While the plot of the book was wildly imaginative, it was also based on the author's own experience as a sex worker in the 1990s and early 2000s, and on her coming out as lesbian.How Poetry Saved My Life, Amber Dawn's sophomore book, reveals an even more poignant and personal landscape—the terrain of sex work, queer identity, and survivor pride. This memoir, told in prose and poetry, offers a frank, multifaceted portrait of the author's experiences hustling the streets of Vancouver, and the how those years took away her self-esteem and nearly destroyed her; at the crux of this autobiographical narrative is the tender celebration of poetry and literature, that—as the title suggests—acted as a lifeline during her most pivotal moments.

    In a helicopter above the barren lands of the subarctic, in a canoe with his four-year-old son, aboard seaplanes, and along the Underground Railroad, Will's travels have taken him from Cape Spear on the coast of Newfoundland to the sun-dappled streets of old Victoria.Funny, poignant, and insightful, Beauty Tips from Moose Jaw is a provocative tribute to a land that is akin to a series of loosely connected outposts peopled with some of the most interesting folks in the world.

    Think of films such as Casablanca and The English Patient, of novels such as Wuthering Heights and Rebecca. Think of romantic, obsessive love, the hot bed of passion we fall into, the emotion we call true love. This is the subject of Rosemary Sullivan's provocative and fascinating book. Beginning with her own telling of a fictional love story, she then, chapter by chapter, deconstructs it, skillfully pushing back the layers of meaning to look at what is really happening. Using literature, mythology, film, and personal anecdote; with graceful writing and an intimate knowledge of the subject, Rosemary Sullivan has written an exploration of our desire for romantic love.

    This unique graphic anthology offers historical and cultural commentary on nine uncelebrated heroes whose stories are not often found in history books. Among the stories included are: Henry "Box" Brown, who escaped from slavery by mailing himself to Philadelphia; Alexander Crummel and the Noyes Academy, the first integrated school in America, established in the 1830s; Marshall "Major" Taylor, a.k.a. the Black Cyclone, the first black champion in any sport; and Bass Reeves, the most successful lawman in the Old West. Written and illustrated by Joel Christian Gill, the diverse art beautifully captures the spirit of each remarkable individual and opens a window into an important part of American history.

    In Dancing on Our Turtle's Back: Stories of Nishnaabeg Re-Creation, Resurgence, and a New Emergence activist, editor, and educator Leanne Simpson asserts reconciliation must be grounded in political resurgence and must support the regeneration of Indigenous languages, oral cultures, and traditions of governance.Simpson explores philosophies and pathways of regeneration, resurgence, and a new emergence through the Nishnaabeg language, Creation Stories, walks with Elders and children, celebrations and protests, and meditations on these experiences. She stresses the importance of illuminating Indigenous intellectual traditions to transform their relationship to the Canadian state.Challenging and original, Dancing on Our Turtle's Back provides a valuable new perspective on the struggles of Indigenous Peoples.

    In June 2013, three upstanding citizens of a small Cape Breton town cold-bloodedly murdered their neighbour, Phillip Boudreau, at sea. While out checking their lobster traps, two Landry cousins and skipper Dwayne Samson saw Boudreau in his boat, the Midnight Slider, about to vandalize their lobster traps. Like so many times before, Boudreau was about to cost them thousands of dollars out of their seasonal livelihood. One man took out a rifle and fired four shots at Boudreau and his boat. To finish the job, they rammed their own larger boat over the top of his speedboat. Boudreau's body was never found. Then they completed the day's fishing and went home to Petit de Grat on Isle Madame.Boudreau was a Cape Breton original--an inventive small-time criminal who had terrorized and entertained Petit de Grat for two decades. He had been in prison for nearly half his adult life. He was funny and frightening, loathed, loved, and feared. One neighbour says he would steal the beads off Christ's moccasins--then give the booty away to someone in need. He would taunt his victims, and threaten them with arson if they reported him. He was accused of one attempted rape. Meanwhile the police and the Fisheries officers were frustrated, cowed, and hobbled by shrinking budgets. Boudreau seemed invincible, a miscreant who would plague the village forever.Cameron, a resident of the area since 1971, argues that the Boudreau killing was a direct reaction to credible and dire threats that the authorities were powerless to neutralize. As many local people have said, if those fellows hadn't killed him, someone else would have. Like Say Nothing, The Perfect Storm, The Golden Spruce, and Into Thin Air, this book offers a dramatic narrative set in a unique, lovingly drawn setting, where a story about one small community has universal resonance. This is a story not about lobster, but about the grand themes of power and law, security and self-respect. It raises a disturbing question: Are there times when taking the law into your own hands is not only understandable but the responsible thing to do?

    1989. A city on the brink of utter economic collapse. On the brink of violence. Driving home one night, unlikely passengers Jamie Garrison and Moses Moon hit a lion at fifty miles an hour. Both men stumble away from the freak accident unharmed, but neither reports the bizarre incident. Haunted by the dead lion, Moses storms through the frozen city with his pathetic crew of wannabe skinheads searching for his mentally unstable mother. Jamie struggles with raising his young daughter and working a dead-end job in a butcher shop, where a dead body shows up in the waste buckets out back. A warning of something worse to come. Somewhere out there in the dark, a man is still looking for his lion. His name is Astor Crane, and he has never really understood forgiveness.

    The perpetrators were members of the Front de lib�ration du Qu�bec, dedicated to establishing a sovereign and socialist Quebec. Half a century on, we should have reached some clear understanding of what led to the October Crisis. Instead, too much attention has been paid to the Crisis and not enough to the years preceding it.Most of those who have written about the FLQ have been ardent nationalists, committed sovereigntists or former terrorists. They tell us that the authorities should have negotiated with the kidnappers and contend that Jean Drapeau's administration and the governments of Robert Bourassa and Pierre Trudeau created the October Crisis by invoking the War Measures Act. Using new research and interviews, D'Arcy Jenish tells for the first time the complete story--starting from the spring of 1963. This gripping narrative by a veteran journalist and master storyteller will change forever the way we view this dark chapter in Canadian history.

    One month after her wedding, a police officer arrived at her door to tell her that her husband, Jason, had been arrested and charged in the brutal assault and kidnapping of two women. In the aftermath of these crimes, Shannon dealt with a heavy burden of grief, the stress and publicity of a major criminal investigation, and the painful stigma of guilt-by-association, all while attempting to understand what had made Jason turn to such violence.In this intimate and gripping journey into prisons, courtrooms and the human heart, Shannon reveals the far-reaching impact of Jason's crimes, the agonizing choices faced by the loved ones of offenders and the implicit dangers of a correctional system and a society that prioritizes punishment over rehabilitation, and victimhood over recovery.

    They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found.I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon.Biko's writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.

    Set in Cypress Hills in southern Saskatchewan, where Stegner's family homesteaded from 1914 to 1920, Wolf Willow: A History, a Story & a Memory of the Last Plains Frontier brings to life both the pioneer community and the magnificent landscape that surrounds it. This Twentieth-Century Classics edition includes a new introductory essay by Page Stegner.

    Born in Tokyo but also raised and educated in the United States, Minae Mizumura acknowledges the value of a universal language in the pursuit of knowledge, yet also embraces the different ways of understanding offered by multiple tongues. She warns against losing this precious diversity.Universal languages have always played a pivotal role in advancing human societies, Mizumura shows, but in the globalized world of the Internet, English is fast becoming the sole common language of humanity. The process is unstoppable, and striving for total language equality is delusional--and yet, particular kinds of knowledge can be gained only through writings in specific languages.Mizumura calls these writings "texts" and their ultimate form "literature." Only through literature, and more fundamentally through the diverse languages that give birth to a variety of literatures, can we nurture and enrich humanity. Incorporating her own experiences as a writer and a lover of language, and embedding a parallel history of Japanese, Mizumura offers an intimate look at the phenomena of individual and national expression.

    Hurtful and dishonest, such representations force African American women to navigate a virtual crooked room that shames them and shapes their experiences as citizens. Many respond by assuming a mantle of strength that may convince others, and even themselves, that they do not need help. But as a result, the unique political issues of black women are often ignored and marginalized.In this groundbreaking book, Melissa V. Harris-Perry uses multiple methods of inquiry, including literary analysis, political theory, focus groups, surveys, and experimental research, to understand more deeply black women's political and emotional responses to pervasive negative race and gender images. Not a traditional political science work concerned with office-seeking, voting, or ideology, Sister Citizen instead explores how African American women understand themselves as citizens and what they expect from political organizing. Harris-Perry shows that the shared struggle to preserve an authentic self and secure recognition as a citizen links together black women in America, from the anonymous survivors of Hurricane Katrina to the current First Lady of the United States.

    It makes her feel special, which is important when you're the middle child: not the smartest, or the best-looking, or a boy. The Depression years are hard ones, with her father out of work and the family struggling to make ends meet. But irrepressible Booky, with her big imagination and even bigger plans, can tackle anything. A sharp-eyed kid can find plenty to see and do without spending a cent. Even if it does get her into scrapes!

    Oh, and did we mention her sense of humour? Jann's natural comedic talents translate seamlessly into her writing, and her dedicated fans will delight in the details of this memoir--where there is no such thing as too much information. Readers will learn about how her brother used to steal her maxi pads to repurpose as GI Joe bunk beds and how she once got gum stuck in her hair so badly that when she woke up her head was glued to the pillow. But with the good times come the bad, and Jann opens up about the darker side of her so-called prairie-perfect nuclear family and the first signs that her brother was a uniquely troubled young man. Jann's readable prose keeps the reader tuned in as she reminds us of the inestimable value of having a teacher who believes in you, wide-open spaces to play and be a child, and a good mother.