He's never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth.Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she's become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.Soon Foster and Ives find themselves on a collision course that threatens to expose the violence hidden beneath Hollywood's glamorous façade. A grim and disturbing reflection on the commodification of suffering and the dangerous power of art, THE INVENTION OF SOUND is Chuck Palahniuk at the peak of his literary powers—his most suspenseful, most daring, and most genre-defying work yet.

    ft., 2BR 2BA, eat-in kitchen, one block to parks and playgrounds. No broker’s fee.Susan and Alex Wendt have found their dream apartment.Sure, the landlady is a little eccentric. And the elderly handyman drops some cryptic remarks about the basement. But the rent is so low, it’s too good to pass up.Big mistake. Susan soon discovers that her new home is crawling with bedbugs... or is it? She awakens every morning with fresh bites, but neither Alex nor their daughter Emma has a single welt. An exterminator searches the property and turns up nothing. The landlady insists her building is clean. Susan fears she’s going mad—until a more sinister explanation presents itself: she may literally be confronting the bedbug problem from Hell.

    Beneath the town’s cheerful façade, however, Bleak Creek teens live in constant fear of being sent to the Whitewood School, a local reformatory with a history of putting unruly youths back on the straight and narrow—a record so impeccable that almost everyone is willing to ignore the suspicious deaths that have occurred there over the past decade.At first, high school freshmen Rex McClendon and Leif Nelson believe what they’ve been told: that the students’ strange demises were all just tragic accidents, the unfortunate consequence of succumbing to vices like Marlboro Lights and Nirvana. But when the shoot for their low-budget horror masterpiece, PolterDog, goes horribly awry—and their best friend, Alicia Boykins, is sent to Whitewood as punishment—Rex and Leif are forced to question everything they know about their unassuming hometown and its cherished school for delinquents.Eager to rescue their friend, Rex and Leif pair up with recent NYU film school graduate Janine Blitstein to begin piecing together the unsettling truth of the school and its mysterious founder, Wayne Whitewood. What they find will leave them battling an evil beyond their wildest imaginations—one that will shake Bleak Creek to its core.

    They've become routine to him. But this time, the expedition is going to be anything but normal. Hank, along with a hardened river boat captain, his much younger girlfriend, and his main professional rival, are in the Amazon purely to study frogs. All their plans vanish quickly, however, when they are attacked by a Titanoboa, an enormous prehistoric snake that should be millions of years in its grave. As their crew dwindles from a series of terrifying attacks, they discover a secret: a long lost colleague of the professor has taken up residence on an island in the deepest parts of the jungle. And if Hank and the others can't find and stop her, then the Titanoboa will not be the only extinct monster unleashed back into the world.

    Just . . . gone. Surrounding their town was a wall of inky darkness, plummeting Walden into permanent night. Nothing can get in - not light, not people, not even electricity, radio, TV, internet, food, or water. And nothing can get out. No one who dared to penetrate the mysterious barrier has ever been seen again. Only their screams were heard. But for some, the darkness is not the worst of their fears. Driven mad by thirst, hunger, and perpetual night, the residents of Walden are ready to explode. The last few sane prisoners of this small town must prepare a final stand against their neighbors, themselves, and something even worse . . . something out there . . . in the darkness . . .

    On the surface Drago appeared to be like most small rural towns.But it was not.The village had a most unsavory history. Unexplained disappearances, sudden deaths.People just vanished, never to be found.THE HOWLING II:For Karyn it was the howling.The howling that had heralded the nightmare in Drago… the nightmare that had joined her husband Roy to the she-wolf Marcia and should have ended forever with the fire.But it hadn’t.Roy and Marcia were still alive, and deadly…And thirsty for the most horrifying vengeance imaginable…THE HOWLING III:They are man. And they are beast.Once again they stalk the night, eyes aflame, teeth flashing in vengeance.Malcolm is the young one. He must choose between the familiar way of the human and the seductive howling of the wolf. Those who share his blood want to make him one of them.Those who fear him want him dead.Only one woman and one man want to help him.Even though they can't believe their ears. Or their eyes.* * *Includes:Preview: James Roy Daley’s - Terror TownPreview: Matt Hults’ - HuskPreview: James Roy Daley’s - Into HellPreview: Paul Kane’s - Pain Cages

    His wife is asleep. He scans the bedroom of their rented holiday cottage, a spooky and unfamiliar place.He makes out something in the dark. On the chair in the corner of the room. What the...? He's mistaken, surely. It's his over-active imagination. A trick of the moonlight. No. Someone's there - an old man. Sitting there, staring back at him. With a terrifying grin on his face...Featuring two characters in one location over the space of three days, Leave This Place is a stripped down, unnerving tale of quiet horror from the mind of supernatural thriller author Spike Black (Don’t Look Inside).

    Phil thinks he loses their pursuer, but when they reach their remote home the pickup truck is right behind them again. Megan, Phil and Cathy's fourteen-year-old daughter, steps onto the front porch to see what's happening. Phil tells Megan to go back inside, and as he calls the police the truck turns around and leaves. The police arrive, but there isn't much they can do because Phil doesn't have the truck's license plate number or a description of the driver. The stalker knows where Phil, Cathy, and Megan live now, and over the next few days the terror escalates: Phil treats a mysterious patient with violent tendencies who issues a threatening warning; Phil is haunted by nightmares, and Cathy hears him murmuring strange things in his sleep; soon Cathy discovers clues that lead her to believe that Phil may know who their stalker is and why he has chosen them. Dark things are beginning to turn up from Phil's past . . . . . . and their stalker is just getting started.

    Corporate bullying at a top TV network saw her fired and forced to leave London, but she was determined to get her life back. A new job and a few therapists later, things look much brighter. Especially when a challenging new project presents itself -- to catalogue the late M. H. Mason's wildly eccentric cache of antique dolls and puppets. Rarest of all, she'll get to examine his elaborate displays of posed, costumed and preserved animals, depicting bloody scenes from the Great War. Catherine can't believe her luck when Mason's elderly niece invites her to stay at Red House itself, where she maintains the collection until his niece exposes her to the dark message behind her uncle's "Art." Catherine tries to concentrate on the job, but Mason's damaged visions begin to raise dark shadows from her own past. Shadows she'd hoped therapy had finally erased. Soon the barriers between reality, sanity and memory start to merge and some truths seem too terrible to be real... in The House of Small Shadows by Adam Nevill.

    Thirteen years apart.Olivia Shaw has been missing since last Tuesday. She was last seen outside the entrance of her elementary school in Hunts Point wearing a white spring jacket, blue jeans, and pink boots. I force myself to look at the face in the photo, into her slightly smudged features, and I can't bring myself to move. Olivia Shaw could be my mirror image, rewound to thirteen years ago. If you have any knowledge of Olivia Shaw's whereabouts or any relevant information, please contact... I've spent a long time peering into the faces of girls on missing posters, wondering which one replaced me in that basement. But they were never quite the right age, the right look, the right circumstances. Until Olivia Shaw, missing for one week tomorrow. Whoever stole me was never found. But since I was taken, there hasn't been another girl. And now there is.

    His fiercely loyal agent finds him just such a place in a luxurious forgotten mansion high in the Hollywood Hills. But the original owner of the mansion was a beautiful woman devoted to pleasure at any cost, and the terrible legacy of her deeds has not yet died. There are ghosts and monsters haunting Coldheart Canyon, where nothing is forbidden . . .

    Enter House -- where you'll find yourself thrown into a killer's deadly game in which the only way to win is to lose... and the only way out is in.The stakes of the game become clear when a tin can is tossed into the house with rules scrawled on it. Rules that only a madman—or worse—could have written. Rules that make no sense yet must be followed.One game. Seven players. Three rules. Game ends at dawn.

    Lièvre sent her son, Johnny Truant, a series of letters from The Three Attic Whalestoe Institute, a psychiatric facility in Ohio where she spent the final years of her life. Beautiful, heartfelt, and tragic, this correspondence reveals the powerful and deeply moving relationship between a brilliant though mentally ill mother and the precocious, gifted young son she never ceases to love.Originally contained within the monumental House of Leaves, this collection stands alone as a stunning portrait of mother and child. It is presented here along with a foreword by Walden D. Wyhrta and eleven previously unavailable letters.

    ten years ago to sing in a Japanese nightclub. Ever since, she's been plagued with nightmares of terror. There is only one man can help her -- Alex Hunter. Ten years ago he saw her picture in the papers -- as a senator's daughter who had disappeared. Now he has to bring her memories back to her, memories of a past more terrifying than they dreamed possible...

    Although In Darkness Waiting begins in much the same vein as many horror novels (mysterious deaths; a small town invaded by evil; plucky, attractive young lovers; the logical level-headed doctor; some salt-of-the-earth townsfolk...) by its end you will have discovered it is not "just another horror novel." With its exploration of the "insect" inside us all, In Darkness Waiting proves more relevant today than ever. Considering a read of In Darkness Waiting is like considering a trip through the Amazon with no weapons and no vaccinations and no shoes. It's like contemplating a journey in the Arctic clad only in your underwear. Or maybe it's more like dropping into one of those spelunker's challenges, those chilling pitch-black shafts into the Earth's crust-and when you get down there your light burns out and you remember the chitinous fauna of the cavern... Unlike undertaking those endeavors, you can get through the harrowing pages of In Darkness Waiting alive (although we are not promising you'll remain unscathed.) Towards the end you'll discover one of the most extreme yet literate passages ever written. It may well be the most outré scene ever created. But John Shirley wasn't after shock alone. Shock is never enough for him.