic effects of a storm on the bodies and spirits of people who have internal storms of their own.Cover painting and design by Betsy Marsch, illustrator and cover designer for Rosette: A Novel of Pioneer Michigan.

    Mike and his cousin, Salvatore “Sally-Boy” Boccanera are born one minute apart, in the same hospital, and it seems like they’ll never be more than a minute apart the rest of their lives. Their experiences knocking around the city are challenging, funny, touching, and at times disturbing—all of the ingredients that define growing up. Life lessons happen in the Italian bakery Sally-Boy’s father owns, where the boys loll and play, with ears and eyes wide open. But maybe the biggest lesson of all looms over Mike’s father, who’s determined to make drastic changes in pursuit of a better life. Hanging in the balance, at the center of the boys’ tumultuous lives, is the fire escape. It’s a place that is uniquely theirs, and Mike best describes its spell, recalling how it reeks in the rain, blisters in the sun, and ices over in the snow. It’s where he and Sally-Boy talk and think and philosophize and plot and try to understand all they can about themselves and the world.

    But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were women artists and patrons also involved? And what about the "minor" pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This Very Short Introduction answers such questions by considering both famous and lesser-known artists, patrons, and works of art within the cultural and historical context of Renaissance Europe. The volume provides a broad cultural and historical context for some of the Renaissance's most famous artists and works of art. It also explores forgotten aspects of Renaissance art, such as objects made for the home and women as artists and patrons. Considering Renaissance art produced in both Northern and Southern Europe, rather than focusing on just one region, the book introduces readers to a variety of approaches to the study of Renaissance art, from social history to formal analysis.

    And yet, as historian and linguist Nicholas Ostler persuasively argues, English will not only be displaced as the world's language in the not-distant future, it will be the last lingua franca, not replaced by another.Empire, commerce, and religion have been the primary raisons d'etre for lingua francas--Greek, Latin, Arabic have all held the position--and Ostler explores each through the lens of civilizations spanning the globe and history, from China and India to Russia and Europe. Three trends emerge that suggest the ultimate decline of English and other lingua francas. Movements throughout the world towards equality in society will downgrade the status of elites--and since elites are the prime users of non-native English, the language will gradually retreat to its native-speaking territories. The rising wealth of Brazil, Russia, India, and China will challenge the dominance of native-English-speaking nations--thereby shrinking the international preference for English. Simultaneously, new technologies will allow instant translation among major languages, enhacing the status of mother tongues and lessening the necessity for any future lingua franca.Ostler predicts a soft landing for English: It will still be widely spoken, if no longer worldwide, sustained by America's continued power on the world stage. But its decline will be both symbolic and significant, evidence of grand shifts in the cultural effects of empire. The Last Lingua Franca is both an insightful examination of the trajectory of our own mother tongue and a fascinating lens through which to view the sweep of history.