In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire. But alongside the black magic and disturbing disappearances, these stories are fueled by compassion for the frightened and the lost, ultimately bringing these characters—mothers and daughters, husbands and wives—into a surprisingly familiar reality. Written in hypnotic prose that gives grace to the grotesque, Things We Lost in the Fire is a powerful exploration of what happens when our darkest desires are left to roam unchecked, and signals the arrival of an astonishing and necessary voice in contemporary fiction.

    When the world crumbles and the dead walk, Kellie struggles to survive and find her way home, all the while sharing her tale with her diary.This is an account of our hypothetical past, present and future.

    THE TALKING STONE—A spaceship crew is planning on some illegal uranium mining with the help of on intelligent creature mode of rock. WHAT'S IN A NAME?—Everything. Especially when twin librarians ore involved in a murder. PÂTÉ DE FOIE GRAS—Just how did that goose lay the golden egg? Also included in the collection are: THE DYING NIGHT. THE DUST OF DEATH, A LOINT OF PAW, I'M IN MARSPORT WITHOUT HILDA, MAROONED OFF VESTA and ANNIVERSARY, OBITUARY, STAR LIGHT, THE KEY, and THE BILLIARD BALL.

    G. Wells, and Jules Verne to Ray Bradbury, Ursula K. Le Guin, and William Gibson. In The Best American Science Fiction and Fantasy award-winning editor John Joseph Adams delivers a diverse and vibrant collection of stories published in the previous year. Featuring writers with deep science fiction and fantasy backgrounds, along with those who are infusing traditional fiction with speculative elements, these stories uphold a longstanding tradition in both genres—looking at the world and asking, What if . . . ?  The Best American Science Fiction and Fantasy 2015 includes  Kelly Link, Neil Gaiman, Karen Russell T. C. Boyle, Sofia Samatar, Jo Walton, Cat Rambo Daniel H. Wilson, Seanan McGuire, Jess Rowand others  JOE HILL, guest editor, is the New York Times best-selling author of the novels Heart-Shaped Box, Horns, and NOS4A2 and the short story collection 20th Century Ghosts. He is also the writer of the comic book series Locke & Key.   JOHN JOSEPH ADAMS, series editor, is the best-selling editor of more than two dozen anthologies, including Brave New Worlds, Wastelands, and The Living Dead. He is also the editor and publisher of the digital magazines Lightspeed and Nightmare and is a producer of Wired’s podcast The Geek’s Guide to the Galaxy.

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    Before the vampire can kidnap her, there is an unexpected rescue by a group of vampire hunters. Overwhelmed by the feeling of safety, Chloe passes out and they whisk her away to their small community.When Chloe wakes, she comes face to face with the only other living relative, besides her mother, whom she has ever met: her grandfather. Chloe’s mother kept her hidden from the family; now, Chloe tries to unveil the family secrets.Through her grandfather, she learns her mother was a vampire hunter. In fact, her entire family is descended from the powerful bloodlines of vampire hunters. Chloe agrees to join the family she has never known for one reason only: Chloe vows to kill the vampire responsible for her mother’s murder.With vengeance in her soul, Chloe is even more determined to follow through on her vow when she discovers the true identity of her enemy and how he is connected to her.The Vampire Hunter's Daughter is the first in a series of short stories by Jennifer Malone Wright.

    This is Koontz's spellbinding collection of takes interconnected by the strange highways of human experience: adventures, terrors, failures and triumphs.

    My best friend Jody dared me to take a pack of gum from the Handy-Mart. In retrospect, I'm surprised my bumbling effort didn't land me in jail. It was hardly a covert mission but I did it. I did it, I loved it and I've been stealing ever since. Usually it's something small, just enough to give me the rush. Over the years, I've graduated up to pickpocketing which requires a bit more daring and a lot more finesse. I've never gotten caught and I suppose that's part of the thrill. Every time I take something I have to wonder if this is the day my luck will run out. This is the story of the day I stole from the wrong man. READER ADVISORY:Story contains content some readers may find objectionable, including voyeurism, exhibitionism, anal play, sex with strangers and extended orgasms. If you have a problem with orgasms, do not purchase this book.Book length: 4k words, 15 pages

    Using the knowledge left by his father, the Plague Doctor, he seeks to unlock the secrets of the universe, but weakness of the flesh won’t be ignored. The sordid overtures of his nymphomaniac sister, combined with his own perverse desires, soil his subjects before revelation can be found.Now the return of Philip’s father is imminent. Judgment is at hand, and if the fate of his mother taught him anything, it’s that one mustn’t disappoint the Plague Doctor.

    He handles things that ordinary paranormal investigators can't or won't, and he often ends up cleaning up behind them.For fifteen years, McCoy has turned his back on his hometown of Shallow Springs, Virginia, and the dark secrets the town harbors. But now an evil, unstoppable force has been unleashed on the unsuspecting residents of the town, and McCoy finds himself the only thing standing between the town and total destruction.

    Here we encounter a blind piano tuner whose wonderful memories of his first wife are cruelly distorted by his second; a woman in a difficult marriage who must choose between her indignant husband and her closest friend; two children, survivors of divorce, who mimic their parents' melodramas; and a heartbroken woman traveling alone in Italy who experiences an epiphany while studying a forgotten artist's Annunciation. Trevor is, in his own words, 'a storyteller. My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so.' Conscious or not, he touches us in ways that few writers even dare to try.

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    After spending the last year struggling to make it as a painter, all she has to show for it are bills she can't pay. Out of money and sick of struggling, she decides it's time to pack it up and head back to her hometown in New Hampshire.When she meets Ian Sinclair at her going away party, Nina's instantly attracted to his dark, smoldering looks and lean athletic body. When he asks her back to his apartment, she's willing to overlook the fact that he's a high-powered lawyer. It's just for one night, and guys as gorgeous as Ian don't come around every day.Ian has never had a problem getting women into his bed, but after his hot night with Nina, all he wants is more of her. So he makes the curvy painter a deal - stay in the city for a few weeks and he'll take care of everything.Nina agrees, even though she knows better than to get attached. He's a rich corporate suit, she's a struggling artist. But as the connection between them deepens and Ian takes her to places she's never been - both in and out of the bedroom - Nina doesn't know how much longer she can resist.Tempt Me is a 28,000 word steamy romance novella.

    Daniel Stone’s “Alternative Muses”; and a cult horror story in the jungles of South America in William Ritchey’s “Las Maquinas”.Vol.2, 3, and 4 now available. Proudly brought to you by Crystal Lake Publishing - Tales from the Darkest Depths Interview with the Authors: So what makes Tales from The Lake so special? Jennifer Loring: Tales from the Lake is one of the few anthology series where you can find a balance of established horror authors alongside new and emerging talent.J. Daniel Stone: Tales from the Lake is special, I think, first and foremost in that it's an open-themed horror collection. Themes tend to—more than I want to admit, and some might disagree—constrict writers. I don't like that about themes. But with Tales from the Lake we are reading stories by writers who are not given any rules. Just write what one loves and submit. That's wonderful. Tell us more about your story, and in which volume it appeared? Jennifer Loring: My story “The Fine Art of Wrecking” was the first place winner of the Tales from the Lake competition. It's based on the traditional legend of wreckers on the East Coast using false lights to run ships ashore to be plundered, but takes a Lovecraftian turn.J. Daniel Stone: My story “Alternative Muses” was the 2nd place winner in the original short story writing contest. The story focuses on a young couple who live on the fringes of society, but who soon are taken back to reality when they get pregnant. Things take a dark turn, and the need to transcend normality and complacency drive this story to a wicked ending.

    In this book you'll find two ghost stories and a tale of ancestral demoniac horror. In the big white house on the hill angels are said to appear . . . When the children left the house, their toys remained . . . A confused and vengeful presence occupies the home of a first-time buyer . . .