Don’t worry—this isn’t the typical redemptive coming-of-age tale of a young woman and her glorious triumph over tragedy or any such nonsense. It’s simply a hilarious—occasionally poignant—book filled with interesting art, absurd humor and plenty of amusing self-deprecation. Box by box, Wertz chronicles four sketchy apartments, seven terrible jobs, family drama, traveling fiascos, and too many whiskey bottles to count.

    Only the love of Silvia, his girlfriend, can save him. To help him, she goes to a strange doctor, who will guide her on a journey between reality and myth... This is an early work of the internationally acclaimed cartoonist, rendered in a striking red and black two-color palette.

    He daydreams about the day when his band records its first monster hit single and he and his bandmates all pile into his van for their cross-country, sold-out concert tour. Between naps, study hall, and band practice, Jeremy still manages to find time to be the star of this hugely popular comic strip.Jeremy is a good kid. He is intelligent and kind, yet he still has the attitude that one would expect from a teenager. His unpredictable mood swings and monosyllabic answers to his parents’ mild-mannered questions often leave them baffled and bemused.Zits was created in 1997 by Pulitzer Prize– and Reuben Award–winning editorial cartoonist Jim Borgman and Reuben Award–winning cartoonist/writer Jerry Scott. The creators, who are parents themselves, have a keen insight into the many physical and emotional changes that teens go through during adolescence, and they have the gift of addressing these common dilemmas with compassion and humor.

    Berkeley Breathed’s Bloom County burst onto the American comic scene in December 1980 and it soon became one of the most popular comic strips of all time. The endearing and quirky denizens of the strip included Milo Bloom, Steve Dallas, Michael Binkley, Cutter John, Bill the Cat, and Opus the Penguin. Bloom County was a strip that dealt with many issues relevant to the period. Occasional “Context comments” are added throughout this collection, giving the reader a greater understanding of the time. This is the first time Bloom County has been collected in a digital library. IDW will add more volumes, one year per volume. Each newspaper strip is reproduced in chronological order from first to last. Great effort has been made to ensure the highest production values are achieved.

    Gwen Stacy has lost her spider-powers! Which makes this a very bad time to fi nd herself in Frank Castle's crosshairs! So when the Mary Janes head to a haunted house, will Gwen be along for the fun, or will she be one of the ghosts? Thanksgiving should be a happy time with friends and family - unless crime lord Matt Murdock and his ninjas crash the party! Is it time for Gwen to put a stop to the Kingpin of Crime - or does Matt have a thing or two to teach her? Plus, the Mary Janes get loud and Gwen spends some time with her ever-expanding social circle - including Captain America! She-Hulk?! Her BPFF (best pig friend forever) Spider-Ham! And her new body-swapping bud, the All-New Wolverine! COLLECTING: SPIDER-GWEN (2015B) 7-15, SPIDER-GWEN ANNUAL 1, ALL-NEW WOLVERINE ANNUAL 1

    THE AGE OF X-MAN DAWNS…AND THE X-MEN CANNOT STOP IT.

    The surviving Imperial forces are torn by civil war and harassed by rebel attacks. One of these raids ends in disaster: Luke Skywalker and Lando Calrissian are shot down over the former Imperial City. When news reaches Han Solo and Leia Organa, they rush to the rescue (along with Wookiee Chewbacca and droid C-3PO, of course!) But there's something else rushing toward the Imperial City…something that wants Luke.

    

    Is it even possible for the living and the dead to co-exist?

    If they are lucky, they can recruit Fenris—the Blue Wraith—whose vendetta against his former master has put him on a similar path.

    McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.' Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creations--from Felix the Cat to Bugs Bunny to feature films such as Fantasia--which became an integral part and reflection of American culture over the next five decades.Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often "little hand grenades of social and political satire." Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. "During its first half-century," Mitenbuler writes, "animation was an important part of the culture wars about free speech, censorship, the appropriate boundaries of humor, and the influence of art and media on society." During WWII it also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals.Wild Minds is an ode to our colorful past and to the creative energy that later inspired The Simpsons, South Park, and BoJack Horseman.

    But when she buys a mysterious old cat costume, she and Kim find themselves in wholly new territory: the lost world of Alias the Cat who, in 1915, appeared not only in a comic strip and film serial, but in real life as a freedom-fighting superhero.When Kim begins to research this forgotten figure, he uncovers one almost unbelievable story after another: about the Furries, a tiny subculture of people who dress up as cartoon animals in order to have sex; about Keller and Frankie, two seamen stranded on a Pacific island, forced to make cat toys to appease the natives; about the secret lover of Alias’s alter ego, Malek Janochek; and, of course, about Deitch’s own Waldo the Cat, the common thread weaving the stories together as Kim and Pam move toward a fateful showdown in Midgetville...New Jersey, of course.Alias the Cat is Kim Deitch at his eye-catching, mind-bending best.

    3.The critically acclaimed graphic novel series Transmetropolitan shoves readers' outdated brains into a MRI scanner and rewires their flabby cortexes into screaming processors of truth!Spider Jerusalem gets a whole new take on the world, courtesy of the untreated mental patients spat back onto the street by a collapsing healthcare system. Then Spider Jerusalem starts having blackouts and episodes of mental confusion that are not related to his usual diet of narcotics and whiskey! The story continues as the White House has utilized its emergency powers still in place over the City and introduced martial law! Federal controls are quietly being placed over the media; controls they usually roll over for. And it's all Spider Jerusalem's fault! The government troops enforcing martial law across a spreading area of the City just put a lit match to the social tinderbox. All the tensions of the last two years are going to turn into a fireball, and Spider and his team have nowhere left to run!Collects Transmetropolitan #40-60, completing the series. The collection features a new introduction by writer/co-creator Warren Ellis, new slipcase art by artist/co-creator Darick Robertson and a bonus section with a complete script and pencils for an issue as well as a photo feature on Transmet collectibles.

    When the parents announce their divorce, the family comes together at their beach house for a week. Dennis, the eldest son, is having marriage troubles of his own, and searches for clues, trap doors, and secret tunnels. Claire, the middle child, is a single mother with a troubled 16-year-old daughter, Jill. The youngest child, Peter, is a hack filmmaker suffering from paralyzing insecurities who establishes an unorthodox romance with a mysterious day care counselor at the beach.

    85 Cartoons