Ari can't. Dante is articulate and self-assured. Ari has a hard time with words and suffers from self-doubt. Dante gets lost in poetry and art. Ari gets lost in thoughts of his older brother who is in prison. Dante is fair skinned. Ari's features are much darker. It seems that a boy like Dante, with his open and unique perspective on life, would be the last person to break down the walls that Ari has built around himself.But against all odds, when Ari and Dante meet, they develop a special bond that will teach them the most important truths of their lives, and help define the people they want to be. But there are big hurdles in their way, and only by believing in each other―and the power of their friendship―can Ari and Dante emerge stronger on the other side.

    In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

    His mother’s second husband is a licensed psychologist who eats like an ape, his stepsister is a stoner slut, and his father is engaged to a Southern belle. Rick’s only solace is his growing collection of original Broadway-cast LPs, bought on the sly at Wax Trax.    After he brings two girls in speech class to tears by reading a story aloud, Rick is coaxed onto the interscholastic forensics team to perform an eight-minute dramatic interpretation of The Boys in the Band, the controversial sixties play about homosexuality. Unexpectedly successful at this oddball event, Rick begins winning tournaments and making friends with his teammates.    Rick also discovers the joys of sex—with a speech coach from a rival school—just as his mother, reacting to a deteriorating home environment, makes an unnerving commitment to Christ. The newly confident Rick assumes this too shall pass—until the combined forces of family, sex, and faith threaten to undo him at the state meet in Peoria.    James Magruder’s Sugarless offers a ruefully entertaining take on the simultaneous struggles of coming-out, coming-of-age, and coming-to-Jesus.  A selection of InsightOut Book Club Finalist, Lambda Book Award for Gay Debut Fiction, Lambda Literary Foundation Finalist, TLA Gaybie Award for Best Gay Fiction Semi-finalist, James Branch Cabell First Novelist Award, Virginia Commonwealth University Semi-finalist, William Saroyan International Prize For Writing, Stanford University

    Danny Black doesn’t exist. Danny Black is, in reality, anthropology professor Luke Littlefield. After moving to West Hollywood to teach, Luke realizes that no one takes pretty boys seriously. As Luke says, no one has ever asked him how many college degrees he has when he’s standing shirtless at a photo shoot. Luke puts on thick glasses and baggy clothing to appear more professional. Life seems routine and safe, that is until he meets British film star Ian Stoddard. Luke admits that he has no idea who Ian is, and Ian finds that fact appealing.When a decades old murder is uncovered at the college, Luke and his anthropology students take the opportunity to construct a case study. Can Luke maintain his two separate identities and solve a decades old murder, or will it all blow up in his face?

    Exploring his past with humor and astounding insight, Connor reminded his fans of why they first fell in love with him on YouTube—and revealed to newcomers how he relates to his millions of dedicated followers.Now, two years later, Connor is ready to bring to light a side of himself he’s rarely shown on or off camera. In this diary-like look at his life since A Work In Progress, Connor talks about his battles with clinical depression, social anxiety, self-love, and acceptance; his desire to maintain an authentic self in a world that values shares and likes over true connections; his struggles with love and loss; and his renewed efforts to be in the moment—with others and himself.Told through short essays, letters to his past and future selves, poetry, and original photography, Note to Self is a raw, in-the-moment look at the fascinating interior life of a young creator turning inward in order to move forward.

    Reprint.

    It was great. I had a laugh with Charlie, we went out, did drugs, had great sex, had a laugh, I saw Finn, I had a laugh. And now today, today, since the second I opened my eyes, the pair of them had turned into ogres of potential angst, pain, and -- oh no, the worst of all -- responsibility."Tommy is twenty-nine, lives and loves in London, and has a morbid fear of the c word -- commitment, the b word -- boyfriend, and the f word -- forgetting to call his drug dealer before the weekend. But when he begins to feel the urge to become a father, he starts to wonder if his chosen lifestyle can ever make him happy. His flatmates, the eccentric, maternal Sadie and the stoic, supportive Bobby, encourage Tommy to tone down his lifestyle a wee bit and accept the fact that he's got to grow up sometime. His boyfriend, Charlie (whose son, Finn, is the epitome of childhood charm), wishes that Tommy could make a real commitment to their relationship. But can he?Faced with the choice of maintaining his hedonistic, drugged-out, and admittedly fabulous existence or chucking it all in favor of a far more sensitive, fulfilling, and -- let's face its -- lightly staid lifestyle, Tommy finds himself in a true quandary. Through a series of adventures and misadventures that lead him from London nightspots to New York bedrooms and back, our boy Tommy manages to answer some of life's most pressing questions -- and even some he never thought to ask.Perfectly pitched, with scathing witticisms and deadpan observations, Tommy's Tale is a rollicking, tongue-in-cheek opus of absolute debauchery and reluctant redemption that's simply not to be missed.

    He has plenty to do, being the head ranger of the Tahoe National Forest, but living alone in a cabin in the middle of the woods isn’t exactly the most riveting life. He’s known excitement, too. For many years he served as a sniper in the marine corps, but a devastating shoulder injury has reduced him to civilian duties. These days, a walker’s twisted ankle or a trapped raccoon is about as exciting as it gets. Nothing can prepare him, though, for the day he comes across a man lying in the middle of a lonely forest road. The man is alive, but he’d certainly been left for dead. When he wakes up in the hospital, it becomes obvious that he’s suffering from amnesia. With nothing to identify him save for the huge angel tattoo that spreads across his shoulders, the hospital staff name him Gabriel, and tell Hopper that with nowhere else to send him, once he’s recovered from his injuries he’ll have to be sent out into the world. Against his better judgement, but always a sucker for swarthy looks and piercing blue eyes, Hopper agrees to allow Gabriel to stay with him. Perhaps, together, they can work at finding out who this mystery man is, why he was left lying in the forest, and who could possibly have attacked him so badly. What Hopper can never prepare himself for is how deeply he will fall for this handsome stranger, and how he will be able to let Gabriel go when the past, as it always does, comes to catch up. Please Note: This book contains adult language and steamy adult activities, it is intended for 18+ Adults Only. Novel, approximately 82,000 words in length. HEA (happy ever after ending). Does not end with a "cliffhanger." Themes include: Forest Ranger, Amnesia, Angel tattoo, Lake Tahoe, Falling in love, ex-marine

    Twenty voices.Endless possibilities.There's the girl who is in love with Holden Caulfield. The boy who wants to be strong who falls for the girl who's convinced she needs to be weak. The girl who writes love songs for a girl she can't have. The two boys teetering on the brink of their first anniversary. And everyone in between.As he did in the highly acclaimed Boy Meets Boy, David Levithan gives us a world of unforgettable voices that readers will want to visit again and again. It's the realm of possibility open to us all - where love, joy, and the stories we tell will linger.

    But it will cost you.” Jake and Stephen grew up together. Down on his luck and needing a place to crash, Jake knows there's plenty of room in Stephen's gated mansion. Stephen gladly welcomes Jake into his home, but the young billionaire's generosity comes with strings attached—something he's wanted for a very long time. Jake is a straight man and always has been. But when Stephen hands him the blindfold, Jake has no choice but to cover his eyes and take whatever comes. No matter how forbidden, or taboo. 7,600 words. First of two books.

    This distinct group, known as the Ñ Generation (as coined by Bill Teck), are the bilingual children of Cuban exiles nourished by two cultural currents—the fragmented traditions and transferred nostalgia of their parents' Caribbean homeland and the very real and present America where they grew up and live.

    Structured like a classic novel of legal suspense, The Child explores what happens when Stew, a lonely fifteen-year-old boy, looks for and finds an adult boyfriend online. In short order his lover is arrested in an Internet pedophilia sting and Stew's world is turned upside down. He's exposed to his family and community, leaving the outcast to fend for himself against forces intent on his destruction. Desperate and enraged, the confused Stew murders his nephew in a panic. Schulman's novel considers the impact of these events on all those involved — from the parents of the murdered child, to Stew's staunchly Catholic parents, and the attorneys working on his case. Carefully untangling the actions of an isolated teenager denied a natural outlet for his feelings during a critical time in his life, The Child is a haunting meditation on isolation and the prejudices of culture and family.

    Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed.”—Publishers Weekly“In her fifth book of poetry, Bass addresses everything from Saturn’s rings and Newton’s law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection’s end—following her musings on suicide and generosity, desire and repetition—it becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller.”—BooklistEllen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though "bad things are going to happen," because the "bad" gets mined for all manner of goodness.From "Another Story":After dinner, we're drinking scotch at the kitchen table.Janet and I just watched a NOVA specialand we're explaining to her motherthe age and size of the universe—the hundred billion stars in the hundred billion galaxies.Dotty lives at Dominican Oaks, making her way down the long hall.How about the sun? she asks, a little farmshit in the endlessness.I gather up a cantaloupe, a lime, a cherry,and start revolving this salad around the chicken carcass.This is the best scotch I ever tasted, Dotty says,even though we gave her the Maker's Markwhile we're drinking Glendronach...Ellen Bass's poetry includes  Like A Beggar (Copper Canyon Press, 2014), The Human Line  (Copper Canyon Press, 2007), which was named a Notable Book by the San Francisco Chronicle, and Mules of Love (BOA, 2002), which won the Lambda Literary Award.  She co-edited (with Florence Howe) the groundbreaking No More Masks! An Anthology of Poems by Women (Doubleday, 1973). Her work has frequently been published in The New Yorker, American Poetry Review, The New Republic, The Sun  and many other journals. She is co-author of several non-fiction books, including The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.

    His older brother Bosten is always there to defend Stick. But the boys can’t defend one another from their abusive parents.When Stick realizes Bosten is gay, he knows that to survive his father's anger, Bosten must leave home. Stick has to find his brother, or he will never feel whole again. In his search, he will encounter good people, bad people, and people who are simply indifferent to kids from the wrong side of the tracks. But he never loses hope of finding love – and his brother.

    With hair teased to Jesus, mile-long false eyelashes, and a white Cadillac Eldorado with atomic-red leather seats, Fanny is not your typical granny rocking in a chair. Instead, think of a character that looks a lot like Eva Gabor in Green Acres, but darkened with a shadow of Flannery O’Connor. A cross-genre collection that reads like a novel, this book is both a collection of oral history and a lyrical and moving biography that wrestles with the complexities of the South, including poverty, racism, and domestic violence.