Then his elder brother, Edward, marries the beautiful Helen Harrison, and the minute Gil lays eyes on her he falls deeply, passionately in love. Only Abby recognizes the fire in him and it shatters the bond between them. Abby turns to a man she thinks will make her happy enough, and joins a glittering but shallow social scene, but she cannot forget Gil Collingwood and the snow angels they made so long ago.

    It’s a world of all-night beach parties and constant cocktail receptions, and within its languorous embrace her attraction for her much younger cousin grows.But the gilded lives of her aunt Julia’s family and their fellow white Africans on the coast are under threat — Islamist terror attacks are on the rise and Rebecca knows more about this violence than she is prepared to reveal. Will she be able to save her newfound family from the violence that encroaches on their seductive lives? Or, amidst growing unrest, will the true reason for her hasty exit from her posting be unmasked? Rebecca finds herself torn between the family she hardly knows and a past she dares not divulge.

    Through the skillfully disarming use of clichéd language and homilies, the play explores with subtle grace and depth the way the death of a child tears one family apart, while showcasing the talents of a promising young playwright who "in [a] very modern way [is] making a rather old-fashioned case for the power of the written word" (Jason Zinoman, The New York Times).Fresh from its critically acclaimed off-off-Broadway run this past spring, God's Ear moves off-Broadway to the Vineyard Theatre in April 2008.

    A devastating wrong is done to her when she opposes a family scheme and her response is a battle cry of astounding violence and beauty.As haunting as Shirley Jackson or Thomas Bernhard, as enthralling as Nabokov or Joyce, Leland de la Durantaye's debut novel is a radical departure from contemporary storytelling. At once the story of a terrific act of vengeance and of a lifelong love, Hannah Versus the Tree, presents a new literary genre, the mythopoetic thriller.

    Everything Was Fine Until Whatever is a poker-faced and unpredictably comic tour de force. Festooned with artwork and hand-written notes, this is a grand debut by a magical new talent.

    Now he wants to heal me.Connor Blake is too good to be true. Rich, powerful, kind. And hot as hell.When he wants to take me out to make up for his son’s behavior, I can’t say no.When he tells me I’m beautiful, my insides melt.But he raised the man who wanted to humiliate me, to break me.I should run from him.I should keep my heart safe.But the things he does to my body, mind, and soul…I never stood a chance.Will Connor heal me? Or will he break me so thoroughly I can’t put myself back together again?My Father’s Ex is a short and steamy billionaire age gap romance. No cheating, no cliffhanger, and a guaranteed HEA.

    Among the universe's civilizations, some conceive of the journey between stars as the sailing of bright ships, and others as tunneling through the crevices of night.  Some look upon their far-voyaging as a migratory imperative, and name their vessels after birds or butterflies....

    The owner of a successful restaurant and newly engaged to a man she loves, she’s ready to put her regrets behind her and embrace what lies ahead. But when a boy named Nick Pearson shows up at her door claiming he’s her grandson and needing her help, Ally can no longer ignore the questions that have haunted her since she was sixteen.Leaving her fiancé and her life behind, she embarks on a cross-country road trip with the orphaned teen to find his grandfather – Ally’s first love who disappeared without a word thirty years ago, leading her to give up their baby for adoption. But will learning the devastating reason he tore her life apart release her from the past…or draw her back?In What I Left Behind, bestselling author Jennifer Archer offers an emotional page-turner about love and loss, family and forgiveness.

    The narrator, a young woman, has fled to the forest to pursue her artwork in isolation. While there, she falls in love with a married man she meets at a country dance. The man is violent, their affair even more so. As she struggles to free herself, she questions the difference between desire and obsession—and the brutal nature of intimacy. Packaged with illustrations by famed English artist Rufus Newell and inventive, white-on-black text treatments by award-winning designer Jonathan Yamakami, Northwood is a work of art as well as a literary marvel.

    Its three plots, relationships and time-scales are tightly woven into a single story; three voices—as in an opera by Monteverdi—provide the soundtrack, enhanced by a chorus of friends and acquaintances. The main voice is that of a translator who moves from London to Paris and then to Wales, the setting for an unexpected conflagration. The ending at once confirms and suspends the reader’s darkest intuitions.

    It was the moment I watched Daddy die. Everything began to unravel then.’ When their father dies of a sudden heart attack, sisters Rebecca and Sarah Connaghan set aside their differences and return to the family home in Glasgow. Then Rebecca finds letters between her father and the mother she barely remembers that cast doubt on everything she’s been told about her family. Reeling from confusion and grief, she sets off alone for the remote Highlands village that may hold the key to the past. Above all, she is determined to prove the innocence of her father – the beloved, silent man she once thought she knew, now accused of a terrible crime.

    And that's not even the worst thing he's come home to. And just so you know going in—that dam holding back a 300-million-gallon lake on the mountainside above the little coal camp town of Saddler Hollow—that dam’s going to blow. Grayson Addington comes home to Saddler Hollow, West Virginia, from Vietnam a broken man, ravaged by post traumatic stress syndrome, a chaplain who left his faith in the jungle mud with his massacred unit. His wife, Piper, doesn’t know her husband anymore. In his absence, she turned to his brother Carter for support. Now, she must choose between them—and Carter will stop at nothing to have her. And into this family torn apart by jealousy, deceit and clan loyalties comes a mysterious little girl. Maggie, a battered child with amnesia, shows up on the Addington's front porch and instantly bonds to Sadie, Piper and Grayson’s cripplingly shy toddler. When Maggie runs away and takes Sadie with her, the warring brothers must team up to search for them. But something more than chance has brought the child called Maggie to this wounded family. And nothing less than destiny will be fulfilled by her incredible act of love--on the foggy morning when the coal slag dam at the top of the hollow explodes. Interview with the author: Q. What’s so special about When Butterflies Cry? A. It’s real life on paper. It’s been a Kindle bestseller because the characters in the novel come to life on the page—like the family next door in a small town. The story is gripping, the action nail-biting. Q. Is this a Christian book? A. There’s no religion in it. But there is spirituality--themes of love and sacrifice that touch the soul of readers of any faith—or no faith at all. Q. Why should readers give this book a try? A. Because it’s a book that will break your heart, and then put it back together again. Goodreads and Amazon Reader Reviews Wow. I have found a new favourite author. She is so good and I’ve been burned a lot lately by really bad free books, written poorly and full of mistakes. This is the kind of contemporary women’s fiction I want but usually don’t find in a free book. A (no spoilers) sacrifice makes the book inspirational, but its filled with suspense too. Even though its during the 60's or 70s war in Vietnam, the story itself felt timeless and contemporary and so real I forgot it was fiction and it kept me in suspense way past my bedtime to find out what happened. Sarah Bridges I’m a city girl and I never thought my heart would break over a story about a small town in West Virginia. Not what I expected from a typical paranormal thriller--its a mystery with lots of suspense, like other reviewers said, it was unique. But it is during the Viet Nam war times, and not contemporary fiction like it said. You should read it, but have lots of tissues handy. It was inspirational to me how the chaplain kept hanging on and "doin’ the necessary" and then got home and found his brother with his wife—but I won’t spoil the suspense. I think the mystery about the butterflies landing on her was she was paranormal.

    But when her teenage son shows up, things take a very dark turn.

    Nuala is the Irish immigrant nurse who coaxes him toward survival. The odd synergy of their relationship is both his link to reality and his inspiration to fantasy. This is the hypnotic story of the world that grows in the silence between them.In Thomas Moran's first novel, the New York Times Book Review saw evidence of his "incontestable conceptual gifts". In his "elegant writing", the Los Angeles Times found the promise of a serious new career. The New Yorker compared The Man in the Box to The Diary of Anne Frank, and the Los Angeles Times compared Thomas Moran to Eli Wiesel. And on the heels of this critical success comes The World I Made for Her.Nuala means "white shoulders" in Gaelic. Nuala's wild red hair falls in disarray over hers. James watches her moving deftly around him; changing his IV, attaching a fresh respirator tube. Nuala's movements are like dance to him through his morphine-clouded vision. His senses are numbed, his mind is dulled, but he hears her Irish spirit sing against the metronome of the life-support machines. He is drawn to the warmth of her. He carries Nuala in and out of consciousness with him, writing a secret love story in which she is, unknowingly, the heroine.In prose that moves seamlessly between fantasy and reality, The World I Made for Her is a novel of obsession and redemption that unfolds like a dream -- a story that will break your heart.