A heavy snowstorm is blowing through Manhattan and the economy is on the brink of collapse, but none of that matters to a handful of guests at a posh holiday party. Five years after their college graduation, the fiercely devoted friends at the heart of this richly absorbing novel remain as inseparable as ever: editor and social butterfly Sara Sherman, her troubled astronomer boyfriend George Murphy, loudmouth poet Jacob Blaumann, classics major turned investment banker William Cho, and Irene Richmond, an enchanting artist with an inscrutable past.Amid cheerful revelry and free-flowing champagne, the friends toast themselves and the new year ahead—a year that holds many surprises in store. They must navigate ever-shifting relationships with the city and with one another, determined to push onward in pursuit of their precarious dreams. And when a devastating blow brings their momentum to a halt, the group is forced to reexamine their aspirations and chart new paths through unexpected losses.Kristopher Jansma’s award-winning debut novel, The Unchangeable Spots of Leopards, was praised for its  “wry humor” and “charmingly unreliable narrator” in The New Yorker and hailed as “F. Scott Fitzgerald meets Wes Anderson” by The Village Voice. In Why We Came to the City, Jansma offers an unforgettable exploration of friendships forged in the fires of ambition, passion, hope, and love. This glittering story of a generation coming of age is a sweeping, poignant triumph.

    Includes:FIREFLY LANETo the people around them they were known as KateandTully or the Firefly Lane Girls. A single, inseparable unit. Best friends forever. On the surface they were as opposite as two people could be: Kate, doomed to be forever uncool, with a loving family who mortifies her at every turn. Tully, steeped in glamour and mystery, but with a secret home life that is destroying her. Yet they are best friends who swear they'll be there for each other, and for thirty years that promise holds strong—until events and choices in their lives make that promise impossible. More than a coming-of-age novel, this is the story of a generation of women who were both blessed and cursed by choices. It's about promises and secrets and betrayals. And ultimately, about the one person who really, truly knows you—and knows what has the power to hurt you and heal you.FLY AWAYKristin Hannah returns to the world of the unforgettable characters from FIREFLY LANE and asks the question: How do you hold yourself together when your world has fallen apart? This is the story of three women who have lost their way and need each other—plus a miracle—to transform their lives. An emotionally complex, heartwrenching novel about love, family, motherhood, loss, and redemption, it reminds us that where there is life, there is hope, and where there is love, there is forgiveness. Told with her trademark visceral storytelling and illuminating prose, Kristin Hannah reveals why she is one of the most beloved writers of our day.TRUE COLORSThe Grey sisters had only each other when their mother died years ago. Their stern, unyielding father gave them almost no attention. Winona, the oldest, needs her father's approval most of all. An overweight dreamer, she never felt at home on the sprawling horse ranch that had been in her family for three generations. Aurora, the middle, is the peacemaker. Vivi Ann, the youngest, is the undisputed star of the family. Everything comes easily to Vivi Ann, her father's love most of all. But when Vivi Ann makes a fateful decision to follow her heart, rather than take the route of a dutiful daughter, events are set in motion that will test the love and loyalties of the Grey sisters. They will be pitted against each other in ways none could have imagined. Secrets will be revealed, and a terrible, shocking crime will shatter both the family and their beloved town. With breathtaking pace and penetrating insight, Kristin Hannah's has written a novel that's about sisters, vengeance, jealousy, betrayal—and ultimately, what it truly means to be a family.

    The narrative begins in Addis Ababa, Ethiopia, when twin boys, Shiva and Marion, are born to a nun (who dies) and a surgeon (who runs away). The babies, conjoined at the head, are successfully separated immediately after birth. The original conjoinment and separation of the boys becomes the operating theme of the novel and we are given situation after situation in which to consider the concepts of fusion and partition. Bookclub-in-a-Box looks at all that Verghese provides: history (Ethiopia and Eritrea), medicine (blood and liver disease), psychology (the search for identity), sociology (human relationships) and philosophy (of both science and religion). The narrative's real facts and descriptions are especially interesting for their thematic implications. Every Bookclub-in-a-Box printed discussion guide includes complete coverage of the themes and symbols, writing style, and interesting background information on the novel and the author.

    Considered to be one of Melville's best short stories, "Benito Cereno" is a tale of the revolt aboard a Spanish ship. "Bartleby: The Scrivener" is a moral allegory set on Wall Street in New York. And "The Encantadas" are a collection of sketches based on Melville's experiences in the Galapagos Islands.

    While she strolls, Lillian recalls a long and eventful life that included a brief reign as the highest-paid advertising woman in America—a career cut short by marriage, motherhood, divorce, and a breakdown.A love letter to city life—however shiny or sleazy—Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.

    Stephen Cox, professor of literatureat the University of California at San Diego, spoke on "The LiteraryAchievement of The Fountainhead" and David Kelley, executive director of TheObjectivist Center, discussed "The Code of the Creator." This commemorativemonograph contains the text of both lectures and other material about AynRand's classic novel.

    Includes: As the Water * Becoming a Geisha * The Chairman's Waltz * Going to School * Sayuri's Theme * Sayuri's Theme and End Credits.

    PARKER & KNIGHTWhen beautiful, nineteen-year-old Tiffany Grace is found murdered inside the house next door, Detectives Rick Parker and Joanna Knight are brought in to investigate.What they find is a tangled web of love, lies and infidelity between the homeowners, Alex and Mandy Kent, and their young neighbors, murder victim, Tiffany Grace, and her handsome brother, Steve.As Parker wades through the Kents' marital woes, he also has to deal with his own, as his marriage comes to a close.Did Alex Kent kill Tiffany, a young woman he lusted for deeply?Or did Mandy Kent kill her, to keep her from her husband?The truth is even more twisted than Parker and Knight could have imagined.

    What could possibly go wrong? For fans of Nick Hornby, David Nicholls and Jonathan Tropper.Jaded music journalist Rick McLennan knows his life is going south when he loses his job, his apartment and his long-term girlfriend all on the same day. But then he is thrown a lifeline - a commission to write the story of his ex-rock-star brother, Stevie, and drive him from Austin, Texas, to New York to play one final gig. One small problem: the brothers haven't spoken in thirty years.Rick knows it's a bad idea. But he's out of choices. So he gets behind the wheel of a beaten-up 1985 Nissan Stanza and drives towards his destiny. He's about to find everything he didn't know he was missing. It's September 2001.From award-winning journalist and author Barry Divola comes a glorious, music-infused, rollicking road-trip novel - think High Fidelity meets The Big Lebowski meets The Darjeeling Limited. A smart, funny and wholly endearing story about how, though we may at times lose ourselves along the way, the road always leads back to family and the things that bring us joy.'Of course this road trip comes with a top-quality mix-tape - it's by Barry Divola - but it's the layers to this story, and its humour and its heart, that make this journey irresistible.' - Nick Earls'This book is the super f∗∗∗ing gnarly lead break of rock-lit novels.' - John Birmingham'Driving Stevie Fracasso reads as great as the fifth Replacements album sounds. It's a New York-centric, music-obsessive tale of humour and poignancy, the literary equivalent of hanging with folks who think going to church is finding a record fair. A+' - Stuart CoupeAn interpreter of the listening experience forced to listen to experience? This novel will be read in between flippin' records. Go for the ride. You'll be spent, you'll be grateful.' - Tim Rogers'If I could go back in time and take a different fork in the road, I would have lived like Barry Divola. But poor choices can't be unmade, and if Driving Stevie Fracasso is the only ride available I'll take it. Damn you, Barry Divola, you've been having everyone else's fun.' - Malcolm Knox

    As a rank amateur who just thinks he can help, this Ames alter ego quickly becomes embroiled in the search for a missing NYU coed. He moves from one scrape to the next, all while trying to escape a life of periodic alcoholism, dead-end relationships, writer’s block, and hours of Internet backgammon. Bored to Death was originally published in McSweeney’s Issue 24 and is the centerpiece of Ames’s collection of essays and fiction, The Double Life Is Twice as Good. Bored to Death Artwork © 2009 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc.

    Henry Prize (for "Trust," a section of this novel) weaves a powerful story of girlhood, friendship, and sexuality.Fourteen-year-old Rainey Royal lives with her father, a jazz musician with a cultish personality, in a once-elegant, now-decaying brownstone. Her mother has abandoned the family, and Rainey fends off advances from her father’s best friend while trying desperately to nurture her own creative drives and build a substitute family. She’s a rebel, even a criminal, but she’s also deeply vulnerable, fighting to figure out how to put back in place the boundaries her life has knocked down, and more than that, struggling to learn how to be an artist and a person in a broken world.Rainey Royal is told in 14 narratives of scarred and aching beauty that build into a fiercely powerful novel: the harrowing and ultimately affirming story of a young artist.

    Helen and Albert develop a deepening bond the closer they become to Ruppert, an eccentric millionaire who demands their loyalty in return for his lavish generosity. New York in the Jazz Age is filled with possibilities, especially for the young and single. Yet even as Helen embraces being a “bachelor girl”—a working woman living on her own terms—she finds herself falling in love with Albert, even after he confesses his darkest secret. When Ruppert dies, rumors swirl about his connection to Helen after the stunning revelation that he has left her the bulk of his fortune, which includes Yankee Stadium. But it is only when Ruppert’s own secrets are finally revealed that Helen and Albert will be forced to confront the truth about their relationship to him—and to each other. Inspired by factual events that gripped New York City in its heyday, Bachelor Girl is a hidden history gem about family, identity, and love in all its shapes and colors.

    His overly exciting life is described by three men who 'knew him well.' The first narrator is a Marine, telling of their time together in Korea. A constitutional scholar and Supreme Court Justice appalled at the new Chief Justice, narrates the second phase. The third is a Cardinal of the Roman Catholic Church; fat, kind but distracted. The Marine cares for him the most, the Supreme Court Justice condescends and despises him, and the Cardinal is much more interested in food than his subject. But Declan Walsh was a man who earned the Medal of Honor while ordering the death of his best friend, ruled pragmatically and energetically on the Court but lost his wife to death and neglect, and became a miraculous healer, assasinated for challenging the powers that rule the secular world.

    She leaves the cold shack she shares with her father for the warmth of her kneading table at Cameron's store and gets caught in a snow storm, sparking events that expose the raw humanity of those around her. Loyalty and betrayal, guilt and shame, and faith and doubt collide as the dirty secrets of the bleak coal mining community throw lives into turmoil. A series of brutal attacks, a murder, and an ambitious sergeant intent on seeing someone hang, reveal a town, oppressed as much by its dreary prospects, as it is by its institutionalized corruption, sexism and racism.Mabel just wants to bake bread, but she has her own secrets to protect.The Bread Maker is a rich, beautifully told narrative that seamlessly weaves humour and tragedy into a touching story about life, love and the potential of the human spirit to overcome great odds....

    Their encounter seems fated: Eleanor, a teacher and recent Vassar graduate, needs a job. Patricia’s difficult thirteen-year-old daughter Margaux, recovering from polio, needs a private tutor.Though she feels out of place in the Bellamys’ rarefied and elegant Park Avenue milieu, Eleanor forms an instant bond with Margaux. Soon the idealistic young woman is filling the bright young girl’s mind with Shakespeare and Latin. Though her mother, a hat maker with a little shop on Second Avenue, disapproves, Eleanor takes pride in her work, even if she must use the name “Moss” to enter the Bellamys’ restricted doorman building each morning, and feels that Patricia’s husband, Wynn, may have a problem with her being Jewish.Invited to keep Margaux company at the Bellamys’ country home in a small town in Connecticut, Eleanor meets Patricia’s unreliable, bohemian brother, Tom, recently returned from Europe. The spark between Eleanor and Tom is instant and intense. Flushed with new romance and increasingly attached to her young pupil, Eleanor begins to feel more comfortable with Patricia and much of the world she inhabits. As the summer wears on, the two women’s friendship grows—until one hot summer evening, a line is crossed, and both Eleanor and Patricia will have to make important decisions—choices that will reverberate through their lives.Gripping and vividly told, Not Our Kind illuminates the lives of two women on the cusp of change—and asks how much our pasts can and should define our futures.