But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it's up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    She is in love with young Artashes Otaryan, son of Elizbarov's late companion. Soon Artashes reveals to her the secret that his family has kept for years -- Elizbarov had stolen the fortune of his former companion; as a proof he presents to her Elizbarov's letters to his father. Margarita is appalled by her father's loss of honor, and is torn between her duty as a daughter and her sense of right and wrong.

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    Set in various neighborhoods of Queens, New York, in the eras of disco and break-dancing, Freak recounts the turmoil and eccentricities within a Latino family struggling to make it. A domineering father, frustrated by his rocky quest for the American dream; a mother who finds feminism and the club scene when she tires of Pop's tight control; a pudgy, eager-to-please, easily manipulated younger brother; and John - who doesn't spare himself in telling the gory details of his teen years. Freak is the book adaptation of Leguizamo's comical and critically acclaimed one-man Broadway show. But Freak, the book, contains narrative that had to be cut from the show because of time restraints.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    But hidden there is a secret no one wants to confront, and when they stumble upon it the friends set off an unstoppable chain of events. A supernatural thriller of suburban teenagers fleeing a mysterious plague.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    Even all the way in California, no one’s safe. In the 5th installment of the Coke Dreams series, all your favorite couples are back and once again they are racing the clock to fight for love in this ever gripping tale where nothing is what it appears to be. Lines are crossed and battle lines are drawn. Who will come out on top and who will pay the ultimate price with their life?

    He has been muttering two names in his sleep: Kriti and Rohan. Ravish is an introvert associated with the technology world. Neha is an outrageously curious woman and a firm optimist.What brings them together? Who are Kriti and Rohan and what’s their story?Welcome to this tale of emotions and the fight against consequences of our desire

     Here the first three books in the series are presented together. The Illegal Gardener Driven by a need for some control in her life, Juliet sells up on impulse and buys a dilapidated farmhouse in a tiny Greek village, leaving her English life behind. The house is livable by local standards, but the job of restoring the garden is too big. It requires strength. Juliet cannot bring it to life on her own. Around the olive tree, hidden beneath the covering of bindweeds, are mattresses, broken chairs, shepherds' crooks, and old goat bells, the remains of past lives intertwined in a slow decay. The beauty of the garden is lost with the years of neglect and no one to appreciate it. Juliet reluctantly enlists casual labour. She has no desire to share her world with anyone. The boys have grown, Mick has gone. This is her time now. Aaman has travelled to Greece from Pakistan illegally. His task is to find work and raise money for the harvester his village desperately needs to deliver them out of poverty. Poverty that is sending the younger generation to the cities, dividing families, and slowly destroying his community. What he imagined would be a heroic journey in reality is fraught with danger and corruption. He finds himself in Greece and follows the work, a little here, a little there. As time passes, he loses his sense of self. He is now an immigrant worker, illegal, displaced, unwanted, with no value. Some days he does not have enough money to feed himself, let alone to return home to Pakistan. In the village square, he waits for work, dawn not even broken. Juliet hires Aaman. Neither is entirely comfortable with their role. Juliet the Westerner, who has money and a valid passport, resents the intrusion even though she wants her garden cleared. Aaman needs the work and money but resents the humiliation. As the summer progresses, even though they are from vastly different backgrounds, cultures apart, they discover they have something in common, an event that has defined how they interact and even how they view themselves. Pieces of their lives they have kept hidden even from themselves are exposed. They are each other's catalysts to facing their own ghosts... ) Although the island looks harmless, Marina knows it harbours ghosts from the past. Nothing would induce her to visit there again - except to protect her daughter. Sara Alexi's second book is a romp packed with a troupe of colourful characters intertwining in a gripping story. By turn uproariously funny, touching or sad this book is the stuff of which all families are made. Hopes, fears, secrets and misunderstandings beset relationships. Discovery and acceptance bridge a divide. The Explosive Nature of Friendship Do you like books about people? Then you'll love this intimate portrait of a man searching for meaning... Set in an idyllic Greek village, with a backdrop of sea and sun, this book will transport you... Mitsos has spent the last twenty years trying to comes to terms with the events of a single day and all that led up to it. In his twilight years a surprising turn of events gives him a chance to rectify his biggest wrong and give himself the peace he is seeking. But is what he has wanted for the last twenty years what he still wants now and is he the man he thought he was? Set against a backdrop of a small Greek farming village, comedy and tragedy are present in equal measures.Sara transports you to a land of sea and sun as she explores what it means to be human, and fallible.The book examines the nature of friendship, and how our choices and our perceptions of our place in society can define us.