Eight hundred years earlier, on the eve of a brutal crusade that will rip apart southern France, a young woman named Alais is given a ring and a mysterious book for safekeeping by her father. The book, he says, contains the secret of the true Grail, and the ring, inscribed with a labyrinth, will identify a guardian of the Grail. Now, as crusading armies gather outside the city walls of Carcassonne, it will take a tremendous sacrifice to keep the secret of the labyrinth safe.

    In 1800, Napoleon Bonaparte and his army stumble across the pillars in the Pennine Alps. Unable to transport them Napoleon creates a map on the labels of twelve bottles of rare wine. And when Napoleon dies, the bottles disappear.Treasure hunters Sam and Remi Fargo are exploring the Great Pocomoke Swamp in Delaware when they are shocked to discover a World War II German u-boat. Inside, they find a bottle taken from Napoleon's 'lost cellar.' Fascinated, the Fargos set out to find the rest of the collection. But another connoisseur of sorts has been looking for the bottle they've just found. He is Hadeon Bondaruk - a half- Russian, half-Persian millionaire. He claims to be a descendant of King Xerxes himself.And he wants his treasure back.

    The ruins of the technologically-advanced, eerily-enigmatic ancient civilization promise their discoverer fame, fortune, and power... but hold earth-shattering secrets about the origin of man.While world-famous linguist and archaeologist, Thomas Lourds, is shooting a film that dramatizes his flamboyant life and scientific achievements, satellites spot impossibly ancient ruins along the Spanish coast. Lourds knows exactly what it means: the Lost Continent of Atlantis has been found. The race is on, and Lourds' challengers will do anything to get there first.Whoever controls the Lost Continent will control the world.

    Before she can reveal it to Kate, the Globe is burned to the ground and Roz is found dead--murdered in the strange manner of Hamlet's father.Inside the box, Kate finds the first piece in a Shakespearean puzzle, setting her on a deadly, high-stakes treasure hunt. From London to Harvard to the American West, Kate races to evade a killer and solve a tantalizing string of clues hidden in the words of Shakespeare, which may unlock one of history's greatest secrets. But Kate is not alone in this hunt, and the buried truth threatens to come at the ultimate cost.

    He's just an ordinary guy. Or so he thinks.But one day an extraordinary piece of information tells him differently. It's a clue from the grave of a Holocaust survivor. A clue that makes him heir to an incredible fortune... a clue that only he and one other man can possibly understand.That man is Roth Braun, a serial killer who has been waiting for Stephen for thirty years. Roth was stopped once before. This time nothing will get in his way.Known worldwide for page-turning, adrenaline-laced thrillers, Dekker raises the stakes in this story of passion, revenge, and an all-consuming obsession for the ultimate treasure.

    Port Royal, Jamaica′s capital, a cut-throat town of taverns, grog shops, and bawdy houses, is devoid of London′s luxuries; life here can end swiftly with dysentery or a dagger in your back. But for Captain Charles Hunter it is a life that can also lead to riches, if he abides by the island′s code. In the name of His Majesty King Charles II of England, gold in Spanish hands is gold for the taking. And law in the New World is made by those who take it into their hands.Word in port is that the Spanish treasure galleon El Trinidad, fresh from New Spain, is stalled in nearby Matanceros harbor awaiting repairs. Heavily fortified, the impregnable Spanish outpost is guarded by the blood-swiller Cazalla, a favorite commander of King Philip IV himself. With the governor′s backing, Hunter assembles a roughneck crew to infiltrate the enemy island and commandeer the galleon, along with its fortune in Spanish gold. The raid is as perilous as the bloody legends of Matanceros suggest, and Hunter will lose more than one man before he finds himself on the island′s shores, where dense jungle and the firepower of Spanish infantry are all that stand between him and the treasure.With the help of his cunning crew, Hunter hijacks El Trinidad and escapes the deadly clutches of Cazalla, leaving plenty of carnage in his wake. But his troubles have just begun. . . .

    But as the sun beats down, long-hidden secrets begin to surface. Her heart beats faster for the attention of handsome Edward, but is his heart already taken?Australia, six-weeks laterThe world is at war, the cruise liner docks, and Lily's desire for Edward is untameable. But something else is awry on this ship and Lily is determined to find out ....

    A young student drowns in a mysterious accident involving a small circle of boys. The drowning and its aftermath initiates a spiraling circle of treachery that will span three decades and entwine many loves... From the exclusive men's club and brothels that cater to every dark desire of London's upper classes to the dazzling ballrooms and mahogany-paneled suites of the manipulators of the world's wealth, Ken Follett conjures up a stunning array of contrasts. This breathtaking novel portrays a family splintered by lust, bound by a shared legacy... men and women swept toward a perilous climax where greed, fed by the shocking truth of a boy's death, must be stopped, or not just one man's dreams, but those of a nation, will die...

    . .So begins The Sacred Bones by Michael Byrnes, a page-turning novel from a new voice on the thriller scene. With the violent theft leaving thirteen Israeli soldiers and policemen dead, and the Palestinians up in arms over the desecration of sacred grounds, the tension between the two groups is dangerously high. Jerusalem is a stick of dynamite and the fuse has been lit. . . .Across the Mediterranean in Italy, American forensic scientist Charlotte Hennesey has been hired by the Vatican to examine the contents of a newly discovered archeological treasure: a two-thousand-year-old ossuary containing the bones of an unidentified, crucified man—the first complete skeleton of a crucifixion victim ever found. Together with Italian anthropologist Giovanni Bersei, Charlotte makes startling forensic and genetic discoveries that lead her to wonder—could these be the bones of Jesus Christ?With the situation in Jerusalem veering out of control and the malevolent eye of Vatican security expert Salvatore Conte watching her every step, Charlotte puts two and two together. She knows that if the mortal remains of Christ are indeed in the burial box, the implications—for history and science, for religion and the Church—are frighteningly vast. And even more immediate is the question of whether the Vatican will allow the information—and Charlotte—to see the light of day.Fast-paced and intelligent, blending historical fact with persuasive fiction, The Sacred Bones reads like a CSI episode penned by The Da Vinci Code author Dan Brown. From a conspiracy stretching back to the days of the Templar Knights to the shifting alliances of contemporary Middle Eastern politics, The Sacred Bones is an addictively compelling thriller that calls into question many of modern religion's deepest-held beliefs about Judaism, Jesus Christ and early Christianity, and Islam . . . with stunning results.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Protected by supernatural forces, these sacred scrolls could be uncovered only by a special seeker, one who fulfills the ancient prophecy of l'attendue -- The Expected One. When journalist Maureen Pascal begins the research for a new book, she has no idea that she is stepping into an ancient mystery so secret, so revolutionary, that thousands of people have killed and died for it. She becomes deeply immersed in the mystical cultures of southwest France as the eerie prophecy of The Expected One casts a shadow over her life and work and a long-buried family secret comes to light. Maureen's extraordinary journey takes her from the dusty streets of Jerusalem to the cathedrals of Paris . . . and ultimately to search for the scrolls themselves. She must unravel clues that link history's great artistic masters, including Sandro Botticelli, Nicolas Poussin, and Jean Cocteau; the Medici, Bourbon, and Borgia dynasties; and great scientific minds like Leonardo da Vinci and Isaac Newton. Ultimately, she, and the reader, come face-to-face with Jesus Christ, Mary Magdalene, John the Baptist, Judas, and Salome in the pages of a deeply moving and powerful new gospel, the life of Jesus as told by Mary Magdalene.

    Born in 1886, he was a brilliant student who became part of the Bloomsbury Group at Cambridge in the early twentieth century and served in the Royal Garrison Artillery during World War I. After the war, he married, had three children, and would have spent the rest of his life as a schoolteacher, but for his love of mountain climbing.Mallory once told a reporter that he wanted to climb Mt. Everest, “because it is there.” On his third try in 1924, at age thirty-seven, he was last seen four hundred feet from the top. His body was found in 1999, and it remains a mystery whether he and his climbing partner, Andrew Irvine, ever reached the summit.In fact, not until you’ve turned the last page of Archer’s extraordinary novel will you be able to decide if George Mallory should be added to that list of legends, while another name would have to be removed.  Paths of Glory is truly a triumph.

    Everest. By the following year, three climbers -- a British poet and veteran of the Great War, a young French Chamonix guide, and an idealistic young American -- find a way to take their shot at the top. They arrange funding from the grieving Lady Bromley, whose son also disappeared on Mt. Everest in 1924. Young Bromley must be dead, but his mother refuses to believe it and pays the trio to bring him home.Deep in Tibet and high on Everest, the three climbers -- joined by the missing boy's female cousin -- find themselves being pursued through the night by someone . . . or something. This nightmare becomes a matter of life and death at 28,000 feet -- but what is pursuing them? And what is the truth behind the 1924 disappearances on Everest? As they fight their way to the top of the world, the friends uncover a secret far more abominable than any mythical creature could ever be. A pulse-pounding story of adventure and suspense, The Abominable is Dan Simmons at his spine-chilling best.

    In 2013, I rewrote The Quest and doubled its length, making it, I hope, a far better story than the original, without deviating from the elements that made the story so powerful and compelling when I first wrote it. In other words, what made The Quest worth rewriting remains, and whatever is changed is for the better.I was happy and excited to have this opportunity to rewrite and republish what I consider my first "big" novel, and I hope you enjoy it as much as I did when I first wrote it.BOOK DESCRIPTION:A sweeping adventure that's equal parts thriller and love story, Nelson DeMille's newest novel takes the reader from the war torn jungles of Ethiopia to the magical city of Rome.While the Ethiopian Civil War rages, a Catholic priest languishes in prison. Forty years have passed since he last saw daylight. His crime? Claiming to know the true location of Christ's cup from the Last Supper. Then the miraculous happens - a mortar strikes the prison and he is free!Old, frail, and injured, he escapes to the jungle, where he encounters two Western journalists and a beautiful freelance photographer taking refuge from the carnage. As they tend to his wounds, he relates his incredible story. Motivated by the sensational tale and their desire to find the location of the holiest of relics, the trio agrees to search for the Grail.Thus begins an impossible quest that will pit them against murderous tribes, deadly assassins, fanatical monks, and the passions of their own hearts.THE QUEST is suspenseful, romantic, and filled with heart-pounding action. Nelson DeMille is at the top of his game as he masterfully interprets one of history's greatest mysteries.

    But Tanus will have to defy the same gods to attain the reward they have forbidden him, an object more prized than battle's glory: possession of the Lady Lostris, a rare beauty with skin the color of oiled ceder--destined for the adoration of a nation, and the love of one extraordinary man.